What does America look like? It depends on your perspective. The printmaker and sculptor H.C. Westermann fought in two wars, was a master carpenter, a student at the School of the Art Institute, Chicago, and worked for a time as an acrobat. His unique outlook pervades his work’s indefinable style and distinctive obsidian humour. Westermann inspired the next generation of American underground artists, including the Bay Area’s 'funk art' scene and legendary Chicago Imagists Hairy Who — but since a 1978 retrospective at the Whitney Museum in New York, there hasn’t been an ambitious attempt to survey his work. Opening at Venus Over Manhattan in New York this week, ‘See America First’ is a major presentation of H.C. Westermann’s work.
‘I have spent months studying the work and now I have become a total fanatic geek on both the artist, the man and his work. He made very little work — about 350 pieces of significance in the catalog raisonneé,' says gallery owner Adam Lindemann, who curated the show. Lindemann was friends with the sons of Allan Frumkin, Westermann’s longtime dealer, and came into contact with Westermann’s work at their house as a child.
It’s through this personal connection that Lindemann was able to access 20 illustrated letters sent from Westermann to Frumkin during a road trip in America. Lindemann says, 'These letters are full of wild drawings and fantasies, they are just amazing.' The letters will be presented alongside a collection of 100 sculptures and works on paper.
While changing morals, militarism and materialism in pre and postwar US are themes in Westermann’s work, he also conveys a complex perspective of nationhood that is a concern as contemporary as ever.
‘See America First’ is a major presentation of H.C. Westermann’s work. The last retrospective of the artist was organised at the Whitney Museum in New York in 1978
The artist H.C. Westermann, who fought in two world wars, was a master carpenter, a student at the School of the Art Institute, Chicago, and worked for a time as an acrobat, amongst other things
Venus Over Manhattan's exhibition presents personal letters of the artist's alongside a collection of 100 sculptures and works on paper. Pictured: 'Texas Cactus', 1979-80, douglas fir, plywood, sugar pine, enamel, masonite, sapling
Gallery owner Adam Lindemann was friends with the sons of Allan Frumkin, Westermann’s longtime dealer, and was able to access 20 illustrated letters sent from Westermann to Frumkin during a road trip in America. Pictured: 'Death Ship Runover by a '66 Lincoln Continental', 1966, pine, plate glass, ebony, US dollar bills, putty, brass, ink
‘See America First’ is a major presentation of H.C. Westermann’s work, in the artist’s native city. Pictured: 'Swingin' Red King', 1961, pine, pine moulding, plywood, enamel
INFORMATION
'See America First' runs until 19 December
Photography courtesy of Venus Over Manhattan
ADDRESS
Venus Over Manhattan
980 Madison Avenue
3rd Floor
New York
-
Dhammada Collective brings participatory design and cultural preservation to the fore in IndiaDhammada Collective, in India's Bhopal, combines participatory design with cultural preservation to foster sustainable growth
-
Year in review: top 10 design stories of 2024Wallpaper* magazine's 10 most-read design stories of 2024 whisk us from fun Ikea pieces to the man who designed the Paris Olympics, and 50 years of the Rubik's Cube
-
Sharon Smith's Polaroids capture 1980s New York nightlifeIDEA Books has launched a new monograph of Smith’s photographs, titled Camera Girl and edited by former editor-in-chief of LIFE magazine, Bill Shapiro
-
‘Gas Tank City’, a new monograph by Andrew Holmes, is a photorealist eye on the American West‘Gas Tank City’ chronicles the artist’s journey across truck-stop America, creating meticulous drawings of fleeting moments
-
Intimacy, violence and the uncanny: Joanna Piotrowska in PhiladelphiaArtist and photographer Joanna Piotrowska stages surreal scenes at the Institute of Contemporary Art at the University of Pennsylvania
-
First look: Sphere’s new exterior artwork draws on a need for human connectionWallpaper* talks to Tom Hingston about his latest large-scale project – designing for the Exosphere
-
Marc Hom reframes traditional portraiture in Cooperstown, NY‘Marc Hom: Re-Framed’ has taken over the grounds of the Fenimore Art Museum, Cooperstown, planting Samuel L Jackson, Gwyneth Paltrow and more ‘personalities of the world’ into the landscape
-
Alexander May, founder of LA studio Sized, on the joys of creative polymathyCreative director Alexander May tells us of the multidisciplinary approach that drives his LA studio Sized and its offspring, a 5,000 sq ft event space and an exhibition series
-
50 of America’s top creatives, photographed by Inez & VinoodhPhotographed exclusively for Wallpaper* by Inez & Vinoodh, we present a portfolio of 50 creatives driving the current discourse on American culture and its dynamic evolution
-
Nona Faustine confronts the past in New YorkArtist Nona Faustine reframes New York's colonial past in an exhibition at the Brooklyn Museum
-
How the west won: Ivan McClellan is amplifying the intrepid beauty of Black cowboy cultureIn his new book, 'Eight Seconds: Black Cowboy Culture', Ivan McClellan draws us into the world of Black rodeo. Wallpaper* meets the photographer ahead of his Juneteenth Rodeo
