Reconfiguring the figure in contemporary art
At Timothy Taylor, New York, a new exhibition, ‘Reconfigured’ – featuring work by Polly Brown – invites us to re-examine the body as a subject
In ‘Reconfigured’, curated by Rose Easton, the work of ten UK-based artists spanning painting, sculpture, photography, print, film, and animation, challenges our preconceptions of how the body can be depicted in contemporary art.
Photographer Polly Brown’s work often reveals elements of a body – frequently her own – in conceptual, often humorous compositions. As she explains further, ‘the use of the figure in my pictures has mainly been one of functionality. A hand or foot is there to activate the scene; a flailing limb purposefully left in the shot points towards the kinetic. The body is often simply another prop, a tool to further the set up of the picture.’
Brown produced a new body of work for 'Reconfigured', loosely responding to the 19th-century French author Felix Fénéon’s Novels in Three Lines. Here, we see sculptural still lifes blur our perceptions of the figure and extract just a whisper of narrative to draw us in. The photographer speaks about the new series in the context of her wider practice: ‘The process of making this new series has evolved and formalised my works’ relationship to the body. I saw these new works more as obscured portraits.'
In ‘Reconfigured’, The body becomes not just a prop, but also a blank canvas. ‘Using sculptural elements (soot, clay, metal and wood) combined with prints and domestic props, I found I could use the figure to convey whole narratives,’ she says. ‘I liked how this reductive style mirrored the writings of Fénéon. Characters and their fates could be symbolised in small gestures or poses. The body was at once a butcher, a baker and a candlestick maker.’
As Easton says of Brown's work, ‘when thinking about different ways to consider the body and its many guises, I have always enjoyed Polly’s treatment of the figure in her ongoing practice — abstracted, playful, awkward, with a gentle hint of irony.’
‘Reconfigured’ – which also features contemporary art by Isabella Benshimol Toro, Onyeka Igwe, Gabriella Boyd, Matt Copson, Patrick H. Jones, Olu Ogunnaike, George Rouy, Mike Silva and Jala Wahid – offers an distinctive and unexpected exploration of the figure, as Easton concludes, ‘especially in this contemporary moment’.
INFORMATION
’Reconfigured’, until 12 June 2021, Timothy Taylor, New York. timothytaylor.com
ADDRESS
518 West 19th Street
New York, NY 10011
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Holly Hay is the Photography Director at Wallpaper* Magazine having previously held titles as AnOther and GARAGE magazines. Holly is a regular lecturer at Central Saint Martins and London College of Fashion as well as working on photography direction for a number of luxury brands.
-
The 24 best photographs of 2024, shot for the pages of Wallpaper*
Photography editor, Sophie Gladstone, completes her year in review, with some personal highlights from Wallpaper* photographers in 2024
By Sophie Gladstone Published
-
Time, beauty, history – all are written into trees in Karimoku Research Center's debut Tokyo exhibition
The layered world of forests – and their evolving relationship with humans – is excavated and reimagined in 'The Age of Wood', a Tokyo exhibition at Karimoku Research Center
By Danielle Demetriou Published
-
Tour Xi'an's remarkable new 'human-centred' shopping district with designer Thomas Heatherwick
Xi'an district by Heatherwick Studio, a 115,000 sq m retail development in the Chinese city, opens this winter. Thomas Heatherwick talks us through its making and ambition
By David Plaisant Published
-
Inside Luna Luna: the amusement park designed by artists lands in New York
‘Luna Luna: Forgotten Fantasy’ – featuring rides by Basquiat, Lichtenstein, Hockney, Haring, and Dalí – has opened at The Shed
By Osman Can Yerebakan Published
-
Henni Alftan’s paintings frame everyday moments in cinematic renditions
Concurrent exhibitions in New York and Shanghai celebrate the mesmerising mystery in Henni Alftan’s paintings
By Osman Can Yerebakan Published
-
Brutalism in film: the beautiful house that forms the backdrop to The Room Next Door
The Room Next Door's production designer discusses mood-boarding and scene-setting for a moving film about friendship, fragility and the final curtain
By Anne Soward Published
-
'There’s an anxiety under all of it': Violet Dennison in New York
Violet Dennison debuts abstract paintings with new show 'Damaged Self' at Tara Downs Gallery
By Mary Cleary Published
-
‘Gas Tank City’, a new monograph by Andrew Holmes, is a photorealist eye on the American West
‘Gas Tank City’ chronicles the artist’s journey across truck-stop America, creating meticulous drawings of fleeting moments
By Jonathan Bell Published
-
Mark Armijo McKnight’s bodily landscapes capture the tactile serenity of the American West
The artist’s new exhibition at the Whitney Museum, which is organised by the museum curator Drew Sawyer, offers a succinct window into his contemplative suggestion of queering a landscape
By Osman Can Yerebakan Published
-
Dark, glamorous and hedonistic: a photography book captures New York in the 1990s
New York: High Life, Low Life, by Dafydd Jones, goes behind the scenes of New York society
By Hannah Silver Published
-
Derrick Alexis Coard’s portraits are a sensitive, positive testimony to Black men
The late artist Derrick Alexis Coard’s retrospective ‘I Am That I Am’, at New York’s Salon 94, honours his ‘symbolic expression for possible change for the African-American male community’
By Tianna Williams Published