Artist Ryan Gander likes nothing more than play camps with his three-year-old daughter. For his latest show at the Lisson Gallery, he has immortalised her den-making in marble.
In what is sure to be a summer crowd puller, Gander has also filled one room with a giant sculpture made of discarded bits of stainless steel - a parody on the overuse of the material. In another, a sculpture of his nose is displayed in a cabinet made of smart glass. But you don't get to see it because as soon as you approach it, the glass clouds over.
Entitled 'The Fallout of Living', the show revolves around themes of visibility and the hidden and reveals Gander as the ultimate visual joker. But Gander is having to share the limelight. In a rare move, and to coincide with the Olympics, the Lisson is hosting a double whammy, with Julian Opie on show in its other gallery along the street. Says Lisson curatorial director Greg Hilty; 'we chose to show both artists simultaneously this August because of the Olympics and because they have international appeal. Opie has been with us since 1983 and Gander has a great presence this year at Documenta in Kassel.'
Opie too, has created an impressive new body of work for the show. His trademark walking figures appear on canvas, granite and stone, and have been reworked with contemporary consumer symbols - Chanel handbags, Superdry shopping bags and smartphones.
There are series of mosaic portraits made by a master craftsman from Rome, and portraits on Perspex of his wife naked. A series of painted Romanesque busts of friends and family are constructed using advanced 3D laser scanner technology. Old forms are juxtaposed with new media and portraits of elegant women adopting Old Masters poses include Diane von Furstenberg in a wrap dress.
And just in case you were in any doubt as to who was on show, a monumental LED sculpture of a galloping horse, stuck high on a plinth in the courtyard, stands above the gallery walls and is visible the whole way down the street.
'I is... (I)', by Ryan Gander, 2012.
'Tell my mother not to worry (ii)', by Ryan Gander, 2012.
'Tell my mother not to worry (ii)', by Ryan Gander, 2012.
'Associative Ghost Template # 2', in Perspex, by Ryan Gander, 2012. Courtesy of the artist and Lisson Gallery
'More really shiny things that don't mean anything', in stainless steel, by Ryan Gander, 2011.Courtesy of the artist and Lisson Gallery
'The way things collide (macaron, meet stool)', by Ryan Gander, 2012, in mixed media. Courtesy of the artist and Lisson Gallery
’The way things collide (macaron, meet stool)’, by Ryan Gander, 2012, in mixed media. Courtesy of the artist and Lisson Gallery
'The way things collide (condom, meet USM cabinet)', by Ryan Gander, 2012, in mixed media (carved beech). Courtesy of the artist and Lisson Gallery
’The way things collide (condom, meet USM cabinet)’, by Ryan Gander, 2012, in mixed media (carved beech). Courtesy of the artist and Lisson Gallery
'Aniela disrobed 7', by Julian Opie, 2011. Enamel on glass (with steel base). © Julian Opie and Lisson Gallery
'Aniela at the spring', by Julian Opie, 2011. Enamel on glass (with steel base). © Julian Opie and Lisson Gallery
'Daniel', by Julian Opie, 2012. Paint on resin (with corian base). © Julian Opie and Lisson Gallery
Installation view at Lisson Gallery. © Julian Opie and Lisson Gallery
'Woman with shopping bag and scarf', by Julian Opie, 2012. Vinyl on wooden stretcher. © Julian Opie and Lisson Gallery
'Man in pinstripe suit with laptop', by Julian Opie, 2012. Vinyl on wooden stretcher. © Julian Opie and Lisson Gallery
'Man in parka', by Julian Opie, 2012. Vinyl on wooden stretcher. © Julian Opie and Lisson Gallery
'Peeing boy' and 'Galloping horse', by Julian Opie, 2012. © Julian Opie and Lisson Gallery
Installation view at Lisson Gallery. Courtesy of Lisson Gallery
ADDRESS
Lisson Gallery
52-54 Bell Street
London, NW1 5DA
-
The all-electric Mini Aceman desperately wants you to have a good time behind the wheelWhat ingredients make up Mini’s secret sauce, and can an electrified version retain the flavour? We sample the Aceman EV to find out
-
The best beauty products of the month, from Prada mascara to Westman Atelier’s bronzing dropsThe best beauty products of the month, selected by Wallpaper*, include a new Prada mascara, Westman Atelier’s bronzing drops and more
-
‘Ranger’: documenting ‘the first female conservation ranger programme in East Africa’‘Ranger’, a new film set in Kenya’s Maasai homeland, tells the story of 12 women who became East Africa’s first all-female anti-poaching unit
-
‘There's a lot to fear and a lot to love in this world’: Penny Goring unveils new work in LondonA new collection of large-scale collages takes centre stage at 'Penny Goring: Cold Hunt Corsage' at Arcadia Missa, London
-
‘Leigh Bowery!’ at Tate Modern: 1980s alt-glamour, club culture and rebellionThe new Leigh Bowery exhibition in London is a dazzling, sequin-drenched look back at the 1980s, through the life of one of its brightest stars
-
‘Yay, To Have a Mouth!’: a London show explores our oral fixation, from Freud to fairytalesThis group show at Rose Easton gallery in east London, created in collaboration with Ginny on Frederick, uncovers our fascination with the mouth
-
High low culture and the sickly sweetness of Tootsie Rolls: Derrick Adams in LondonDerrick Adams plays with themes of Black Americana in ‘Situation Comedy’ at Gagosian London.
-
The Barbican as muse: composer Shiva Feshareki on bringing the brutalist icon to life through musicFor the last two years, British-Iranian experimental composer and turntablist Shiva Feshareki has been drawing on the Barbican’s hidden history as a gateway for her new piece. She talks to Wallpaper* about her Brutalist muse
-
Out of office: what the Wallpaper* editors have been doing this weekA taste of the dolce vita in London, some permanent artwork and a new eyeshadow palette – it's our editors' picks of the week
-
'We need to be constantly reminded of our similarities' – Jonathan Baldock challenges the patriarchal roots of a former Roman temple in LondonThrough use of ceramics and textiles, British artist Jonathan Baldock creates a magical and immersive exhibition at ‘0.1%’ at London's Mithraum Bloomberg Space
-
Discover Rotimi Fani-Kayode's fluid photographs of the queer male body, on show in London‘Rotimi-Fani Kayode: The Studio – Staging Desire’ at Autograph ABP celebrates the work of the Nigerian-born photographer
