Both Nigerian British installation artist Yinka Shonibare and the Ghanaian El Anatsui have captured considerable global acclaim, while a wide range of lesser known contemporary African artists are just beginning to garner attention. Leading the way is Ugochukwu-Smooth C Nzewi, curator of African Art at the Dartmouth College Hood Museum of Art and co-curator of the 11th edition of the Dak’Art Biennale in Senegal. He's also responsible for the exhibition ‘Guess Who’s Coming to Dinner?' – a nod to the 1967 Katharine Hepburn and Sidney Poitier film – at the Lower East Side's Richard Taittinger Gallery. The show features 12 artists and photographers, focussing predominantly on those from Kenya, Ethiopia and Nigeria.
'Despite the fact that London, as well as New York, boasts specialty fairs, the art world has yet to fully grasp the diversity of the artistry on view,' says Nzewi. What's more, he isn't merely a curator and art historian – he's a practicing artist in his own right.
All of the artists on show explore sensitive issues of race and marginalisation. Photographer Halida Boughriet examines the enduring isolation of Africans in Diner des anonymes, from her 'Pandora' series. Others, like Uche Uzorka, turn to collage, charcoal, paint and ink to reflect urban street culture.
A wide number participated in the latest iteration of Senegal's Dak’Art Biennale and some, such as Boughriet, have seen their work showcased in the Centre Pompidou. The work of Ephrem Solomon Tegegn can also be found in the Saatchi Collection.
'The show will further contribute to the groundswell of interest in these artists internationally,' concludes Richard Taittinger.
All of the artists on view explore sensitive issues of race and marginalisation. Pictured: Diner des anonymes by Halida Boughriet, 2014 – the image examines the enduring isolation of Africans
The exhibition is curated by Ugochukwu-Smooth C Nzewi, a practicing artist in his own right. Pictured: Untitled (from the 'Forbidden Fruit' series) by Ephrem Solomon Tegegn, 2015
Untitled (from the 'Forbidden Fruit' series) by Ephrem Solomon Tegegn, 2014. Solomon's work can also be found in the Saatchi Collection
Alien Indigene, Alien Citizen by Uche Uzorka, 2014. Uzorka uses collage, charcoal, paint and ink to reflect urban street culture
Image from the 'Chrysanthemes' series by Amina Menia, 2009
Image from the 'Portraits de Famille' series by Amalia Ramanankirahina, 2010–2014
Waiting the Vote of the Beasts by Gopal Dagnogo, 2014
ADDRESS
Richard Taittinger Gallery
154 Ludlow Street
New York, NY 10002
-
ICON 4x4 goes EV, giving their classic Bronco-based restomod an electric twistThe EV Bronco is ICON 4x4’s first foray into electrifying its range of bespoke vintage off-roaders and SUVs
-
‘Dressed to Impress’ captures the vivid world of everyday fashion in the 1950s and 1960sA new photography book from The Anonymous Project showcases its subjects when they’re dressed for best, posing for events and celebrations unknown
-
Inside Camperlab’s Harry Nuriev-designed Paris store, a dramatic exercise in contrastThe Crosby Studios founder tells Wallpaper* the story behind his new store design for Mallorcan shoe brand Camperlab, which centres on an interplay between ‘crushed concrete’ and gleaming industrial design
