Speaking up: a celebration of African contemporary art at Richard Taittinger Gallery

Abstract painting of a person with two tiny white specks for eyes
‘Guess Who’s Coming to Dinner?’ is now on show at the Lower East Side's Richard Taittinger Gallery. The exhibition features 12 artists and photographers predominantly from Kenya, Ethiopia and Nigeria. Pictured: The Strangeness of Madness IV by Beatrice Wanjiku Njoroge, 2015
(Image credit: TBC)

Both Nigerian British installation artist Yinka Shonibare and the Ghanaian El Anatsui have captured considerable global acclaim, while a wide range of lesser known contemporary African artists are just beginning to garner attention. Leading the way is Ugochukwu-Smooth C Nzewi, curator of African Art at the Dartmouth College Hood Museum of Art and co-curator of the 11th edition of the Dak’Art Biennale in Senegal. He's also responsible for the exhibition ‘Guess Who’s Coming to Dinner?' – a nod to the 1967 Katharine Hepburn and Sidney Poitier film – at the Lower East Side's Richard Taittinger Gallery. The show features 12 artists and photographers, focussing predominantly on those from Kenya, Ethiopia and Nigeria.

'Despite the fact that London, as well as New York, boasts specialty fairs, the art world has yet to fully grasp the diversity of the artistry on view,' says Nzewi. What's more, he isn't merely a curator and art historian – he's a practicing artist in his own right.

All of the artists on show explore sensitive issues of race and marginalisation. Photographer Halida Boughriet examines the enduring isolation of Africans in Diner des anonymes, from her 'Pandora' series. Others, like Uche Uzorka, turn to collage, charcoal, paint and ink to reflect urban street culture.

A wide number participated in the latest iteration of Senegal's Dak’Art Biennale and some, such as Boughriet, have seen their work showcased in the Centre Pompidou. The work of Ephrem Solomon Tegegn can also be found in the Saatchi Collection.

'The show will further contribute to the groundswell of interest in these artists internationally,' concludes Richard Taittinger.

A child sitting at a dining table opposite a standing woman. Another child under the table

All of the artists on view explore sensitive issues of race and marginalisation. Pictured: Diner des anonymes by Halida Boughriet, 2014 – the image examines the enduring isolation of Africans

(Image credit: TBC)

Painting of a woman from the side, geometric patterns in the background

The exhibition is curated by Ugochukwu-Smooth C Nzewi, a practicing artist in his own right. Pictured: Untitled (from the 'Forbidden Fruit' series) by Ephrem Solomon Tegegn, 2015

(Image credit: TBC)

Image of a man from the side, with black and white checkerboard pattern in the background

Untitled (from the 'Forbidden Fruit' series) by Ephrem Solomon Tegegn, 2014. Solomon's work can also be found in the Saatchi Collection

(Image credit: TBC)

Painting in three horizontal stripes. From top: red, black, aqua

Alien Indigene, Alien Citizen by Uche Uzorka, 2014. Uzorka uses collage, charcoal, paint and ink to reflect urban street culture

(Image credit: TBC)

Tapering stone monument with inscriptions, standing in front of water

Image from the 'Chrysanthemes' series by Amina Menia, 2009

(Image credit: TBC)

Black and white image of a woman sitting in a chair, with a digitally-designed net over her head

Image from the 'Portraits de Famille' series by Amalia Ramanankirahina, 2010–2014

(Image credit: TBC)

Abstract painting of two round-back chairs, shoes and a dog

Waiting the Vote of the Beasts by Gopal Dagnogo, 2014

(Image credit: TBC)

ADDRESS

Richard Taittinger Gallery 
154 Ludlow Street
New York, NY 10002

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