Throughout her career, St. Vincent has prodded and poked at the idea of persona and identity, building worlds to accompany each record and embodying a series of (seriously well-dressed) characters.
As part of her guest editorship, St. Vincent and long-time stylist Avigail Collins went digging in the archives, to revisit some of her most striking looks and the moments in time they represent.
Black jumpsuit worn for the St. Vincent tour, 2014
Custom-made fluorescent orange latex dress by Atsuko Kudo for the ‘Masseduction’ tour, 2017
St. Vincent: 'This is a latex dress by a really epic designer, Atsuko Kudo, who made some really epic pieces for the Masseduction tour. This was so hot. At the time, the record was about pain and stricture and so I felt like I really needed to be as severe in what I was wearing and feel as severe as possible on stage.'
Custom-made jacket by Gucci for the ‘Daddy’s Home’ tour, 2021
Rail of assorted St. Vincent looks, 2014-2021
Wig from the 'Daddy's Home' tour, styled by Pamela Neal, 2021
St. Vincent: 'This wig was inspired by Nastassja Kinski's character in Paris, Texas.'
READ MORE: Guest editor St. Vincent and Alex Da Corte on making the dark and uncanny world of All Born Screaming
This article appears in the October 2024 issue of Wallpaper*, available in print on newsstands from 5 September on the Wallpaper* app on Apple iOS, and to subscribers of Apple News +. Subscribe to Wallpaper* today
-
Postcard from Paris Design Week 2024Surrealism, restraint and a beautiful show of Blunk marked the new season of design events in the French capital
-
Hermès cuts a dash with its first sports watch for womenThe Hermès Cut epitomises the clean design codes of the house
-
First look: ‘Ash Rise’ – 20 Scottish designers explore the versatility of the blighted native hardwoodA new Edinburgh exhibition addresses the issue of ash dieback with an inventive and optimistic response from Scotland’s design community
-
Inside our exclusive New York event with guest editor St. VincentTo mark the launch of the October 2024 issue of Wallpaper* we threw a party at Dover Street Market – with a very special guest
-
St. Vincent on designing her Klaus Nomi-inspired guitar lineSt. Vincent is a Wallpaper* guest editor for 2024. Here, she unpacks her long-standing relationship with the guitar. It started with wearing one in front of a mirror. Who knows how it ends. But somewhere in the middle, there is fun and freedom and a well-tailored instrument
-
Guest editor St. Vincent and Alex Da Corte on making the dark and uncanny world of All Born ScreamingSt. Vincent is a Wallpaper* guest editor for 2024. Here, the shape-shifting musician deliberates with her long-time collaborator, conceptual artist Alex Da Corte, about the human condition, finding inspiration in dark places, and the merry dance with chaos that is a creative's path
-
The Mercury Prize nominees for 2024 have been revealedCharli XCX, The Last Dinner Party and Beth Gibbons are amongst this year's nominees
-
The story behind Arcadia’s mechanical dragonfly: a Falklands helicopter turned dance stage and Glastonbury’s newest additionAt this year’s Glastonbury festival, its newest addition celebrated the earth and the bringing together of people – as well as putting on one hell of a party. Wallpaper* was invited for a tour.
-
At Glastonbury’s Shangri-La, activism and innovation meetGlastonbury’s south-east corner is known for its after-dark entertainment but by day, there is a different story to tell
-
Remembering Rusty Egan's Blitz Club: a place to 'avoid the mob and the homophobes', where the New Romantics were bornAs he releases new vinyl boxset, 'Blitzed!', Wallpaper* meets DJ Rusty Egan to talk about London's scene-building Blitz club – the antidote to the late 70s punk scene and a hot-bed of experimental fashion
-
David Lynch's mysterious new project reignites a long-standing collaborationDavid Lynch and Chrystabell are releasing a new album – listen to the first song, out today
