Photography series finds hidden faces in everyday objects

Smile! Your belongings are on camera. Berlin-based photography duo Studio Likeness has been productive during the city's multiple lockdowns of 2020-2021. Take a look back over the couple's photographic diary from the last year

Socks and women's underwear on a floor in the shape of a face- eyes, nose, mouth
(Image credit: Studio Likeness)

Since 2013, creative duo Julia Classen and Magdalena Lepka of Studio Likeness have been busy developing their very own visual language, working together on unique concepts for still life photos and videos. Based in Berlin, they explore ways of ‘irritating our perception and questioning photography's claim of reality'.

Lockdown photography offered an interesting opportunity to test the limits of reality in new and stranger ways, as they began to turn the lens on their own living spaces. A surreal venture followed, as Classen and Lepka found depictions of faces in their everyday belongings.

In this series we brought objects to life and made visible what we were missing.

The duo started taking snapshots of ‘faces' they discovered at home and sent them to each other. At some point, they automatically knew the lighthearted exchange was developing into a photographic series. After selecting their favourite domestic scenarios, they went about re-enacting them, and fine tuned the situations.

‘In the past year we spent more time at home and saw less of our friends than ever before,' the duo explains. ‘We missed them a lot and we knew that many people felt the same way about the lack of social encounters. So we went looking for new friends in our own homes and discovered friendly faces all around.'

A rougue pair of crumpled trousers tumbles out of a dryer, revealing the depiction of a nose within the folds. Two bright red socks fallen from a laundry bin form neatly pursed lips. Opened books blink like eyes, and elsewhere, an up-turned clothes hanger creates a wide smile, and discarded spaghetti forms a Picasso-like line drawing face in the base of a sink. This is the purest of portraiture; objects personified.

‘Photography is communication,' say the duo. ‘We wanted to send out something that feels familiar to everyone and yet surprises with a new way to look at it. In our photographs, objects are always the main protagonists. In this series we brought them to life and made visible what we were missing.'

Different coloured towels hanging on a wall towel hanger.

(Image credit: Studio Likeness)

Black makeup bag on the edge of a white bathtub filled with water.

(Image credit: Studio Likeness)

Closeup of a woman's waist. She is wearing grey tracksuit pants.

(Image credit: Studio Likeness)

Washing machine with door open and clothes hanging out.

(Image credit: Studio Likeness)

Two open books on a brown couch.

(Image credit: Studio Likeness)

Open cupboard with three shelves containing plates, bowls and cups.

(Image credit: Studio Likeness)

Wooden chopping board with two orange segments and two nuts on.

(Image credit: Studio Likeness)

Strings on spaghetti in a kitchen sink.

(Image credit: Studio Likeness)

Desk with eye glasses, pencil, ear phones, mouse and laptop.

(Image credit: Studio Likeness)

Brown gloves handing on a wall coat rail.

(Image credit: Studio Likeness)

White marble floor with slippers, USB cable and clothing hanger on.

(Image credit: Studio Likeness)

INFORMATION

studio-likeness.com

Elly Parsons is the Digital Editor of Wallpaper*, where she oversees Wallpaper.com and its social platforms. She has been with the brand since 2015 in various roles, spending time as digital writer – specialising in art, technology and contemporary culture – and as deputy digital editor. She was shortlisted for a PPA Award in 2017, has written extensively for many publications, and has contributed to three books. She is a guest lecturer in digital journalism at Goldsmiths University, London, where she also holds a masters degree in creative writing. Now, her main areas of expertise include content strategy, audience engagement, and social media.

With contributions from