Since the opening of Hauser & Wirth Somerset nearly two years ago, the gallery has hosted a remarkable rotation of outdoor sculpture in the grounds around the renovated 18th century farmhouse. The gallery’s latest installation brings an otherworldly bent to Bruton’s bucolic landscape: a monumental, steel Banyan tree by the New Delhi-based artist Subodh Gupta, who is the subject of a major solo exhibition, ‘Invisible Reality’, recently opened at Durslade Farm.
It’s a startling sight, as though an alien organism has sprouted from the manicured lawns. Entitled Specimen No. 108, 2015, the silver sculpture twists and writhes towards the sky, while steel utensils blossom from its branches like fruit. The number 108 is considered sacred among the Dharmic religions – including Hinduism, Buddhism and Jainism – but it seems Gupta is tapping into more than just his spiritual side. A journey into the cosmos awaits us.
Upon entering the first gallery, visitors are greeted by a gargantuan gong-like sculpture. In fact, the hand-hammered artwork, Touch, Trace, Taste, Truth, 2015, takes its cues from a large cooking pot – but with a twist. The two-faced sculpture reveals a stark, black void on the other side, filled with a thorny web of barbed wired.
Set in the temple-like space of the threshing barn, the mammoth sculpture takes on a mystical quality. On the one hand, the golden orb lures us like Icarus to the sun; on the other hand, we're repelled by its inhospitable contents. Here, the artist draws parallels between an everyday object and a cosmic counterpart, a theme that underpins the entire show.
In a nearby space, Gupta explores a new, experimental working process in his series Pressed for Space, 2015. Known for his use of found objects, the Indian artist breathes new life into discarded vessels and colourful fabrics – gathered from scrapyards and tailors – compressing them into abstract, sculptural compositions.
The show’s key piece is the installation from which the exhibition takes it name. In a darkened space, a traditional wood and terracotta house from southern India is illuminated from its core by a celestial, phosphorescent light. Every few minutes the serenity is shattered by thundering, rolling vibrations, the sheer physicality of the work imposing itself on visitors. The roof, meanwhile, is draped in a white material meant to represent a snaked shedding its skin – an act that came to Gupta in a dream.
Elsewhere, an eerie static flickers through the carved marble doors of Sunset, 2015; while Chanda Mama Door Ke (From Far Away Uncle Moon Calls), 2015, comprises a cascading sphere of aluminium utensils, taking inspiration from a popular Hindi children’s nursery rhyme, in which a child converses with the moon as if it were an old friend (or uncle).
Gupta concludes by bringing us back down to earth with his fondness for cooking and entertaining, staging an Indian-themed banquet at the gallery’s restaurant during the opening weekend. One dish from the artist’s feast will be made available at the Roth Bar & Grill menu on a weekly rotation throughout the duration of the exhibition – and just like the rest of the show, Gupta’s Goan prawn curry is simply heaven-sent.
Upon entering the first gallery, visitors are greeted by a gargantuan gong-like sculpture. The hand-hammered artwork takes its cues from a large cooking pot. Pictured: Touch, Trace, Taste, Truth, 2015
The sculpture reveals a black void on the other side, filled with a thorny web of barbed wired. Pictured: Touch, Trace, Taste, Truth, 2015
The exhibition comprises new and recent works by Gupta. Pictured: There is Nothing Outside the Text, 2013
An eerie static flickers through the carved marble doors of Sunset, 2015
Gupta explores a new, experimental working process for this series, compressing discarded utensils and fabrics into sculptural grids. Pictured: Pressed for Space VI (left) and Pressed for Space III, 2015
The show's namesake work, Invisible Reality, 2015, is a traditional wood and terracotta house from southern India, illuminated from its core by phosphorescent LED lighting
Chanda Mama door ke (From Far Away Uncle Moon Calls), 2015, comprises a cascading sphere of aluminium utensils and takes its inspiration from a popular Hindi children’s nursery rhyme
Detail of Chanda Mama door ke (From Far Away Uncle Moon Calls), 2015
INFORMATION
‘Invisible Reality’ is on view until 2 May. For more information, visit Hauser & Wirth Somerset's website
Artworks copyright Subodh Gupta. Courtesy the artist and Hauser & Wirth. Installation photography: Ken Adlard
ADDRESS
Hauser & Wirth Somerset
Durslade Farm
Dropping Lane
Bruton
Somerset, BA10 0NL
-
In Helsinki, Pauline Curnier Jardin has created the grotesque amusement park of her dreamsFrench artist Pauline Curnier Jardin celebrates otherness at Kiasma, Helsinki’s Museum of Contemporary Art
-
A celestial New York exhibition showcases Roman and Williams’ mastery of lightingLauded design studio Roman and Williams is exhibiting 100 variations of its lighting ‘family tree’ inside a historic Tribeca space
-
‘He immortalised the birth of the supermodel’: inside Dior’s career-spanning retrospective of photographer Peter LindberghOlivier Flaviano, curator and head of Paris’ La Galerie Dior, talks us through a new Peter Lindbergh retrospective, which celebrates the seminal German photographer’s longtime relationship with the French house
-
Inside Jack Whitten’s contribution to American contemporary artAs Jack Whitten exhibition ‘Speedchaser’ opens at Hauser & Wirth, London, and before a major retrospective at MoMA opens next year, we explore the American artist's impact
-
The lesser-known Los Angeles galleries contributing to a vibrant art sceneOutside of LACMA, MOCA and The Broad, these independent LA galleries are major players in the art world
-
Frieze Sculpture takes over Regent’s ParkTwenty-two international artists turn the English gardens into a dream-like landscape and remind us of our inextricable connection to the natural world
-
Larry Bell explores the ethereal nature of glass in MonacoLarry Bell's retrospective at Hauser & Wirth, Monaco, unites old and new work
-
Los Angeles art exhibitions: the best shows to see in NovemberRead our pick of the best Los Angeles art exhibitions to see this month, from Doug Aitken's Lightscape at Walt Disney Concert Hall to Gustav Metzger at Hauser & Wirth
-
Nicole Eisenman explores the dimensions of sculpture and painting at Hauser & Wirth ParisNicole Eisenman presents ‘with, and, of, on Sculpture’, her first retrospective at Hauser & Wirth Paris drawing inspiration from political challengers to ABBA
-
Harlem-born artist Tschabalala Self’s colourful ode to the landscape of her childhoodTschabalala Self’s new show at Finland's Espoo Museum of Modern Art evokes memories of her upbringing, in vibrant multi-dimensional vignettes
-
The Roth Bar at Hauser & Wirth Somerset serves up a cocktail of salvaged materialsArt and entertaining meet in Oddur Roth’s bar sculpture at Hauser & Wirth Somerset, a site-specific installation and social hub
