Superflex swings into action, transforming the Turbine Hall into an artistic playground

Two heads are better than one – and six legs are better than two, or at least, that’s what art collective Superflex think.
The Danish trio have filled the Turbine Hall in the Tate Modern – and beyond – with rows of three-seater swings, the latest Hyundai Commission unveiled at the London gallery this week. The interactive, giant playground, which also features a monumental pendulum, will have more than 3 million visitors swinging at the Tate Modern until April.
The ambitious interactive work engages not only with the industrial past of the Turbine Hall, but with the current socio-political crisis. ‘Given the enormous challenges of our times it’s difficult to see how we can make an impact as individuals,’ says Superflex co-founder Bjørnstjerne Christiansen on the concept for the commission.
About 5,000 sq m of an innovative cork composite has been applied by Amorim to the floor of the Turbine Hall
‘When you swing alone, you feel gravity, you feel freedom — but when you swing in three, you have to balance, you have to collaborate to make it work, to get the motion, and then you experience a force that is much greater than with one person,’ Christiansen adds. ‘It’s the core of the whole installation, three people as a collaborative, collective power.’
Superflex join some of the world’s leading artists who have transformed the 85ft high space since 2000, including Louise Bourgeois, Anish Kapoor, Carsten Höller and Olafur Eliasson. The collective’s work—titled One, Two, Three, Swing!—will extend out of the public space and into the urban landscape, and eventually, it’s hoped, even out of London.
A large pendulum is suspended by a 20m-long cable from the ceiling, swinging above a carpet in a colour scheme inspired by British currency
The artists hope to send a positive message about the power of working together, physically and psychically. ‘We have spent 25 years working as three people, passing that on as an entity, it’s what we believe in. Doing things with other people from the start, to challenge our own identity, who we are and what we can achieve, in different constellations, is key to being a citizen,’ Christiansen told us.
The enormous, mirrored pendulum, gently swinging from the ceiling, also allows visitors some downtime for quiet, horizontal thought (you’re invited to lie down on colourful carpets below), something the artists see an essential, and part of the process to change. ‘In the UK you have a kind of identity crisis, with Brexit and the consequences of that, and surely that creates an apathy around what we can do. But we need apathy and contemplation to be able to activate, to be part of movement and of a movement,’ Christiansen explains.
From there, a factory production line will assemble the swing seats on the spot. ‘We want to motivate people to think about what’s going on,’ he says. ‘We’re optimistic about collective power — every system is a construction, historic facts based on human actions, so that means we can challenge them on every level.’
INFORMATION
‘One Two Three Swing!’ is on view until 2 April 2018. For more information, visit the Tate website
ADDRESS
Tate Modern
Bankside
London SE1 9TG
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Charlotte Jansen is a journalist and the author of two books on photography, Girl on Girl (2017) and Photography Now (2021). She is commissioning editor at Elephant magazine and has written on contemporary art and culture for The Guardian, the Financial Times, ELLE, the British Journal of Photography, Frieze and Artsy. Jansen is also presenter of Dior Talks podcast series, The Female Gaze.
-
Fendi celebrates 100 years with all-out runway show at its new Milan HQ
In the wake of Kim Jones’ departure, Silvia Venturini Fendi took the reins for a special co-ed A/W 2025 collection marking the house’s centenary, unveiling it as the first act of celebrations within Fendi’s expansive new headquarters in Milan
By Jack Moss Published
-
‘Leigh Bowery!’ at Tate Modern: 1980s alt-glamour, club culture and rebellion
The new Leigh Bowery exhibition in London is a dazzling, sequin-drenched look back at the 1980s, through the life of one of its brightest stars
By Amah-Rose Abrams Published
-
Inside the unexpected collaboration between Marni’s Francesco Risso and artists Slawn and Soldier
New exhibition ‘The Pink Sun’ will take place at Francesco Risso’s palazzo in Milan in collaboration with Saatchi Yates, opening after the Marni show today, 26 February
By Hannah Silver Published
-
‘Leigh Bowery!’ at Tate Modern: 1980s alt-glamour, club culture and rebellion
The new Leigh Bowery exhibition in London is a dazzling, sequin-drenched look back at the 1980s, through the life of one of its brightest stars
By Amah-Rose Abrams Published
-
‘Yay, To Have a Mouth!’: a London show explores our oral fixation, from Freud to fairytales
This group show at Rose Easton gallery in east London, created in collaboration with Ginny on Frederick, uncovers our fascination with the mouth
By Emily Steer Published
-
High low culture and the sickly sweetness of Tootsie Rolls: Derrick Adams in London
Derrick Adams plays with themes of Black Americana in ‘Situation Comedy’ at Gagosian London.
By Hannah Silver Published
-
The Barbican as muse: composer Shiva Feshareki on bringing the brutalist icon to life through music
For the last two years, British-Iranian experimental composer and turntablist Shiva Feshareki has been drawing on the Barbican’s hidden history as a gateway for her new piece. She talks to Wallpaper* about her Brutalist muse
By El Hunt Published
-
Out of office: what the Wallpaper* editors have been doing this week
A taste of the dolce vita in London, some permanent artwork and a new eyeshadow palette – it's our editors' picks of the week
By Bill Prince Published
-
'We need to be constantly reminded of our similarities' – Jonathan Baldock challenges the patriarchal roots of a former Roman temple in London
Through use of ceramics and textiles, British artist Jonathan Baldock creates a magical and immersive exhibition at ‘0.1%’ at London's Mithraum Bloomberg Space
By Emily Steer Published
-
Discover Rotimi Fani-Kayode's fluid photographs of the queer male body, on show in London
‘Rotimi-Fani Kayode: The Studio – Staging Desire’ at Autograph ABP celebrates the work of the Nigerian-born photographer
By Upasana Das Published
-
Saatchi Gallery is in full bloom with floral works from Vivienne Westwood, Marimekko, Buccellati and more
‘Flowers – Flora in Contemporary Art & Culture’ at Saatchi Gallery, London, explores the relationship between creatives and their floral muses, and spans from fashion and jewellery to tattoos
By Tianna Williams Published