Swiss artist Zimoun’s sound installation in Dottikon, Switzerland

Zimoun’s sound installation in 1950s storage tank in Dottikon
Swiss installation artist Zimoun chose a vast 1950s storage tank in Dottikon, Switzerland, as the site of his latest work
(Image credit: TBC)

The art installation is a fine way of exploring new applications and technologies, dovetailing performance with design. Over the past few decades, the Swiss artist Zimoun has built a number of large-scale installations, often in close collaboration with architects and engineers. Best known for works that repurpose prosaic materials like cardboard and cotton in orderly patterns, the artist sets his constructions in motion with specially designed compact DC motors, the actions of which create esoteric noises.

Zimoun's latest project in Dottikon, Switzerland, was developed with the architect Hannes Zweifel, a longtime collaborator. Inside a vast 1950s storage tank once used to house the industrial solvent toluene, they rigged up a system of 329 tiny motors with wires connected to 329 cotton balls. The motors cause the balls to jiggle, twitch and bounce off the surface of the tank. The result is a hypnotic loop of noise reverberating around the white space.

The 13m tank stands on the edge of a chemical plant in town, its industrial exterior giving no hint to the activity - and cacophany - within. There are no official opening hours, though spectators are welcome during working hours.

Zimoun’s sound installation

The 13m tank stands on the edge of a chemical plant, its industrial exterior giving no hint to the activity within

(Image credit: TBC)

Zimoun’s sound installation interior view

Inside, he and architect Hannes Zweifel rigged up a system of 329 tiny motors with wires connected to 329 cotton balls

(Image credit: TBC)

The motors cause the balls to jiggle, twitch and bounce off the surface of the tank. Watch the video to see the installation in full swing

Zimoun’s sound installation

The result is a hypnotic loop of noise reverberating around the white space

(Image credit: TBC)

Zimoun’s sound installation

The friction between household material and industrial surface creates an esoteric noise

(Image credit: TBC)

Zimoun’s sound installation

The materials are applied in orderly patterns that make visual sense of the cacophony

(Image credit: TBC)
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Jonathan Bell has written for Wallpaper* magazine since 1999, covering everything from architecture and transport design to books, tech and graphic design. He is now the magazine’s Transport and Technology Editor. Jonathan has written and edited 15 books, including Concept Car Design, 21st Century House, and The New Modern House. He is also the host of Wallpaper’s first podcast.

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