The Deutsche Börse Photography Prize is awarded annually to a living photographer for the most significant contribution to photography in Europe. This year's shortlist illustrates the diversity of the photographic medium, ranging from neo-conceptual to social documentary, with all four finalists worthy and dissimilar - which makes for a close and unpredictable running.
First up is Thomas Demand, nominated for his retrospective at Neue Nationalgalerie in Berlin, which included over 40 large-scale works spanning 15 years. Demand chose to show one photograph from the nominated exhibition, but it dominates the space with sheer scale. Heldenorgel (Heroes' Organ) is a photograph of a three-dimensional 1:1 paper replica of a freestanding church organ. The instrument lives on the German-Austrian border and was built in 1931 to commemorate WWI casualties. The same haunting tune has been playing every day at noon for over 80 years. With 4,307 pipes and 46 registers, it is the largest open-air organ in the world. It took nearly three months to construct a paper replica.
Then there's Jim Goldberg, nominated for Open See at The Photographers' Gallery. A self-described 'documentary storyteller', he combines Polaroids, video, text, ephemera and large and medium format photographs to document the experiences of what he calls 'new Europeans' - illegal immigrants, refugees, displaced people and asylum seekers from Africa, the Middle East and Eastern Europe.
Miami-born Roe Ethridge is nominated for his solo exhibition at Les Rencontres d'Arles in France. He playfully addresses the redundancy of the image and the impossibility of photographic originality. His large-format colour photographs are composited from any mad thing he decides to include, e.g. magazine work (Old Fruit); a magnified and grainy close-up of a sticker on his daughter's notebook (Pumpkin Sticker).
The individual images remain inconclusive and deadpan, revealing nothing. In this way, Ethridge composes visual fugues that acquire their meaning from the seemingly random way they have been grouped, shuffled and arranged in nonlinear narrative sequences.
Elad Lassry is nominated for his first comprehensive institutionalized exhibition, self-titled at Kunsthalle Zurich, Switzerland. Lassry intersperses small-scale portraits, still lives and filmic works, each mounted at eye level and contained in uniform 11 x 14 picture frames. The tacky frames are painted to match the singular dominating colour within the oversaturated picture plane.
Lassry's objective is the instability and suspension of the image, to expose new possibilities of depiction and duplication. He constantly shifts between original and found materials to build collages of pre-existing imagery and allude to the language of product photography. He opens a conversation between photography and moving image to consider ideas of authorship and appropriation, and to change the standard questions that are asked about images.
Jim Goldberg
Democratic Republic of Congo, 2008
His radio is the sole possession that he took with him while escaping a rebel attack in his village. He now lives in a refugee camp with 60,000 other people where poverty, disease, and crime run rampant.
Jim Goldberg
Bangladesh. Dhaka. 2007
Man at a recruitment center.
Jim Goldberg
Greece. Lavrio. 2005
Two detained Afghani refugees point to the refrigerator on which they wrote (approximate translation) 'The Sea of Sadness has no shore'. (Their English translation is 'in the open see (sic) dont have border') Lavrio Detention Center
Jim Goldberg
Bangladesh. Dhaka. 2007.
Drug addicts.
Roe Ethridge Ballet Studio (Casia), 2009
New York/ Mai 36 Gallerie, Zurich
Roe Ethridge
Comme des Garcons with Casia and Apple Bees, 2010
New York/ Mai 36 Gallerie, Zurich
Roe Ethridge
Thanksgiving 1984, 2009
New York/ Mai 36 Gallerie, Zurich
Roe Ethridge
New York Whiskey and Cigarettes, 2009
New York/ Mai 36 Gallerie, Zurich
Elad Lassry
Man 071, 2007
Los Angeles, CA
Elad Lassry
Lipstick, 2009
Los Angeles, CA
Elad Lassry
Wolf (Blue), 2008
Los Angeles, CA
Elad Lassry
Burmese Mother, Kittens, 2008
Los Angeles, CA
ADDRESS
Ambika P3 at the University of Westminster
35 Marylebone Road
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Must-visit cinemas with award-worthy designCreativity leaps the screen at these design-led cinemas, from Busan Cinema Centre’s record-flying roof to The Gem Cinema Jaipur’s art deco allure
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The modernist home of musician Imogen Holst gets Grade II listingThe daughter of the composer Gustav Holst lived here from 1964 until her death, during which time the home served a locus for her own composition work, which included assisting Benjamin Britten
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This fun and free-spirited photography exhibition offers a chromatic view on the world‘Chromotherapia’ at Villa Medici in Rome, explores how we view colour as a way of therapy, and how it has shaped photography over the last century (until 9 June 2025)
