The Fondation Cartier launches an all-star exhibition programme in honour of its 30th anniversary
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The Fondation Cartier for Contemporary Art in Paris is what the French would call sans pareil (or second to none). Though an offshoot of the deluxe jewellery brand, it exists in a sort of splendid isolation from its parent, as no artist who collaborates with the Fondation is ever allowed near Cartier's product development department.
Instead, the Fondation is there to lend the brand's cultural collateral through its impressive commissioning of new work and a collection that now comprises over 1,300 pieces from artist Richard Artschwager to photographer Francesca Woodman.
This year it's 30 years old, and there's plenty to celebrate with the new exhibition, Vivid Memories, which makes the most of the Fondation's insistence on blurring boundaries between design, music, film and fine art. Jean Paul Gaultier made dresses from bread here in 2004, and the Velvet Underground spontaneously reunited for a quick gig in the grounds of its previous home, the gorgeous Chateau of Jouy-en-Josas.
Currently Marc Newson's satin-finished Kelvin 40 prototype plane appears to have skidded into the ground floor gallery and nearly missed a dazzling new collaboration-by-email between the diminutive Italian octogenarian Alessandro Mendini (designer of the famously large and multi-coloured mosaic-speckled Poltrona chair) and British painter Peter Halley - a towering block decorated in the pulsating colours that Halley frequently uses and Mendini adores. Issey Miyake's delicate paper lanterns flutter overhead. In another room, Ron Mueck's vast sleeping woman induces vertigo, thanks to its utter defiance of normal scale.
Exhibits will rotate throughout the show's run, while one-off events will pop up all summer, including a night time introduction of the bats who live in the Fondation's beautiful stepped gardens, designed back in 1994 by artist Lothar Baumgarten. It will be led, on 12 July, by Patti Smith, another polymath who has a long and intricate relationship with the place. The exhibition program is also accompanied by a beautifully produced anniversary tome, published by Thames & Hudson, and host of other printed materials.
It turns out the company's perfume division does inhabit a few floors of the Fondation's perfectly transparent building, designed by Jean Nouvel in 1994. But not that you'd know it. Here, the art most definitely rules.
Making the most of the Fondation's insistence on blurring the boundaries of design, music, film and fine art, the exhibition includes 'Kelvin 40' by Marc Newson, 2003. Courtesy of the Fondation Cartier pour l'art contemporain, Paris © Marc Newson Ltd
In the foreground: 'Projet pour le Kinshasa du troisième millenaire' by Bodys Isek Kingelez, 1997. On the back wall: 'J'aime la couleur' by Chéri Samba, 2010.
A light installation by Issey Miyake. © Issey Miyake
On the far wall: 'Vague Border at the Edge of Time/Space Project, The Primeval Fireball: The Project for Projects' by Cai Guo-Qiang, 1991.
'Raveena' by Francesca Woodman, 1977.
'Rome, Italy' by Francesca Woodman, 1977.
To commemorate its thirtieth anniversary, the Fondation Cartier has produced a book with Thames & Hudson that celebrates its myriad projects and cultural achievements.
In the Fondation's early days it was located in Jou-en-Josas. Since moving to Paris in 1994, the Fondation Cartier has been housed in an airy building (pictured) filled with light that was designed by the architect Jean Nouvel.
Inside the museum's greenhouse-esque ground floor, which encourages the garden into the space.
The tome has multiple mini inserts within its pages - this one features an illustrated map by Francois Boisrond of the original Jouy-en-Josas property.
The model is from the 'Exhibition Un Monde Reel' by Diller + Scofidio, 1999.
'Long Term Parking' by Arman, 1982, parked at the Jouy-en-Josas location.
'Dragon-Explosion on Issey Miyake Pleats Please (Performance)' by Cai Quo-Qiang, 1998.
The Fondation's latest colouring book series 'Coloriages Avec' is
Inside, his drawings marry architectural plans and botanical doodles
Jean Nouvel's illustrations of the building are also featured in edition #8 of the 'Coloages Avec' colouring book
Another Jean Nouvel illustration of his gallery's interior
Printed onto tracing paper, the book appeals to both the young and old, and is available from the Fondation's gift shop
Over the years the Fondation has curated some 150 solo or thematic exhibitions, and produced over 180 publications. This smaller book celebrates some of the artwork that has produced for these programmes
This page, from 1998, collages exhibition posters for Francesca Woodman and Issey Miyake among others
Another page from 2004 features designs for exhibitions of the work of Marc Newson and Jean Paul Gaultier
Posters from Juergen Teller's 2006 'Do You Know What I Mean' exhibition, and David Lynch's 2007 'The Air is on Fire'
More artwork from 2011's 'Moebius Transe For Me' (left) and Ron Mueck's 2013 exhibition (right)
From July, the Fondation will be staging a photography exhibiton showcasing works from its archive including: 'Chasseurs et Chamans' by Raymond Depardon, 2002.
'Hairstyles,' by JD Okhai Ojeikere, 1968-1985, will also be exhibited as part of this show.
ADDRESS
Cartier Fondation
261 Boulevard Raspail
75014 Paris, France
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