The John Moores Painting Prize offers a snapshot of what’s happening in UK art now

The John Moores Painting Prize is one of the most prestigious art prizes in the UK. It counts David Hockney and Peter Doig among its winners, and Peter Blake, who won the Junior Prize in 1961, is its current patron. Last week, on the opening day of this year's Liverpool biennial, the shortlist was announced at the Walker Art Gallery. Fifty artists selected from 2500 entries made it to the final hang, among them five shortlisted painters Rae Hicks, Juliette Losq, Mandy Payne, Alessandro Raho and Rose Wylie.
Each wins £2,500, but it's not the money that counts; it's the kudos. Payne, a mature student whose work 'Brutal' depicts the 1960s Park Hill estate in Sheffield, created the work for her graduation show this year. Before she won, she didn't have a gallery. She probably does now. Another artist on the shortlist, 80-year-old Rose Wylie, is well known in the art world and has sent works to the Royal Academy Summer Exhibition every year since 1992.
The exhibition occupies three galleries and is hugely popular. More than 50,000 people will visit it before it closes in November. Everything is for sale, and at the opening, many red dots, and a few collectors, were in evidence. 'If you're in the show, it's a real stamp of approval,' says exhibiting artist Tony Noble.
Shortlisted artist Losq, whose entry Vinculum depicts the overgrown exteriors of a derelict railway hut in North London adds: 'The prize sets out to provide a snapshot of what's happening in painting now. You can see that in these rooms.'
Sir John Moores, a philanthropist who founded the Littlewoods department stores, set up the prize in 1957. The jury still consists predominantly of artists and has stayed true to its founding principles - those of championing contemporary painting in all its forms. The overall winner receives £25,000 and will be announced on 19 September.
'Brutal', by shortlisted artist Mandy Payne
'Jessica', by shortlisted artist Alessandro Raho
'Vinculum', by shortlisted artist Juliette Losq
'Sometimes I Forget That You're Gone', by shortlisted artist Rae Hicks
From the 2,500 entries, a total of 50 artists are represented in the exhibition, including Charlotte Hopkins Hall, with her work 'A Private Space'
'Fallen Matter', by Ian St. John
'Untitled, 2013', by Emma Puntis
'New Logo (White-Red): Bear Stearns #15', by Trisant
'Losers (Homerton High Street 3)', by Mark Siebert
'Under the tree', by Rebecca Sitar
'Small homes and big trees, Batley Carr', by Tony Noble
ADDRESS
Walker Art Gallery
William Brown Street
Liverpool L3 8EL
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Emma O'Kelly is a freelance journalist and author based in London. Her books include Sauna: The Power of Deep Heat and she is currently working on a UK guide to wild saunas, due to be published in 2025.
-
ICON 4x4 goes EV, giving their classic Bronco-based restomod an electric twist
The EV Bronco is ICON 4x4’s first foray into electrifying its range of bespoke vintage off-roaders and SUVs
By Jonathan Bell Published
-
‘Dressed to Impress’ captures the vivid world of everyday fashion in the 1950s and 1960s
A new photography book from The Anonymous Project showcases its subjects when they’re dressed for best, posing for events and celebrations unknown
By Jonathan Bell Published
-
Inside Camperlab’s Harry Nuriev-designed Paris store, a dramatic exercise in contrast
The Crosby Studios founder tells Wallpaper* the story behind his new store design for Mallorcan shoe brand Camperlab, which centres on an interplay between ‘crushed concrete’ and gleaming industrial design
By Jack Moss Published
-
From counter-culture to Northern Soul, these photos chart an intimate history of working-class Britain
‘After the End of History: British Working Class Photography 1989 – 2024’ is at Edinburgh gallery Stills
By Tianna Williams Published
-
Surrealism as feminist resistance: artists against fascism in Leeds
‘The Traumatic Surreal’ at the Henry Moore Institute, unpacks the generational trauma left by Nazism for postwar women
By Katie Tobin Published
-
From activism and capitalism to club culture and subculture, a new exhibition offers a snapshot of 1980s Britain
The turbulence of a colourful decade, as seen through the lens of a diverse community of photographers, collectives and publications, is on show at Tate Britain until May 2025
By Anne Soward Published
-
Jasleen Kaur wins the Turner Prize 2024
Jasleen Kaur has won the Turner Prize 2024, recognised for her work which reflects upon everyday objects
By Hannah Silver Last updated
-
Peggy Guggenheim: ‘My motto was “Buy a picture a day” and I lived up to it’
Five years spent at her Sussex country retreat inspired Peggy Guggenheim to reframe her future, kickstarting one of the most thrilling modern-art collections in history
By Caragh McKay Published
-
Please do touch the art: enter R.I.P. Germain’s underground world in Liverpool
R.I.P. Germain’s ‘After GOD, Dudus Comes Next!’ is an immersive installation at FACT Liverpool
By Will Jennings Published
-
‘Regeneration and repair is a really important part of how I work’: Bharti Kher at Yorkshire Sculpture Park
Bharti Kher unveils the largest UK museum exhibition of her career at Yorkshire Sculpture Park
By Will Jennings Published
-
‘Mental health, motherhood and class’: Hannah Perry’s dynamic installation at Baltic
Hannah Perry's exhibition ’Manual Labour’ is on show at Baltic in Gateshead, UK, a five-part installation drawing parallels between motherhood and factory work
By Emily Steer Published