The Most Beautiful Swiss Books Award

It's that time of year again, when the sound of slapping backs echoes around the valleys and Cantons of Switzerland. But 23 years after the Swiss Federal Office of Culture took over the program, the annual Most Beautiful Swiss Books Award finds itself as far more than mere design industry self-celebration.
Founded in 1943, largely at the behest of the legendary designer and typographer Jan Tschichold, the competition was initially run by the Swiss Association of Booksellers and Publishers. Today, it is an exhibition and publication in its own right, a celebration of both the spirit of independent publishing and the undeniable craft and technological skill of the Swiss printing industry. Throw in a heavy dose of understated contemporary design, and you have a recipe for bibliophile heaven.
This year's fine selection was whittled down by a jury that included designer Cornel Windlin and publisher Lars Müller, and has now surfaced as an exhibition and catalogue. The latter is a tour-de-force of book fetishism, featuring crisply defined photographs by the Dutch duo Maurice Scheltens and Lisbeth Abbenes, and design by Aude Lehmann. Ranging from esoteric art monographs to corporate communications, there's a wide range of work on display, nixing the cliché of dour Swiss precision, with Amsterdam-based designer Julia Born picking up the Jan Tschichold Award. Announced last December, the books are now on show at Zurich's Helmhaus, before undertaking a swift tour through Lavin Engadin, St. Gallen and Biel-Bienne for the rest of the year.
Moyra Davey's Speaker Receiver, published by Sternberg Press, Berlin/New York, designed by Julia Born, published by D AI Dutch Art Institute/ArtEZ, designed by Anna Haas, Werkplaat
Uta Eisenreich's A NOT B, published by Roma Publications, designed by Julia Born
Früh los' Im Gespräch mit Bergsteigerinnen über siebzig, published by hier + jetzt, designed by Elektrosmog, Hindermann & Walser, Zürich, in collaboration with Maike Hamacher
Shahryar Nashat's Downscaled and Overthrown, Published by Sternberg Press, Designed by Aude Lehmann
Part One, published by Robin Waart, designed by Jonas Wandeler
Ringier Jahresbericht 2009, published by Ringier AG, designed by Gilles Gavillet and David Rust
Soie pirate. Geschichte und Stoffkreationen der Firma Abraham (Bd. 1+2), published by Scheidegger & Spiess, designed by Prill & Vieceli, Zürich, in collaboration with Anika Rosen
Der Sturm (1910–1932) - Expressionistische Graphik und Lyrik, published by Kunstmuseum Olten, designed by Nicole Lachenmeier and Manon Siebenhaar
TITLE, published by Ramaya Tegegne, designed by Ramaya Tegegne
Voici un dessin suisse. 1990--2010, published by JRP|Ringier Kunstverlag AG, designed by Noémie Gygax & Yann Do
Christian Waldvogel. EARTH EXTREMES, published by Scheidegger & Spiess, designed by Jonas Voegeli, Christian Waldvogel, Benjamin Roffler
René Zäch, published by Verlag für moderne Kunst Nürnberg, designed by sofie's Kommunikationsdesign
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Jonathan Bell has written for Wallpaper* magazine since 1999, covering everything from architecture and transport design to books, tech and graphic design. He is now the magazine’s Transport and Technology Editor. Jonathan has written and edited 15 books, including Concept Car Design, 21st Century House, and The New Modern House. He is also the host of Wallpaper’s first podcast.
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