Erwin Wurm is perhaps the most playful of contemporary art’s major players (how could you not be if you sound like the hungry caterpillar’s best mate?). He has made obese cars, marshmallow houses and curvy (much more than usual) campervans.
In his new show at Galerie Thaddaeus Ropac’s Marais space, Wurm again makes the familiar unfamiliar, though the effect here is more unsettling than rib-tickling. 'Lost' is a study in materiality and domestic objects. Indeed, this is a sort of mid-century dream home gone nightmarish.
All of the objects – a sleek chaise longue, elegant sideboard or generous armchair – were originally modelled in clay, sometimes outsized, before Wurm walked on, stamped, squashed and otherwise deformed them. These deformations were then cast in bronze or polyester and painted the ‘wrong’ colour. The effect is triple layered dislocation.
A handsome fridge becomes a giant pat of butter, tagged Butter (Fridge). A sideboard in black patinated bronze, Horse, sags horribly and is fatally holed in its flanks. The show reminds us that an object can be wrong in a number of different ways, that our expectations of them are more complicated than we think. And when shape, colour and material refuse to play by the rules, we can feel very lost indeed.
Ordinary household objects like sofas, light stands, fridges and even hand-soap dispensers are taken and misshaped in some way, as if moulded by very large hands
Each piece was conventionally created in clay, before Wurm proceeded to deform and destroy them. Pictured: Afterglow (Lamp), 2015
The exhibition's title, 'Lost' seems very apt indeed – when our expectations of shape, colour and material are disrupted, it can be scary how quickly sensory disorientation ensues. Pictured: Horse (Sideboard), 2015
The clean lines and highly-finished edges are juxtaposed by large, inconsistent holes, as seen here in the darkly comedic footprints of Snow (Chaise Longue), 2015
Each piece has a witty, tactile title, adding to the jarring effect, as seen in Butter (Fridge), 2015 (pictured left), and Body (Body Lotion Dispenser), 2015 (right)
INFORMATION
’Erwin Wurm: Lost’ is on view until March 5. For more information, visit Galerie Thaddaeus Ropac’s website
Photography courtesy the artist and Galerie Thaddaeus Ropac
ADDRESS
Galerie Thaddaeus Ropac
7 Rue Debelleyme
75003 Paris
-
This Swedish summer house is a family's serene retreat by the trees and the Baltic seaHorsö, a Swedish summer house by Atelier Alba is a playfully elegant retreat by the Kalmarsund Sea and a natural reserve
-
A new exhibition retraces 50 years of Pierre Paulin’s history around the table‘Les Tables de Pierre Paulin’ shows a lesser-known side of the designer’s creative world, accompanied by a new book tracing his wife’s hospitality around his iconic table designs. ‘A creator is never alone in his creation…’
-
Tour this Estonian tiny home with big ambitionsÖÖD Golden House, a new Estonian cabin concept, promises to offer a compact design for small and perfectly formed escapes
-
At home with Calder: the artist’s hidden knack for domestic design -
Solid state: Rick Owens’ latest foray into sculpture and furniture -
Back to the future: Page Thirty Three’s new collection references past space age visions -
Sculptor Lynn Chadwick’s angular metal figures star in a series of international shows, starting in London -
Richard Wilson’s new sculpture for Heathrow’s Terminal 2
