Under the influence: Tower of David Museum explores the heritage of two Israeli designers

Training Stone By Haim Parnas
'Objectives' is a new contemporary design and art exhibition at the Tower of David Museum in Jerusalem, that chronicles the work of two internationally-renowned local designers, Ezri Tarazi and Haim Parnas, who were both born and raised in the city. Pictured: Training Stone by Haim Parnas. Photography: Elad Sarig
(Image credit: Elad Sarig)

Jerusalem's Tower of David Museum is hosting 'Objectives', a new contemporary design and art exhibition curated by Smadar Keren that chronicles the work of two internationally-renowned local designers, Ezri Tarazi and Haim Parnas, who were both born and raised in the city.

The museum's breathtaking location – in a restored citadel that has guarded the entrance to the Old City of Jerusalem for hundreds of years – is particularly fitting for the show, which explores the designers' relationship with the city and how it has informed their work. Archival pieces are displayed alongside detailed texts, photographs and films that illustrate the story behind each design, placing as much emphasis on the making processes as the finished objects.

As well as existing works, each designer has created a unique piece especially for the occasion; in a vibrant set up that is evocative of his own studio space, Parnas has created four poignant assemblages of sculptures, wall ornaments and stools, displayed alongside archaeological finds, mementos and murals. Each one tells a story about the designer and his home city, layering together the physical, political and spiritual. 

Meanwhile, Tarazi has created nine limited edition tables based upon the map of the Old City. One of the tables, called Dirt from Your Earth, has a laser cut steel surface, which features precisely-cut holes that each accommodate a conical porcelain bowl. The deep, wheel-turned bowls are made using porcelain clay mixed with soil from the Temple Mount excavations – a subtle comment on the city's political-religious issues.

Israeli improvisation is the innovation that this place produces, Tarazi explains. 'The link between things that do not connect – secularism and practising Judaism, beauty and violence, spirituality and militarism – all coexist here, and this is what I am trying to touch on in my works. […] In many respects, design deals not only with the reflectiveness of art, but with utopian futurology.'

Exhibit by Haim Parnas

Curated by Smadar Keren, the exhibition explores the designers' relationship with their city and how it has informed their work. Pictured: Exhibit by Haim Parnas. Photography: Elad Sarig

(Image credit: Elad Sarig)

The Finjan By Haim Parnas

Archival pieces are displayed alongside detailed texts, photographs and films that illustrate the story behind each design, placing as much emphasis on the making processes as the finished objects. Pictured: The Finjan by Haim Parnas. Photography: Oded Antman

(Image credit: Oded Antman)

Ezri Tarazis Dirt From Your Earth

The Dirt from Your Earth table has a laser cut steel surface, which features precisely-cut holes, each accommodating a conical porcelain bowl. Photography: Elad Sarig

(Image credit: Elad Sarig)

Dirt From Your Earth Table

The deep, wheel-turned bowls are made using porcelain clay mixed with soil from the Temple Mount excavations – a comment on the city's political-religious issues. Photography: Elad Sarig

(Image credit: Elad Sarig)

Maquam Makom By Ezri Tarazi

An homage to two traditions that are often combined at social gatherings – coffee drinking and making music – the walnut Maqam Makom table contains 12 shallow cavities for coffee cups and an additional one for a coffee pot. Photography: Elad Sarig

(Image credit: Elad Sarig)

Excavations By Ezri Tarazi

Tarazi's Excavations table provides an exaggerated depiction of the archaeological digs that are frequently carried out in Jersualem's Old City, initiated by different political and religious factions. Photography: Elad Sarig

(Image credit: Elad Sarig)

Pocket Book by Haim Parnas

In a vibrant set up that is evocative of his own studio space, Parnas has created four poignant assemblages of sculptures, wall ornaments and stools displayed alongside archaeological finds, mementos and murals. Pictured: Pocket Book by Haim Parnas. Photography: Elad Sarig

(Image credit: Elad Sarig)

A Catapult From 200 BC Found At The Tower Of David

The assemblage contains numerous items from Parnas' private collection – archaeological finds and actual memorabilia gathered from the field of battle. Some works hint at a volatile existence, oscillating between states of peace and war. Pictured: A catapult from 200 BC, found at the Tower of David

(Image credit: Elad Sarig)

Grafting By Haim Parnas

Each one tells a story about Haim and his home city, layering together the physical, political and spiritual. Pictured: Grafting by Haim Parnas. Photography: Oded Antman

(Image credit: Oded Antman)

ADDRESS

Tower of David Museum
Jaffa Gate
Jerusalem, 9114001

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Ali Morris is a UK-based editor, writer and creative consultant specialising in design, interiors and architecture. In her 16 years as a design writer, Ali has travelled the world, crafting articles about creative projects, products, places and people for titles such as Dezeen, Wallpaper* and Kinfolk.