Watch Universal Everything's audio-visual installation unfold in the Science Museum's new Media Space galleries
It can be difficult to describe digital artworks, because they often need to be seen to be understood. But Matt Pyke hopes that when people do see the newest, extraordinary installation by his design collective, Universal Everything, they will feel 'the sensation of witnessing a new form of life, never felt before'. And the brilliant thing is, they probably will. Even if that's hard to imagine right now.
The huge, two-part audio-visual installation is the first exhibit to be shown in the Science Museum's new Media Space galleries, which opened to the public this month. Designed to bring together photographers, artists and curators to explore the relationship between photography, science, art and technology, the Media Space is a collaboration between the Science Museum and the National Media Museum in Bradford.
Within the newly opened space, Universal Everything has created a curved chamber comprising two concentric 360º video projection walls immersing the visitor. Running on the outside of the chamber, 'Presence' is a 24-minute, four-screen film of a contemporary dance performance, clothed in Universal Everything's customary abstract digital costumes and choreographed by Benjamin Millepied and his LA Dance Project (soon to be on at Sadler's Wells Theatre). The inner screen shows '1000 Hands', a living, evolving digital environment, consisting of visitor-generated drawings made through a touch screen app.
Since we covered his exhibition at Paris' Gâité Lyrique two years ago, Pyke has been busy working on installations and experiences for Intel, Nike and Hyundai (who are also partnering for the Media Space show). For this exhibition the plan was to bring it all together. 'We wanted to create a grand cumulative mix of the processes we have been exploring; architecture, sound, choreography, CGI and touch screen interaction,' he explains. 'The essence of the work is about revealing a living, emotional presence within digital forms, leading us to develop abstracted, digital costumes for the dancers of "Presence"'.
Continues Pyke: 'With "1000 Hands", we wanted to involve the visitors in the creation of the work, to challenge the traditional role of audience versus artists. The work only exists because of the audience contributions.' The installation is the studio's biggest collaboration yet, involving architects, fabricators, projectionists, musicians, dancers, choreographers, CGI animators and programmers.
Within the newly opened space, Universal Everything has created a curved chamber comprising two concentric 360º video projection walls immersing the visitor.for Media Space
A still from 'Presence', a 24-minute, four-screen film of a contemporary dance performance, which runs on the outside of the chamber.
The performers - choreographed by Benjamin Millepied - appear clothed in Universal Everything's signature abstract digital costumes.
Universal Everything founder Matt Pyke explains, ''We wanted to create a grand cumulative mix of the processes we have been exploring; architecture, sound, choreography, CGI and touch screen interaction. The essence of the work is about revealing a living, emotional presence within digital forms.'
The installation is the studio's biggest collaboration yet, involving architects, fabricators, projectionists, musicians, dancers, choreographers, CGI animators and programmers.
ADDRESS
Virgin Media Studio
Media Space
Exhibition Rd
London SW7 2DD
-
Wallpaper* checks in at the refreshed W Hollywood: ‘more polish and less party’The W Hollywood introduces a top-to-bottom reimagining by the Rockwell Group, capturing the genuine warmth and spirit of Southern California
-
Book a table at Row on 5 in London for the dinner party of dreamsRow on 5, the first restaurant ever to open on Savile Row, emerges as a perfectly tailored fit for fans of fine dining
-
How a bijou jewellery salon in Monaco set the jewellery trends for 2025Inside the inaugural edition of Joya, where jewellery is celebrated as miniature works of art
-
Inside the distorted world of artist George RouyFrequently drawing comparisons with Francis Bacon, painter George Rouy is gaining peer points for his use of classic techniques to distort the human form
-
‘I'm endlessly fascinated by the nude’: Somaya Critchlow’s intimate and confident drawings are on show in London‘Triple Threat’ at Maximillian William gallery in London is British artist Somaya Critchlow’s first show dedicated solely to drawing
-
Looking forward to Tate Modern’s 25th anniversary partyFrom 9-12 May 2025, Tate Modern, one of London’s most adored art museums, will celebrate its 25th anniversary with a lively weekend of festivities
-
Out of office: what the Wallpaper* editors have been doing this weekA week in the world of Wallpaper*. Here's how our editors have been entertaining themselves in the run up to Christmas
-
Love, melancholy and domesticity: Anna Calleja is a painter to watchAnna Calleja explores everyday themes in her exhibition, ‘One Fine Day in the Middle of the Night’, at Sim Smith, London
-
Ndayé Kouagou speaks the language of the chaotic social media influencer in LondonNdayé Kouagou celebrates meandering incoherence with an exhibition, ‘A Message for Everybody’, at Gathering in London
-
Out of office: what the Wallpaper* editors have been doing this weekA snowy Swiss Alpine sleepover, a design book fest in Milan, and a night with Steve Coogan in London – our editors' out-of-hours adventures this week
-
Discover psychedelic landscapes and mind-bending art at London’s Tate Modern'Electric Dreams' at the Tate encompasses the period from the 1950s to the beginning of the internet era
