Zander Blom explores 21st century modernism at Stevenson, Cape Town

Cape Town-based musician and artist Zander Blom is once again showing at Cape Town's Stevenson Gallery. A new show, simply entitled 'New Paintings', will be his sixth solo show with the gallery. For this exhibition, his most divulging, he 'followed the medium instead of trying to make it follow me'.
Known for his expression of modernism through the eyes of a young person living in a politically and socially interesting Johannesburg at the inception of the 21st century, Blom’s new work is an extension of exactly that. 'I have believed in the idea of perpetual change as a vehicle for innovation and discovery in painting for a long time,' confesses Blom. 'Even though the overarching themes in my work have much remained the same over the last decade, my style and techniques have gone through many transformations.'
Blom characteristically creates modular forms in paint or printmaking that are then constructed and deconstructed whilst being documented at all stages. The documentation, in the form of photography, is mostly staged in his home. 'My current home studio is more or less the shape of a shoebox. One-third of the shoebox is the safe side, a painting-free zone with a couch, coffee table and two working tables. The other two-thirds is full of canvas and paint,' he says.
By his own declaration he decided early on in his career to be a 'productive, prolific and non-suicidal artist' following his own whims and impulses. His new expression collects this awareness and reveals some of his inner workings – including what he calls 'cabin fever' in his studio.
Despite the deceptively simple title 'New Paintings', Blom's new show is his most divulging yet. Pictured left: Untitled [1.767], 2016. Right: Untitled [1.763], 2016
Blom's art is conceived through the eyes of a young person living in a politically and socially interesting Johannesburg. Pictured: Untitled [1.760], 2016
Blom explains, 'I have believed in the idea of perpetual change as a vehicle for innovation and discovery in painting for a long time.' Pictured: Untitled [1.761], 2016
By his own declaration, he decided early on in his career to be a 'productive, prolific and non-suicidal artist' that follows his own whims and impulses. Pictured: Untitled [1.765], 2016
INFORMATION
'Zander Blom: New Paintings' is on view until 9 April. For more information, visit the Stevenson Gallery's website
Photography courtesy the artist and Stevenson Gallery
ADDRESS
Stevenson Gallery
Buchanan Building
160 Sir Lowry Road
Woodstock 7925
Cape Town
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Daniel Scheffler is a storyteller for The New York Times and others. He has a travel podcast with iHeart Media called Everywhere and a Substack newsletter, Withoutmaps, where he shares all his wild ways. He lives in New York with his husband and their pup.
-
Inside the fantastical world of performance artist, Darrell Thorne
Performance artist Darrell Thorne straddles multiple worlds, telling stories through transformation, reinvention and theatrical excess
-
Mostly armless: life with the Roborock Saros S70 and taking a (shallow) step into the future
The arm-equipped Roborock Saros Z70 robot vacuum dusts, mops and even cleans up your messy household. So why did it feel like adding a demanding new family member?
-
Out of office: the Wallpaper* editors’ picks of the week
Summer holidays are here, with Wallpaper* editors jetting off to some exceptional destinations, including highly recommended Mérida in Mexico. Then it’s back to work, or, for one editor, back to school…
-
Rolf Sachs’ largest exhibition to date, ‘Be-rühren’, is a playful study of touch
A collection of over 150 of Rolf Sachs’ works speaks to his preoccupation with transforming everyday objects to create art that is sensory – both emotionally and physically
-
After decades capturing the world’s fashion-set, photographer Johnny Rozsa picks up a paint brush
In his first exhibition of paintings, the New York-based artist celebrates the vibrancy of Tangier while rediscovering a familiar creative outlet
-
Leila Bartell’s cloudscapes are breezily distorted, a response to an evermore digital world
‘Memory Fields’ is the London-based artist’s solo exhibition at Tristan Hoare Gallery (until 25 July 2025)
-
Marlene Dumas’ charged, exposed and intimate figures gather in Athens
The artist’s work from 1992 until the present day goes on show at Athens’ Museum of Cycladic Art (until 2 November)
-
Get lost in Megan Rooney’s abstract, emotional paintings
The artist finds worlds in yellow and blue at Thaddaeus Ropac London
-
Kaari Upson’s unsettling, grotesque and seductive world in Denmark
The Louisiana Museum of Modern Art in Denmark is staging the first comprehensive survey of late artist Kaari Upson’s work
-
Inside the brilliant and short career of Paul Thek: 'The goal was to live a creative existence as a maker – and he lived in a saint-like fashion'
Paul Thek's paintings are now viewable at Thomas Dane Gallery in London, in an exhibition curated by Kenny Schacter and Jonathan Anderson.
-
Lubaina Himid and Magda Stawarska’s new show at Kettle’s Yard will uncover the missing narratives in everyday life stories
The artists and partners in life are collaborating on an immersive takeover of Kettle’s Yard, Cambridge, in an exhibition that delves into a lost literary legacy