Zhang Enli to debut unseen works for Fortnum & Mason’s new artistic initiative
The Chinese artist’s suite of oil paintings and watercolour works is inspired by his frequent journeys to and across the UK over the past year, harnessing themes of travel, mapping, immigration and relocation

We are used to seeing eastern landscapes and cultures depicted by western painters, but in Zhang Enli’s beguiling works we see British terrains through the celebrated Chinese artist’s eyes. For a forthcoming exhibition at Fortnum & Mason, open in store from 10 September as the fourth in the institution’s annual artist initiative, Enli travelled between London and Scotland.
Inspired by both the urban and the rural, 18 new paintings translate the landscapes and atmosphere of the UK into expressionistic maps, tracing his journeys in watercolour. A series of 12 works of numbered, anonymous Destinations give aerial view of the British countryside, a perspective we’re increasingly used in a globally mobile world. While some resemble zoomed-out views as if from a plane, others become more minimal and abstract— Destination 10 a simple curving line, the artery of a waterway on against an ecru background.
Destination 10, 2019, by Zhang Enli, watercolour on paper
The swarthy greens, turquoise blues and dusky yellows present Britain in a different palette than native painters before Enli who have defined the way we see the country, the dominant greys and browns of Turner, Constable and Gainsborough. Pops of bright orange and yellow have more in common with Hockney, a British painter but who showed us the British countryside as a foreigner might see it. Undulating waves of colour become more contemplative and abstract in others works: a series of five Profiles look almost like microbiological sketches, swirls and swashes around organic shapes. In two works, figures suddenly appear – the artist, looking out.
RELATED STORY
‘My deepest impression of London is its diversity,’ Zhang recalls over email. The artist also spend extended periods of time in the Highlands. Earlier this year he presented a new installation on walls and ceilings of The Drawing Room at the Fife Arms (the hotel owned by Enli’s gallerists Iwan and Manuela Wirth). Titled Ancient Quartz, the work is a topographical vision, referencing cross sections of Scottish agates. ‘My experience in Scotland always reminds me of a moment in history,’ Enli reflects on the time he spent there.
Having visited the UK more than a dozen times since his first trip in 2009, Enli looks at British culture with endless curiosity and even romanticism – something many locals, in the current political climate, might have lost. It’s this dialogue with the structures of Britain – it’s nature, history and environment – that makes Enli’s work such a unique encounter. ‘The most memorable thing was when I was in the Royal Academy exhibition last year. I truly realised the definition and protection of cultural relics within British culture, which I think we all need to learn.’
A series of works on paper by Enli will also feature at Fortnum’s first flagship store abroad, set to open within the K11 Musea development in Hong Kong.
Transparent Objects, 2018, by Zhang Enli, oil on canvas.
Profile 4, 2019, by Zhang Enli, watercolour on paper.
1390, 2018, by Zhang Enli, oil on canvas.
Destination 7, 2019, by Zhang Enli, watercolour on paper.
Destination 5, 2019, by Zhang Enli, watercolour on paper.
INFORMATION
‘Fortnum’s X Zhang Enli’, 10 September – 18 October, Fortnum & Mason. fortnumandmason.com; hauserwirth.com; shanghartgallery.com
ADDRESS
Fortnum & Mason
181 Piccadilly
London W1A 1ER
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Charlotte Jansen is a journalist and the author of two books on photography, Girl on Girl (2017) and Photography Now (2021). She is commissioning editor at Elephant magazine and has written on contemporary art and culture for The Guardian, the Financial Times, ELLE, the British Journal of Photography, Frieze and Artsy. Jansen is also presenter of Dior Talks podcast series, The Female Gaze.
-
Fendi celebrates 100 years with all-out runway show at its new Milan HQ
In the wake of Kim Jones’ departure, Silvia Venturini Fendi took the reins for a special co-ed A/W 2025 collection marking the house’s centenary, unveiling it as the first act of celebrations within Fendi’s expansive new headquarters in Milan
By Jack Moss Published
-
‘Leigh Bowery!’ at Tate Modern: 1980s alt-glamour, club culture and rebellion
The new Leigh Bowery exhibition in London is a dazzling, sequin-drenched look back at the 1980s, through the life of one of its brightest stars
By Amah-Rose Abrams Published
-
Inside the unexpected collaboration between Marni’s Francesco Risso and artists Slawn and Soldier
New exhibition ‘The Pink Sun’ will take place at Francesco Risso’s palazzo in Milan in collaboration with Saatchi Yates, opening after the Marni show today, 26 February
By Hannah Silver Published
-
‘Leigh Bowery!’ at Tate Modern: 1980s alt-glamour, club culture and rebellion
The new Leigh Bowery exhibition in London is a dazzling, sequin-drenched look back at the 1980s, through the life of one of its brightest stars
By Amah-Rose Abrams Published
-
‘Yay, To Have a Mouth!’: a London show explores our oral fixation, from Freud to fairytales
This group show at Rose Easton gallery in east London, created in collaboration with Ginny on Frederick, uncovers our fascination with the mouth
By Emily Steer Published
-
High low culture and the sickly sweetness of Tootsie Rolls: Derrick Adams in London
Derrick Adams plays with themes of Black Americana in ‘Situation Comedy’ at Gagosian London.
By Hannah Silver Published
-
The Barbican as muse: composer Shiva Feshareki on bringing the brutalist icon to life through music
For the last two years, British-Iranian experimental composer and turntablist Shiva Feshareki has been drawing on the Barbican’s hidden history as a gateway for her new piece. She talks to Wallpaper* about her Brutalist muse
By El Hunt Published
-
Out of office: what the Wallpaper* editors have been doing this week
A taste of the dolce vita in London, some permanent artwork and a new eyeshadow palette – it's our editors' picks of the week
By Bill Prince Published
-
'We need to be constantly reminded of our similarities' – Jonathan Baldock challenges the patriarchal roots of a former Roman temple in London
Through use of ceramics and textiles, British artist Jonathan Baldock creates a magical and immersive exhibition at ‘0.1%’ at London's Mithraum Bloomberg Space
By Emily Steer Published
-
Discover Rotimi Fani-Kayode's fluid photographs of the queer male body, on show in London
‘Rotimi-Fani Kayode: The Studio – Staging Desire’ at Autograph ABP celebrates the work of the Nigerian-born photographer
By Upasana Das Published
-
Saatchi Gallery is in full bloom with floral works from Vivienne Westwood, Marimekko, Buccellati and more
‘Flowers – Flora in Contemporary Art & Culture’ at Saatchi Gallery, London, explores the relationship between creatives and their floral muses, and spans from fashion and jewellery to tattoos
By Tianna Williams Published