Zoe Leonard’s first major survey reveals a prophetic artist ahead of her time

American artist Zoe Leonard (born 1961) has tackled the status quo and its impact on individual identity and the urban landscape through her photography, sculptures and installations since the early 1980s. But her work is incredibly germane right now – so much so that in her first major mid-career survey at the Whitney Museum of American Art in New York, it can be difficult to discern which pieces are recent and which are historic.
Comprising some 100 works from the New York-based artist, the show has been curated by Bennett Simpson and Rebecca Matalon from the Museum of Contemporary Art in Los Angeles (the exhibit will travel there in autumn). ‘We call it a survey, but it’s not intended to be a comprehensive retrospective,’ explains Whitney assistant curator Elisabeth Sherman. ‘We are using the other meaning of survey, examining the idea of what it means to survey something, to look out at a landscape and describe it from multiple points and show the way in which Zoe frames the world.’
New York Harbor I, 2016, by Zoe Leonard, two gelatin silver prints. Collection of the artist.
I want a president, for example, calls for diverse representation in government and questions the President in power. ‘I want to know why we started learning somewhere down the line that a president is always a clown: always a john and never a hooker. Always a boss and never a worker, always a liar, always a thief and never caught.’ While this sentiment certainly resonates with the current political art scene, it is from 1992.
Conversely, her most recent 2018 installation, Why have there been no great women artists?, presents excerpts from Linda Nochlin’s 1971 essay regarding the women’s liberation movement and the contemporary art milieu at that time. And Leonard’s 2008 work, You see I am here after all depicts our longtime fascination with self-documentation with an arrangement of 3,883 vintage Niagara Falls postcards.
Other art such as her Anatomical Model series examines the role of gender and the male gaze, while her ‘airplane window’ series contemplates how we look out at the world at large. ‘There is a lot of work that addresses the ways in which institutions, including museums, display bodies and lives and how people and objects are put on display and also how people look at things on display,’ says Sherman. ‘There is a perceived transparency, but Zoe is asking the visitor look more closely, not just at the exhibition, but at the information itself.’
You see I am here after all (detail), 2008, by Zoe Leonard, vintage Niagara Falls postcards
Untitled, 1989, by Zoe Leonard, gelatin silver print.
Income Tax, Rapid Divorce, 1999, by Zoe Leonard, dye transfer print. Collection of the artist;
Niagara Falls no.4, 1986/1991, by Zoe Leonard, gelatin silver print. Collection of the artist;
The Fae Richards Photo Archive (detail), 1993-96, by Zoe Leonard, 78 gelatin silver prints and four chromogenic prints. Whitney Museum of American Art, New York; purchase, with funds from the Contemporary Painting and Sculpture Committee and the Photography Committee
INFORMATION
‘Zoe Leonard, Survey’ is on view until 10 June. For more information, visit the Whitney Museum of American Art website
ADDRESS
Whitney Museum of American Art
99 Gansevoort Street
New York
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.


















-
Desert X 2025 review: a new American dream grows in the Coachella Valley
Will Jennings reports from the epic California art festival. Here are the highlights
By Will Jennings Last updated
-
This rainbow-coloured flower show was inspired by Luis Barragán's architecture
Modernism shows off its flowery side at the New York Botanical Garden's annual orchid show.
By Tianna Williams Published
-
‘Psychedelic art palace’ Meow Wolf is coming to New York
The ultimate immersive exhibition, which combines art and theatre in its surreal shows, is opening a seventh outpost in The Seaport neighbourhood
By Anna Solomon Published
-
Wim Wenders’ photographs of moody Americana capture the themes in the director’s iconic films
'Driving without a destination is my greatest passion,' says Wenders. whose new exhibition has opened in New York’s Howard Greenberg Gallery
By Osman Can Yerebakan Published
-
20 years on, ‘The Gates’ makes a digital return to Central Park
The 2005 installation ‘The Gates’ by Christo and Jeanne-Claude marks its 20th anniversary with a digital comeback, relived through the lens of your phone
By Tianna Williams Published
-
In ‘The Last Showgirl’, nostalgia is a drug like any other
Gia Coppola takes us to Las Vegas after the party has ended in new film starring Pamela Anderson, The Last Showgirl
By Billie Walker Published
-
‘American Photography’: centuries-spanning show reveals timely truths
At the Rijksmuseum in Amsterdam, Europe’s first major survey of American photography reveals the contradictions and complexities that have long defined this world superpower
By Daisy Woodward Published
-
Miami’s new Museum of Sex is a beacon of open discourse
The Miami outpost of the cult New York destination opened last year, and continues its legacy of presenting and celebrating human sexuality
By Anna Solomon Published