Latest articles by Craig McLean
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Colin Greenwood's intimate portraits of Radiohead capture the band at work and play
Colin Greenwood's portraits of Radiohead have been collected in a new photography book, 'How To Disappear'
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'Anything I put out into the world, I want to be a prayer': musician Laura Marling on eschewing traditional merch for tarot-inspired prints
As Laura Marling prepares to release her eighth album, 'Patterns in Repeat', Craig McLean learns about another artistic pursuit that occupies her time
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Olympics opening ceremony: a little Gaga, a lot of spectacle, and universal uplift
How Paris 2024’s Olympics opening ceremony set spirits – and much else – soaring, embracing the Seine, the streets and the skies. Craig McLean reports
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The new Beats Pill: exclusive interview with Apple’s Oliver Schusser
Oliver Schusser, an Apple Vice-President, is in town to talk Pills, thrills and heartaches. We sat down to explore the Beats portable music strategy
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Remembering Rusty Egan's Blitz Club: a place to 'avoid the mob and the homophobes', where the New Romantics were born
As he releases new vinyl boxset, 'Blitzed!', Wallpaper* meets DJ Rusty Egan to talk about London's scene-building Blitz club – the antidote to the late 70s punk scene and a hot-bed of experimental fashion
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‘I try to capture rawness and beauty at the same time’: Gabriel Moses on his career
Photographer Gabriel Moses’ new book ‘Regina’ is a paen to kindred spirits
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In Paris, Alain Ducasse elevates the festival food experience
At We Love Green festival, the possessor of the most Michelin stars in the world has set himself a new challenge – to make vegetarian festival food something of substance.
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Back to Black: all eyes on film-maker Sam Taylor-Johnson
Back to Black cinematographer Polly Morgan tells Wallpaper* how a shared love of French New Wave close-ups brought Sam Taylor-Johnson’s Amy Winehouse biopic to life
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Bacao Rhythm & Steel band's cover of ‘P.I.M.P’ stars in Anatomy of a Fall
Wallpaper* meets ‘Anatomy of a Fall’ favourites Bacao Rhythm & Steel Band, whose cover of 50 Cent's ‘P.I.M.P’ muscles its way into the Oscar-nominated courtroom drama
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Dune: Part Two – Hans Zimmer designs the sound of sand
Composer of the Dune: Part Two score, Hans Zimmer tells Wallpaper* about his ‘industrial, mechanical, brutal’ sonic journey
