Latest articles by Nick Compton
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High concept: Keith Arnatt's 'Absence of the Artist' at Sprüth Magers
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Leather front: Studio Moon puts a new spin on skins with printed bags
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Design Real by Konstantin Grcic
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Learning from Seurat: Bridget Riley's remixes arrive at the Courtauld Gallery
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Generous gestures: Linder’s Dovecot collaboration, at British Art Show 8
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Hidden in plain sight: Prem Sahib at the ICA
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Nest Supper Club: Wallpaper* hosts intimate dinner at Stanton Williams-designed home
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Chinese made easy with ’Chineasy’ by Noma Bar and ShaoLan Hseuh
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COP21: The Foundation Cartier contributes multimedia installation EXIT to the debate
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Corin Sworn wins the Max Mara Art Prize for Women
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The photographer who captured the defiant beauty of Frida Kahlo’s closet
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A Mexican art revolution takes shape at London’s Royal Academy of Arts
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Francisco Vidal's 'Workshop Maianga Mutamba' at Tiwani Contemporary, London
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Subkoff's slasher movie #Horror is a grisly tale of teenage cyber-bullying
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Flying high: Alberto Bertoldi's clouldscapes arrive at Moatti Masters
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Art14 cements its place on the international fair circuit
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Modern master: Le Corbusier, 50 years on
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Where art meets design
Studio Leigh, a new London-based ‘commissioning and exhibiting platform’, opens in Shoreditch
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Heatherwick Studio’s 1000 Trees blooms in Shanghai
Heatherwick Studio’s 1000 Trees is Shanghai’s newest mixed-use development, blending trees, art and sculptural concrete
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Book: Icons of Men's Style by Josh Sims
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Meta-art: Elmgreen & Dragset’s ’The Well Fair’ at Beijing’s Ullens Center
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Zaha Hadid's Heydar Aliyev Centre in Baku wins Design of the Year
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Money matters: Yuken Teruya’s ’Monopoly’ at Pippy Houldsworth
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Man Machine: Konstantin Grcic’s dynamic glass furniture collection for Galerie Kreo
