Latest articles by Nick Compton
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Animations from Erarta Museum and Galleries of Contemporary Art, Russia
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Adam Kimmel is recharged and redirected as WeWork's creative chief
He was fashion’s new big thing until he decided not to be. Now Kimmel is back, and is taking on desk space disruptor WeWork
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Fast and furiouso: Gianni Piacentino takes Fondazione Prada
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250 Design's solution for keeping your trainers fresh
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Ästad Vingård’s Äng restaurant is a holistic design delight in Sweden
Join us on a wine and wellness tour of the Ästad Vingård and Äng restaurant's new glasshouse in Sweden
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Renaissance man: how Italian fashion magnate Brunello Cucinelli cashed in on cashmere
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Cape Town report: Design Indaba 2013 and highlights from Woodstock
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Henry who?: Barbara Hepworth retrospective ’Sculpture for a Modern World’ opens at Tate Britain
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Looming larger than ever: ’Düsseldorf Photography’ at Ben Brown Fine Arts
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Heatherwick Studio’s glasshouse architecture flowers in the English countryside
Heatherwick Studio’s new glasshouse is a floral haven in West Sussex's Woolbeding Gardens
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Total focus
The photography world's great and good give 'Art for Love' a shot
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![Left: Involute, 1917. Right: La Volière [Aviary], 1919](https://cdn.mos.cms.futurecdn.net/jsfjMPeYig2BCcZH2K9gdM-230-80.jpg)
The power of Man Ray: photographer, artist, visionary
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Frozen in time: Foam Amsterdam celebrates the art of contact sheets
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South Korean artist Do Ho Suh on judging this year’s Wallpaper* Design Awards
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’Radical Disco’: scrutinising the design and architecture of Italian nightlife
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Rashid Johnson targets notions of origin in a show at Athens’ George Economou Collection Space
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Daan Roosegaarde’s Space Waste Lab launches into orbit
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'Kraftwerk - The Catalogue 1 2 3 4 5 6 7 8' at Tate Modern, London
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Pittsburgh’s Mattress Factory invites artists to create room-sized installations
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Southern delights: Este Arte’s second edition opens in Punta del Este, Uruguay
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Artist Marcello Maloberti creates a public installation for the Zegna Foundation in Trivero
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Phillips auction house decamps to a new Berkeley Square base designed by Aukett Swanke
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Sarah Sze takes over London’s Victoria Miro galleries with a two-pronged show about time and space
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American artist Sarah Sze pulls apart her creative process
![Left: Involute, 1917. Right: La Volière [Aviary], 1919](https://cdn.mos.cms.futurecdn.net/jsfjMPeYig2BCcZH2K9gdM-800-80.jpg.webp)
