Siska Lyssens
Siska Lyssens has contributed to Wallpaper* since 2014, covering design in all its forms – from interiors to architecture and fashion. Now living in the U.S. after spending almost a decade in London, the Belgian journalist puts her creative branding cap on for various clients when not contributing to Wallpaper* or T Magazine.
Latest articles by Siska Lyssens
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In memoriam: Juliaan Lampens (1926-2019)
At the age of 93, Belgian architect Juliaan Lampens, a masterful builder in concrete, wood and glass, has passed away in Ghent
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Loewe celebrates its past, present and future with a new flagship in Madrid
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Renaissance man: Jan Fabre’s sculptural dialogue with Florence
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Belgian designers turn to the soil for a sensory story in Milan
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Paco Rabanne S/S 2017
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Conversation and community: Independent art fair lands in Brussels
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Modern Latin American architecture through the lens of Leonardo Finotti
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Stella McCartney S/S 2017
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Saint Laurent S/S 2017
An expert in the deep and dark, Vaccarello offers up sexy with added glossy charm
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Phoebe English's new exhibition 'Floating, Falling, Drowning, Flying' opens at NOW Gallery
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Rick Owens S/S 2017
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Maison Margiela S/S 2017
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Loewe S/S 2017
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Lemaire S/S 2017
In flawless synergy, Christophe Lemaire and Sarah-Linh Tran present relaxed silhouettes and wearable layers
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Lanvin S/S 2017
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Kenzo S/S 2017
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Chloé S/S 2017
Clare Waight Keller's easy breezy nostalgia includes Hall and Oates and Seventies prints
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Topshop Unique S/S 2016
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Simone Rocha S/S 2016
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Politics, popularity and painting: Katerina Gregos provides us with some new perspectives at Art Brussels
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Behind the set: the Tors of Dartmoor provide the mystical reference for John Lobb’s A/W 2016 presentation
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The progressive tense: erotic magazine L’imparfaite’s aesthetic finale
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Signature ceramics: Markus Karstieß’ performative porcelain
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Secret tongues: Caterina Silva shares her intuitive visual language
Caterina Silva sometimes paints on high heels while dancing in her studio. It’s a strategy she employs to heighten her presence during the creation process. 'I consider my practice as a way to control the non-controllable', the Italian artist explains on the eve of ‘TBC (August)’, her first solo exhibition in London, held at the contemporary art platform Bosse & Baum in Peckham.
By Siska Lyssens Last updated