The story of designers Edward Barber and Jay Osgerby's collaboration with Cappellini is rooted in Wallpaper* mythology: 'I saw a beautiful bentwood coffee table in Wallpaper's booth at a trade show in 1997, and I immediately knew I wanted to work with these amazing designers,' says Giulio Cappellini, who that day discovered the studio's Isokon table that started a fruitful collaboration with the designers.
‘Minibottle’ by Barber Osgerby for Cappellini
'Their design language is elegant and their objects timeless. In fact, after many years, their products are still absolutely contemporary. I really like “Minibottle”, a small ceramic table, for the skilful use of the material.'
Here, Barber Osgerby tell us about the beginning of their work with Cappellini, and how the collaboration has helped shape the studio's direction.
Barber Osgerby and Cappellini: interview
‘Loop’ table
Wallpaper*: How did you meet Giulio Cappellini?
Barber Osgerby: We first met Giulio Cappellini in 1997 at the London trade show, 100% Design. We’d only recently designed the ‘Loop’ table for Isokon and were approached by Wallpaper* magazine – which had itself only come into being a short while earlier – to exhibit with them. We offered to design the magazine’s booth, on the basis that the ‘Loop’ table would be positioned on the stand. [Founding Wallpaper* editor-in-chief] Tyler Brûlé was a huge supporter of our work and it was fitting that we were both starting something at the same time.
‘Loop’ desk by Barber Osgerby for Cappellini
On the Saturday, we went to the show together to meet Tyler at the booth and coincidentally Giulio Cappellini and Jasper Morrison happened to walk past. Tyler introduced us and Giulio expressed his love for the table, saying ‘I have to have it in my collection’. We were dumbfounded. It was a tremendously exciting moment for us, as he is such a hero of ours. It felt like an incredible coming together: everything in the right place at the right time.
The following April, Giulio took the ‘Loop’ table to Milan.
Edward Barber and Jay Osgerby with Giulio Cappellini, working on the ‘Filo’ sofa, a 2009 design manufactured by Cappellini for a private commission
W*: What did you most enjoy about working with him?
Barber Osgerby: A man of rare passion and intuition, Giulio has an affinity for design that most people don’t come close to - a deep and instinctive understanding of what is right and what isn't, of what is needed and what isn't. This mastery is reinforced by a zeal to get stuff done and not allow obstacles. He is also just a genuinely lovely soul of the industry.
Filo sofa
W*: How has your collaboration with Cappellini helped shape your studio/career?
B&O: Giulio has been our gateway to Italy - a country that has become the most significant cultural centre for us. When Giulio chooses to work with you, others can't help but take notice. He has given us valuable exposure and opportunities to learn and grow. His influence has been truly transformative.
W*: What is your vision about future landscapes in private and public interiors?
Barber Osgerby: The lines between work and life have steadily blurred in recent times, propelled by the rise of the freelance economy and the dominance of the service industry. As a result, we now have the freedom to choose where we work and this has led to a fascinating convergence of environments. Public spaces are increasingly transforming into bustling workspaces, whose emphasis is not solely on productivity, but also on fostering a sense of community and social engagement. These dynamic spaces are designed to be flexible and multifunctional, catering to diverse needs.
Simultaneously, the interiors of our private spaces are undergoing significant evolution. Our homes are becoming a counterpoint to the workplace – more intimate and more personal, filled with meaningful objects and memories, some collected over time, others inherited, which create atmosphere and a sense of homeliness.
This merging of work and life, in conjunction with the transformation of the public and private realms, represents a paradigm shift in how we perceive and interact with our surroundings. It highlights our desire for greater flexibility, connectivity, balance and harmony across our professional and personal lives.
The October 2023 issue of Wallpaper* is available in print, on the Wallpaper* app on Apple iOS, and to subscribers of Apple News +. Subscribe to Wallpaper* today
-
Wallpaper* checks in at the refreshed W Hollywood: ‘more polish and less party’The W Hollywood introduces a top-to-bottom reimagining by the Rockwell Group, capturing the genuine warmth and spirit of Southern California
-
Book a table at Row on 5 in London for the dinner party of dreamsRow on 5, the first restaurant ever to open on Savile Row, emerges as a perfectly tailored fit for fans of fine dining
-
How a bijou jewellery salon in Monaco set the jewellery trends for 2025Inside the inaugural edition of Joya, where jewellery is celebrated as miniature works of art
-
Mutina celebrates its collaboration with Barber OsgerbyMutina presents ‘The Magic of Colour’, an exhibition featuring three new projects by long-term collaborators Barber Osgerby
-
Filicudi gallery hosts exhibition of Barber Osgerby’s designsThe tiny Italian island of Filicudi hosts an exhibition of new and archival works by Barber Osgerby, including the studio's first collaboration with a weaver
-
Editor-in-Chief Tony Chambers recalls 1996, a very good year for champagne and creativity -
Wallpaper* Power 200: the world’s top design names and influencersIt’s back with a double helping of provocation and praise. We have plumped up this year’s Power List to a meaty two-ton’s worth of carefully measured rankings, an upscaled calibration of design achievement. As we strongly suspected, last year’s Power 100 caused a considerable stir and provoked strong words. And, as last month’s editor’s letter made clear, even alarming threats of revenge and recrimination. So this year, unchastened, we thought we would do it all again, but double the dose. To mark our 200th issue, the power 100 has become 200. Or rather 100+100 (normal disservice will be resumed next year). And, in a self-congratulatory nod to our keen eye for talent and perhaps the propulsive effect we have had on nascent design careers, we have trawled the Wallpaper* archives, retraced our expert truffling and recovered the debut appearances of future Power Listers. (Look out for long-lost hair, unlined faces and eyes undimmed).
