At first glance, Filicudi looks like just a speck of land in the Tyrrhenian Sea – but getting closer to this small island in the Aeolian archipelago, off the coast of Sicily, one discovers a tiny gem with rocky hills and cacti, wild beaches and panoramic views of Mount Etna across the sea. Historically, Filicudi has attracted artists, architects and designers, including Ettore Sottsass, Maurizio Cattelan and Massimiliano Fuksas, its remote location appealing to creatives from all over Italy.
Design in Filicudi: ‘From Island to Island’ by Barber Osgerby
Filicudi, photographed by Edward Barber
‘I’ve been travelling with my family to Filicudi for a number of summers and have fallen in love with the island,’ says Edward Barber, one half of design studio Barber Osgerby. ‘Initially, it can appear a little impenetrable with its sparse, rocky, cactus-filled landscape and somewhat limited amenities. But it was the raw simplicity of this tiny island that quickly became so appealing to me. As well as its striking topography and the turtle sanctuary where my children help out from time to time, the biggest draw is the interesting people I’ve met there, many of whom have been visiting for much of their lives.’
A tapestry created in collaboration with master weaver Laura de Cesare; ‘Frame 1’, created for a 2014 exhibition at Haunch of Venison; and miniature ‘Tip Ton’ chair for Vitra
Among them is Sergio Casoli, whose seafront gallery Studio Casoli (part of five-room hotel La Sirena) has hosted exhibitions by the likes of Giovanni Gastel and Peter Doig, as well as an artistic residence. Barber Osgerby worked with Casoli on a new exhibition debuting in Filicudi: this summer, ‘From Island to Island’ (a name that nods to their British origin and the show’s location) brings together some of the studio’s key projects, with a focus on craft and the way it blends with industrial design throughout their work. ‘The exhibition demonstrates our obsession with how things are made,’ adds Barber. ‘It spans almost every type of construction we’ve worked with, from glassblowing and weaving to machining metal.’
‘Largo’ table for Marsotto, made of lava stone, and ‘Bellhop’ portable lamp for Flos
As well as iconic Barber Osgerby designs, such as the multicoloured ‘Iris’ table for Established & Sons, Vitra’s ‘Tip Ton’ (in a miniature version), and the striped marble ‘Tobi-Ishi’ table for B&B Italia, the designers have also created special pieces to display in Filicudi, such as a lava stone version of their ‘Largo’ tables by Marsotto and a tapestry in collaboration with master weaver Laura de Cesare (the first time the studio has worked with a weaver).
‘Iris’ table for Established & Sons and miniature ‘Tip Ton’ for Vitra
‘Seeing makers at work has been fundamental to our design education,’ adds Osgerby. ‘The more you learn how they operate, and the more they understand how you work, the better each piece you produce is going to be. It’s a dialogue.’
From Island to Island is on view until 23 July 2023
Studio Casoli
Via Pecorini a Mare
98050 Filicudi, ME
lasirenafilicudi.com/home/studio-casoli
‘Signals’ lamp for Galerie Kreo; ‘Tobi-Ishi’ table for B&B Italia, special edition in white Carrara and green Verde marble; ‘Port’ vase for Venini
-
Wallpaper* Design Awards 2025: the best furniture and design objects for 2025The Wallpaper* Design Awards 2025 present the best new furniture and interior accessories, while global design director Hugo Macdonald and head of interiors Olly Mason reveal what makes a winner
-
Mutina celebrates its collaboration with Barber OsgerbyMutina presents ‘The Magic of Colour’, an exhibition featuring three new projects by long-term collaborators Barber Osgerby
-
When Barber Osgerby met Giulio CappelliniEdward Barber and Jay Osgerby tell Wallpaper* about working with design visionary Giulio Cappellini, Guest Editor of our October 2023 issue
-
Editor-in-Chief Tony Chambers recalls 1996, a very good year for champagne and creativity -
Wallpaper* Power 200: the world’s top design names and influencersIt’s back with a double helping of provocation and praise. We have plumped up this year’s Power List to a meaty two-ton’s worth of carefully measured rankings, an upscaled calibration of design achievement. As we strongly suspected, last year’s Power 100 caused a considerable stir and provoked strong words. And, as last month’s editor’s letter made clear, even alarming threats of revenge and recrimination. So this year, unchastened, we thought we would do it all again, but double the dose. To mark our 200th issue, the power 100 has become 200. Or rather 100+100 (normal disservice will be resumed next year). And, in a self-congratulatory nod to our keen eye for talent and perhaps the propulsive effect we have had on nascent design careers, we have trawled the Wallpaper* archives, retraced our expert truffling and recovered the debut appearances of future Power Listers. (Look out for long-lost hair, unlined faces and eyes undimmed).
