‘Fat, round, and cuddly’: Tom Dixon’s new office chair is the perfect candidate for a hybrid of work and pleasure
Tom Dixon releases the latest addition to his ‘Fat’ collection with ‘Fat Work’, an office chair which unites form, functionality and comfort to a place of work

Tom Dixon, a solid candidate to be dubbed the godfather of British design, unveils the latest addition to ‘Fat’, his upholstery chair collection. Venturing into the office space, ‘Fat Work’ is Dixon’s answer to delivering a chair which provides a rounded cosy comfort in conference rooms to at home studies. In Dixon’s signature style the latest addition provides both character and functionality within the office space.
Tom Dixon presents 'Fat Work'
Fat Work was born from the isolation of the pandemic. Dixon, bored of bland and uncomfortable traditional office chairs, wanted to embark on a creative journey which raised the bar for office furniture staples. Drawing inspiration from the foundations of his ‘Fat’ collection, a series of chairs which are ‘fat, round, and cuddly’, the new office chair features a perfect sphered cushion, and curved backrests. The standout quality is the thickness of the upholstery, which is polished with minimal detailing, highlighting Dixon’s signature style of form and functionality.
‘The new blurred landscape that we now inhabit of hybrid work and pleasure demands furnishings that match our increasingly flexible and unpredictable lifestyles,’ explained Dixon. ‘Fat Work’ is a response to these recent readjustments where the home has been redefined as a place to work, to zoom and to learn. Where workplaces seek to reject a clinical and technological environment in favour of softer aesthetics and comfort.
'We wanted to create a chair stripped of engineered aesthetics with increased plushness and domesticity and so we developed ‘Fat Work’. A chair for conference rooms and breakout spaces, home offices or modern dining, that swivels and rolls and lifts with great posture and poise,' adds Dixon 'We think Fat Work is the perfect candidate for this job description.’
With over 200 colourways and fabrics ‘Fat Work’ can be tailored to any space, and will be available to buy globally in September.
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Tianna Williams is Wallpaper*s staff writer. Before joining the team in 2023, she contributed to BBC Wales, SurfGirl Magazine, Parisian Vibe, The Rakish Gent, and Country Life, with work spanning from social media content creation to editorial. When she isn’t writing extensively across varying content pillars ranging from design, and architecture to travel, and art, she also helps put together the daily newsletter. She enjoys speaking to emerging artists, designers, and architects, writing about gorgeously designed houses and restaurants, and day-dreaming about her next travel destination.
-
Waiting for Ideas have recast the turntable as a minimal aluminium altar for vinyl worship
The PP-1 turntable is an ultra-minimal, all-aluminium record player designed to enhance the vinyl experience
By Jonathan Bell Published
-
Fendi celebrates 100 years with an all-out runway show at its new Milan HQ
In the wake of Kim Jones’ departure, Silvia Venturini Fendi took the reins for a special co-ed A/W 2025 collection marking the house’s centenary, unveiling it as the first act of celebrations within Fendi’s expansive new headquarters in Milan
By Jack Moss Published
-
‘Leigh Bowery!’ at Tate Modern: 1980s alt-glamour, club culture and rebellion
The new Leigh Bowery exhibition in London is a dazzling, sequin-drenched look back at the 1980s, through the life of one of its brightest stars
By Amah-Rose Abrams Published