Artist Carsten Höller's spiralling Slide Tower joins the Vitra Campus roster

Every few years, Vitra gives us another reason to cross the border from Basel to its 'campus' in Weil am Rhine, Germany. Since the 1980s the design manufacturer has expanded acre by acre into this small Rhine-side town, first with sculpture by Claes Oldenburg and Coosje van Bruggen, then with striking architecture and installations by Frank Gehry, Tadao Ando, SANAA, Zaha Hadid and Herzog & de Meuron.
Vitra's latest addition cements the status of this destination as a design theme park. This week the furniture company unveiled the Slide Tower by experimental Belgian artist Carsten Höller, a 30m tripod topped with a revolving clock, which doubles as a viewing platform and a particularly refined helter-skelter.
A double-flight staircase brings visitors up past a series of landings to a 17m lookout over the Swiss-German landscape. They can choose to leave the way they came, but Höller would rather they descend via the 38m sculptural corkscrew slide. A recurring element in the artist's work, the slide is, he says, 'a device for experiencing an emotional state that is a unique condition somewhere between delight and madness.' The feeling of weightlessness is, he reckons, transformative.
Höller - who previously designed the trophy for the 2010 Wallpaper* Design Awards and sat on our illustrious panel of judges - cites the French writer Roger Caillois, who described the act of sliding as 'a kind of voluptuous panic upon an otherwise lucid mind'. And any parent compelled down a playground chute with a nervous child would agree. They'd be better off at the Vitra Campus for a day - their children would thank them.
A double-flight staircase brings visitors up past a series of landings to a 17m lookout over the Swiss-German landscape
A recurring element in Höller's work, the slide is, he says, 'a device for experiencing an emotional state that is a unique condition somewhere between delight and madness'
Visitors are expected to descend via the 38m sculptural corkscrew slide
At the top is a revolving clock that lights up at night
ADDRESS
Vitra Campus
Charles Eames Strasse 2
D-79576 Weil am Rhein
Germany
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Based in London, Ellen Himelfarb travels widely for her reports on architecture and design. Her words appear in The Times, The Telegraph, The World of Interiors, and The Globe and Mail in her native Canada. She has worked with Wallpaper* since 2006.
-
What is the role of fragrance in contemporary culture, asks a new exhibition at 10 Corso Como
Milan concept store 10 Corso Como has partnered with London creative agency System Preferences to launch Olfactory Projections 01
By Hannah Tindle Published
-
Jack White's Third Man Records opens a Paris pop-up
Jack White's immaculately-branded record store will set up shop in the 9th arrondissement this weekend
By Charlotte Gunn Published
-
Designer Marta de la Rica’s elegant Madrid studio is full of perfectly-pitched contradictions
The studio, or ‘the laboratory’ as de la Rica and her team call it, plays with colour, texture and scale in eminently rewarding ways
By Anna Solomon Published
-
In ‘The Last Showgirl’, nostalgia is a drug like any other
Gia Coppola takes us to Las Vegas after the party has ended in new film starring Pamela Anderson, The Last Showgirl
By Billie Walker Published
-
‘American Photography’: centuries-spanning show reveals timely truths
At the Rijksmuseum in Amsterdam, Europe’s first major survey of American photography reveals the contradictions and complexities that have long defined this world superpower
By Daisy Woodward Published
-
Miami’s new Museum of Sex is a beacon of open discourse
The Miami outpost of the cult New York destination opened last year, and continues its legacy of presenting and celebrating human sexuality
By Anna Solomon Published
-
Sundance Film Festival 2025: The films we can't wait to watch
Sundance Film Festival, which runs 23 January - 2 February, has long been considered a hub of cinematic innovation. These are the ones to watch from this year’s premieres
By Stefania Sarrubba Published
-
Carsten Höller’s new Book of Games: 336 playful pastimes for the bold and the bored
Artist Carsten Höller invites readers to step out of their comfort zone with a series of subversive games
By Anne Soward Published
-
What is RedNote? Inside the social media app drawing American users ahead of the US TikTok ban
Downloads of the Chinese-owned platform have spiked as US users look for an alternative to TikTok, which faces a ban on national security grounds. What is Rednote, and what are the implications of its ascent?
By Anna Solomon Published
-
Architecture and the new world: The Brutalist reframes the American dream
Brady Corbet’s third feature film, The Brutalist, demonstrates how violence is a building block for ideology
By Billie Walker Published
-
What to look out for at Art Basel Miami Beach 2024
Art Basel Miami Beach returns for its inaugural edition under new director Bridget Finn, running 6-8 December, with 286 international exhibitors and a packed week of parties, pop-up, and special projects
By Annabel Keenan Published