As PAD London turns 10, fair debutant Joseph Walsh brings something new to the table
Since 1997, gallerist Patrick Perrin has gathered the most illustrious art and design galleries, presenting a unique concoction of antiques, art and furniture, early on as Pavillon des Antiquaires et des Galeries d’Art, subsequently simply PAD. After ten editions in Paris, Perrin expanded the fair with a satellite display in London, which has traditionally coincided with Frieze and takes place during the city’s art week in October. This year, PAD celebrates 20 editions, the last ten of which have been in both Paris and London. In its ten years, the London fair has grown to more than 60 exhibitors, divided between modern art, decorative arts, photography, jewellery and design; this anniversary year sees a strong showing of returning galleries, as well as the introduction of a series of new galleries representing the fair’s varied disciplines.
Newcomer Sarah Myerscough has been operating in London since 1998, specialising in contemporary approaches to traditional craftsmanship. An admirer of the fair’s elegant mix, Myerscough had been following it since its inception, before being invited to take part this year. ‘PAD offers something unique in fair culture,’ she says. ‘It is small with an intimate atmosphere, very chic and with an exceptional display of the highest quality design. For a collector, it’s inspiring, as each stand conveys the specialist knowledge and aesthetic of the individual gallerist.’
Her debut booth features the work of Irish creator Joseph Walsh, a master of sinuous forms carved and bent out of wood, whom the gallerist represents as part of her portfolio of international craftsmen. ‘Small, studio-based production by skilled designer-makers using traditional techniques has an honesty and integrity that can be lacking in contemporary design,’ she explains. ‘The excellence of making by hand, the time spent on lovingly creating design pieces adds a real personality to the work that is timeless. There is a tangible sense of the designer-maker in the work, the trace of making, a creative dynamic that enriches your life.’ Walsh’s work fits perfectly into these criteria; the designer’s output includes one-off pieces that offer a new perspective on woodwork. His creations include sculptural furniture such as beds, tables and benches, and he has also been similarly creative with often overlooked items like shelves.
Myerscough will present new pieces from Walsh’s extensive shelving portfolio – titled Enignum, the series is made of olive ash and each piece appears to be standing effortlessly and magically bending. ‘When I am creating I think of the piece as an expression and how the user will experience it, the emotion and sensation that the form stimulates,’ Walsh explains. ‘Function brings a very valuable engagement; it gives the object the sense of purpose and the user a relationship to the piece, so that it becomes a part of daily life in a tactile and intimate way.’
Walsh’s studio is based in Cork, Ireland, on his family farm. A location that, he notes, allows him to be close to nature, but also to escape and travel whenever he wishes. This proximity to natural cycles is reflected in his forms, evident in both his shelves and in the new ‘Erosion’ tables that Myerscough is presenting in October. ‘Every nuance is considered, every technical detail carried out to perfection. The end result is a fluid, organic, sculptural work – for me, these are stunning art works, with a character and presence that will live on through generations,’ says the gallerist. Each piece, she notes, is handcrafted by a team of artisans working with Walsh to achieve his forms, bringing his vision to life.
‘I love the freedom to move between work which is pure expression, sculpture, and works where the expression is refined into a functional piece,’ adds Walsh. ‘It’s important to participate in a dialogue with galleries and enter into a creative curatorial process,’ he explains, adding that having been a regular visitor to the fair, taking part this year is a joy. ‘It’s challenging and stimulating to be part of these dialogues and an essential part of the creative process.’
As originally featured in the October 2016 issue of Wallpaper* (W*211)
INFORMATION
PAD London runs from 3–9 October. For more information, visit the PAD website
ADDRESS
Berkeley Square
London W1
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Rosa Bertoli was born in Udine, Italy, and now lives in London. Since 2014, she has been the Design Editor of Wallpaper*, where she oversees design content for the print and online editions, as well as special editorial projects. Through her role at Wallpaper*, she has written extensively about all areas of design. Rosa has been speaker and moderator for various design talks and conferences including London Craft Week, Maison & Objet, The Italian Cultural Institute (London), Clippings, Zaha Hadid Design, Kartell and Frieze Art Fair. Rosa has been on judging panels for the Chart Architecture Award, the Dutch Design Awards and the DesignGuild Marks. She has written for numerous English and Italian language publications, and worked as a content and communication consultant for fashion and design brands.
-
‘There are hidden things out there, we just need to look’: Studiomama's stone animals have quirky charm
Studiomama founder's Nina Tolstrup and Jack Mama sieve the sands of Kent hunting down playful animal shaped stones for their latest collection
By Ali Morris Published
-
Tokyo firm Built By Legends gives fresh life to a performance icon, Nissan’s R34 GT-R
This Japanese restomod brings upgrades and enhancements to the Nissan R34 GT-R, ensuring the cult of the Skyline stays forever renewed
By Jonathan Bell Published
-
Squire & Partners' radical restructure: 'There are a lot of different ways up the firm to partnership'
Squire & Partners announces a radical restructure; we talk to the late founder Michael Squire's son, senior partner Henry Squire, about the practice's new senior leadership group, its next steps and how architecture can move on from 'single leader culture'
By Ellie Stathaki Published
-
‘R for Repair’ at London Design Festival displays broken objects, re-formed
In the second half of a two-part exhibition and as part of London Design Festival 2022, ‘R for Repair’ at the V&A displays broken objects, re-formed
By Martha Elliott Last updated
-
‘Finding quality through the act of making’: Pearson Lloyd celebrates 25 years of design
Pearson Lloyd’s show ‘Change Making’ reflects on past designs from its archives, showcasing the influences on and evolution of the studio, from furniture design to the NHS
By Martha Elliott Last updated
-
Tom Dixon marks his studio's 20 years with a show of design experiments
Mushroom, cork, steel coral and more: Tom Dixon showcases an overview of his design experiments as he celebrates his practice's 20 years
By Rosa Bertoli Last updated
-
Porro unveils new London showroom at Coal Office
London Design Festival 2022: industrial architecture meets pure geometries in the new Porro showroom, taking over a space within Tom Dixon’s Coal Office to showcase the brand’s systems and furniture
By Rosa Bertoli Last updated
-
Vitra unveils new London home in the Tramshed, Shoreditch
London Design Festival 2022: after a year-long renovation, Vitra opens the door to its new showroom in the heart of Shoreditch
By Rosa Bertoli Last updated
-
Mudlarking beside the River Thames inspires The New Craftsmen’s makers
London Design Festival 2022: The New Craftsmen’s new collection, ‘Claylarks’, features work from a group of creatives inspired by a River Thames mudlarking expedition
By Mary Cleary Last updated
-
One tree, ten designers: SCP presents The One Tree Project at London Design Festival
London Design Festival 2022: SCP enlisted ten British designers to create furniture and objects from a felled ash tree from founder Sheridan Coakley's Hampshire garden
By Francesca Perry Last updated
-
London Design Medals 2022
London Design Medals 2022 are awarded to costume designer Sandy Powell, architect Indy Johar, researcher Joycelyn Longdon and photographer Sir Don McCullin
By Rosa Bertoli Last updated