Adding to its broad, annual showcase for the London Design Festival, Designjunction has enlisted Ercol and Anglepoise - alongside a host of creative luminaries - to collaborate on a project that combines iconic British design with an altruistic mission.
Curated by British designer Anthony Dickens, ‘A Child’s Dream’ is an exhibition dedicated to the memory of Edward Louis Reid, Designjunction director Deborah Spencer’s three-month-old nephew who tragically passed away earlier this year. To honour his short life, the family set up Teddy’s Wish, a charity dedicated to raising money for research into the causes of SIDS (sudden infant death syndrome), neonatal death and stillbirth, and to provide support to the families affected.
The project is supported by the two British family-run brands, Ercol and Anglepoise, who donated key products to be used as a blank canvas by nineteen names from the spheres of architecture, design and graphics. The contributors - who include Wallpaper* Editor-in-Chief Tony Chambers, Sir Terence Conran, Bethan Gray, Tom Dixon, Paul Cocksedge and Ab Rogers - have each created their own interpretation of either Kenneth Grange’s 'Type75 Mini' desk lamp for Anglepoise, or Ercol's 'Stacking Chair', in a striking tribute to a worthy cause.
Curated by British designer Anthony Dickens, ‘A Child’s Dream’ is an exhibition dedicated to the memory of Edward Louis Reid, Designjunction director Deborah Spencer’s three-month-old nephew who tragically passed away earlier this year. Samuel Wilkinson used the technique of pointillism for his interpretation of the Anglepoise lamp, decorating the lamp with thousands of dots that graduate from a green base up to a black stem
Wilkinson also reinterpreted Ercol's chair as a representation of a 'magic, fabled animal - each leg of the chair has a foot from a different creature painted in a red rubbery finis
Paul Cocksedge drew inspiration from the lamp's anthropomorphic qualities, configuring his pieces to light up only when the shades touch
Explains Benjamin Hubert of his creation: 'The Anglepoise is covered in random flicked ink from Posta markers. As a designer you are often trying to avoid excess ink when sketching - the lamp celebrates this accidental effect'
A detail of Hubert's Anglepoise lamp
Ab Rogers imagined a bold, blue rocking chair for Ercol
Wallpaper's Editor-in-Chief Tony Chambers opted for a dreamy, ethereal feel for his Anglepoise lamp by spraying the inside of the lampshade in a pale sky-blue
He also made a mask of the lamp's elegantly design ventilation holes before spraying through it, which he explains, 'made a beautiful impression on the lamp's base - just as Edward made a beautiful, lasting impression during his short stay here'
Tom Dixon encased Ercol's 'Stacking Chair' in copper
A detail of Dixon's customised Ercol chair
Bethan Gray's Angelpoise lamp is adorned in geometric gold bands to celebrate the affinity that babies have with glossy, reflective surfaces
Sir Terence Conran's lamp features a playful doodle
ADDRESS
Designjunction
The Sorting Office
21-31 New Oxford Street
London WC1A 1BA
-
What is the role of fragrance in contemporary culture, asks a new exhibition at 10 Corso ComoMilan concept store 10 Corso Como has partnered with London creative agency System Preferences to launch Olfactory Projections 01
-
Jack White's Third Man Records opens a Paris pop-upJack White's immaculately-branded record store will set up shop in the 9th arrondissement this weekend
-
Designer Marta de la Rica’s elegant Madrid studio is full of perfectly-pitched contradictionsThe studio, or ‘the laboratory’ as de la Rica and her team call it, plays with colour, texture and scale in eminently rewarding ways
-
Designer Danny Kaplan’s Manhattan showroom is also his apartment: the live-work space reimaginedDanny Kaplan’s Manhattan apartment is an extension of his new showroom, itself laid out like a home; he invites us in, including a first look at his private quarters
-
New Superhouse show captures the rebellious spirit of Dan Friedman’s Manhattan apartmentIn the late 1970s, graphic designer and artist Dan Friedman transformed his apartment into a Day-Glo laboratory of ideas. Now, a new exhibition at Superhouse in New York revisits his vibrant, rebellious world
-
From migrating elephants to a divisive Jaguar, was this the best Design Miami yet?Here's our Design Miami 2024 review – discover the best of everything that happened at the fair as it took over the city this December
-
Design practice Astraeus Clarke is inspired by cinema to tell a story and evoke an emotionIn a rapidly changing world, the route designers take to discover their calling is increasingly circuitous. Here we speak to Chelsie and Jacob Starley the creative duo behind Astraeus Clarke
-
California cool: Studio Shamshiri debuts handmade door handles and pullsLos Angeles interior design firm Studio Shamshiri channels the spirit of the Californian landscape into its handcrafted hardware collections. Founder Pamela Shamshiri shares the inspiration behind the designs
-
Is Emeco's 'No Foam KNIT' a sustainable answer to synthetic upholstery textiles?'Make more with less' is Emeco's guiding light. Now, the US furniture maker's new mono-material textile, the 'No Foam KNIT', may offer a sustainable solution to upholstery materials
-
Smooth operator: Willett debuts new furniture at Design Miami 2024, with a playful touch of retro allureLA furniture designer Willett turned heads in the design world with the launch of his eponymous brand earlier this year. Ahead of his Design Miami debut, he told us what’s in store for 2025
-
Hella Jongerius’ ‘Angry Animals’ take a humorous and poignant bite out of the climate crisisAt Salon 94 Design in New York, Hella Jongerius presents animal ceramics, ‘Bead Tables’ and experimental ‘Textile Studies’ – three series that challenge traditional ideas about function, craft, and narrative
