Emeco’s new Venice Beach house is defined by minimalism and sustainability

Emeco opens a new building in Venice Beach, California, to serve the local community and act as a meeting place for creatives, carefully designed following the company’s sustainability ethos

Long open space with a giant cactus planted in the middle of the floor at Emeco House
The open spaces of Emeco House, a new opening by the American company in Venice Beach, California
(Image credit: Martin Tessler)

American furniture company Emeco has transformed an abandoned 1940s sewing shop into a new zero-energy live and work space. Dubbed Emeco House, the Venice Beach building serves as a flexible meeting space for local creatives, as well as a hub for the surrounding community. 

The project was spearheaded by CEO Gregg Buchbinder in collaboration with his daughter, the company’s head of sustainability, Jaye Buchbinder, who together enlisted architects David Saik and Keith Fallen to bring their vision to life. 

Emeco House, Venice Beach

Exterior of Emeco House

The house's street-facing entrance, with landscaping that was specially designed to be drought tolerant 

(Image credit: Martin Tessler)

Emeco House is a great ambassador for the company’s sustainability credentials, with details throughout the building that speak to the eco-friendly approach Emeco has applied to its products since its founding in 1944. 

Features include biodegradable insulation and thermally efficient glazing, with a focus on large openings, to help reduce the impact of heating and cooling systems, and a perforated back gate and fully opening light well to increase ventilation and natural light throughout the space. The whole building is solar powered, and its architecture is characterised by an artisanal lime plaster that sucks in carbon from the air, both indoors and outdoors. 

Back courtyard with aluminum garden furniture

The building's back courtyard

(Image credit: Martin Tessler)

The architecture of the space remains faithful to the original 1940s design, with sleek, minimalist updates that have transformed the formerly disused spaces into a welcoming and functional location. While the ground floor has retained a more industrial aesthetic, with an outdoor patio and open-plan areas that can serve as work, meeting or exhibition spaces, the upper floor has a warmer feeling, with wooden floors and an apartment-style layout.

‘In a lot of ways, chairs are small buildings: this really gave us a chance to codify and scale our value system – to focus on honest, humble materials,’ comments Jaye. ‘Nothing is flashy, but everything is thought through. We hope the quiet comfort will help foster a closer connection between people who come here. It’s not a commercial space, it’s a conversation place.’

View from back courtyard of ground floor and terrace

A view of the house's ground floor spaces and first floor terrace from the back courtyard

(Image credit: Martin Tessler)

Emeco House was developed by the Buchbinders through four years of weekly 5am surfing sessions. ‘The early morning sunrise, pelicans dive-bombing minnows, and dolphins playing in the waves were great inspiration for our Emeco House project,’ recalls Gregg. ‘Our love for furniture emanates from our love of nature; we wanted to do architecture that reflects all of the ethos of Emeco.’

A stairway leading to the first floor of Emeco House, with lime plaster walls and plants visible on the sides

The staircase leading to the living area updstairs

(Image credit: Martin Tessler)

Large space with long table and benches, facing a wide window

Ground floor meeting area, furnished with Emeco pieces including Za stools by Naoto Fukasawa and the Run table and benches by Sam Hecht and Kim Colin

(Image credit: Martin Tessler)

Emeco House main entrance with wooden wall mounted bench and bright skylight above

The house’s main entrance

(Image credit: Martin Tessler)

A gallery space at Emeco House, with concrete floors and white walls, and a display of aluminium stools in the middle of the room

A display of Naoto Fukasawa Za stools in the house’s gallery space

(Image credit: Martin Tessler)

Glass and metal doors leading into the back courtyard of Emeco House

Doors leading to the back courtyard

(Image credit: Martin Tessler)

The house seen from the back, with rolled up gate and a terrace visible on the first floor

Back view of the house

(Image credit: Martin Tessler)

A passage made of beige limestone walls

An external passage

(Image credit: Martin Tessler)

Living area with green upholstered sofa, leather chairs and a view to a kitchen counter towards the back

Living area and kitchen upstairs. The kitchen counter features Alfi stools by Jasper Morrison

(Image credit: Martin Tessler)

Living area

(Image credit: Martin Tessler)

Emeco House minimalist bedroom with a bed with white linen

The house’s bedroom upstairs

(Image credit: Martin Tessler)

Rosa Bertoli was born in Udine, Italy, and now lives in London. Since 2014, she has been the Design Editor of Wallpaper*, where she oversees design content for the print and online editions, as well as special editorial projects. Through her role at Wallpaper*, she has written extensively about all areas of design. Rosa has been speaker and moderator for various design talks and conferences including London Craft Week, Maison & Objet, The Italian Cultural Institute (London), Clippings, Zaha Hadid Design, Kartell and Frieze Art Fair. Rosa has been on judging panels for the Chart Architecture Award, the Dutch Design Awards and the DesignGuild Marks. She has written for numerous English and Italian language publications, and worked as a content and communication consultant for fashion and design brands.

With contributions from
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