Ilse Crawford judges Wallpaper* Design Awards 2022
London Design Medal laureate Ilse Crawford – part of the six-strong jury for the Judges’ Awards, the Wallpaper* Design Awards’ highest honours – on design for a better reality, and our worthy winners

As Ilse Crawford received the London Design Medal in September 2021, London Design Festival director Ben Evans pointed out that there was no better time to celebrate the British designer’s pioneering approach to wellbeing in a design context than the present, when the world craves connection, intimacy and nurturing. The jury citation mentioned interiors projects such as the 2017 Refettorio Felix at St Cuthbert’s community hall as examples of desiging with empathy and prioritising wellbeing.
Ilse Crawford: ‘Giving people a better reality’
Refettorio Felix at St Cuthbert’s community hall, 2017. The project was a collaboration with Food for Soul, a non-profit organisation founded by chef Massimo Bottura to fight food waste (all meals are made using supermarket leftovers) and support social inclusion.
A recurring phrase that Crawford uses to describe her interior design work is ‘giving people a better reality’. This is perfectly reflected in her current work for The Embassies, a Swiss company reshaping the idea of the retirement home with a disruptive concept that combines good design and intelligent living.
‘One of the things that's very, very clear is that being lonely is one of the chief reasons that people decline,’ she observes. With that in mind, the project reprogrammes buildings near urban centres to build homes that offer a dignified, respectful point of view on ageing. The key, Crawford notes, ‘is to create communities that you would actually want to be in, that happen, by default, to work as a support system’.
Studioilse's restoration of Aino and Alvar Aalto’s iconic Ravintola Savoy restaurant from 1937, in collaboration with Artek, 2020. 'Our approach took its cue from the original interior, peeling back the layers and introducing only subtle aspects to reinforce the original spirit,' reads a statement from the studio describing the project. 'The Aaltos believed that one of the main missions of modern architecture was to “refine materials in a more humane direction”. And so do we. So-called ‘soft’ values are vital in a hard world.'
Anna Freud Centre, a space for child mental health research, training and treatment, 2019. 'Our goal was to de-institutionalise the institution and design somewhere that feels warm, calm, solid, safe and reassuring in difficult times,' says the studio. 'Our design supports and enables basic and complex human needs simultaneously.'
The homes aim to become places for culture and purposeful engagement, based on independence, freedom, kindness and dignity (elements often lacking in old-age living structures). Equipped with greenery, workspaces and opportunities for learning, as well as street-facing elements that connect them with the local community, the locations are set to debut in the next few years. Particular care is placed on the aesthetic codes of the project: ‘[The spaces] need to be universal: great for younger people, great for older people. We’re not looking for an older person's aesthetic, whatever that is. Because one of the things that is so strange is the typecasting of that age, as if we're not all hurtling towards the same destination,’ she observes.
Judging the Wallpaper* Design Awards 2022
As one of the judges for the Wallpaper* Design Awards 2022, Crawford believes the point of an award is ‘to draw attention to the design that can be inspirational for the future. It’s about recognition for projects that might lead the way. And the time we’re in is probably less about awarding the past and more about looking at the outliers for the future.’
She found Designer of the Year nominees Objects of Common Interest particularly deserving by this metric. ‘They have what's needed for the future: to start looking at design not as a noun, but as a verb, and [as] more integrated into our world, less attention seeking,’ she says.
Top: Holographic tables by Objects of Common Interest, Crawford's pick for the Designer of the Year category in the Wallpaper* Design Awards 2022. Produced for their solo exhibition 'Future Archaeology' at Copenhagen's Etage Projects (22 October – 4 December 2021). Above: Slak education campus by Kéré Architecture, selected by Crawford as Best Public Building.
She also admired Francis Kéré’s Slak education campus in Kenya. ‘The archetypal intelligence of that building was pretty great,’ she comments. ‘He has come up with a design that makes education attractive, that makes sustainable building attractive, and viable. A brilliant public building that uses traditional knowledge as well as the insights of termites to make a building for education where it is needed.’
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
INFORMATION
The Wallpaper* Design Awards 2022 are revealed in full in the Feburary issue, on newsstands. Subscribe today!
Rosa Bertoli was born in Udine, Italy, and now lives in London. Since 2014, she has been the Design Editor of Wallpaper*, where she oversees design content for the print and online editions, as well as special editorial projects. Through her role at Wallpaper*, she has written extensively about all areas of design. Rosa has been speaker and moderator for various design talks and conferences including London Craft Week, Maison & Objet, The Italian Cultural Institute (London), Clippings, Zaha Hadid Design, Kartell and Frieze Art Fair. Rosa has been on judging panels for the Chart Architecture Award, the Dutch Design Awards and the DesignGuild Marks. She has written for numerous English and Italian language publications, and worked as a content and communication consultant for fashion and design brands.
-
Designer Marta de la Rica’s elegant Madrid studio is full of perfectly-pitched contradictions
The studio, or ‘the laboratory’ as de la Rica and her team call it, plays with colour, texture and scale in eminently rewarding ways
By Anna Solomon Published
-
‘Nothing just because it’s beautiful’: Performance artist Marina Abramović on turning her hand to furniture design
Marina Abramović has no qualms about describing her segue into design as a ‘domestication’. But, argues the ‘grandmother of performance art’ as she unveils a collection of chairs, something doesn’t have to be provocative to be meaningful
By Anna Solomon Published
-
A local’s guide to Los Angeles by defiant artist Fawn Rogers
Oregon-born, LA-based artist Fawn Rogers gives us a personal tour of her adopted city as it hosts its sixth edition of Frieze
By Sofia de la Cruz Published
-
The Wallpaper* Design Awards 2025 winners are…
Find every Wallpaper* Design Award 2025 winner here, and in the February print issue, spanning art, architecture, beauty, design & interiors, fashion, tech, travel and watches & jewellery. Watch the Wallpaper* editors talk about the judging process and the themes that unite this year's winners
By Bridget Downing Published
-
Florim’s new ceramic surface collection is an ode to tactility
A primal pleasure, Matteo Thun and Benedetto Fasciana’s SensiTerre collection of ceramic flooring and cladding surfaces for Florim is a Wallpaper* Design Award winner
By Hugo Macdonald Published
-
Isabel + Helen on bringing the Wallpaper* Design Awards to life
Step behind the scenes of the Wallpaper* Design Awards 2025 cover. Designed by Isabel + Helen, it is a welcome reminder that we still have magic in our own minds and hands
By Hugo Macdonald Published
-
Wallpaper* Design Awards 2025: Formafantasma revisits the masculine codes of modernist design
Formafantasma wins a Wallpaper* Design Award 2025, for its Milan exhibition ‘La Casa Dentro’, which took to task the inherent masculinity and conservatism at the heart of modernism
By Hugo Macdonald Published
-
Discover Interni Venosta, the new furniture label where craft and beauty speak for themselves
Interni Venosta, the new furniture label of Emiliano Salci and Britt Moran, is a perfectly pitched celebration of craft, quality and nostalgia- winning a Wallpaper* Design Award
By Hugo Macdonald Published
-
Wallpaper* Design Awards 2025: the best furniture and design objects for 2025
The Wallpaper* Design Awards 2025 present the best new furniture and interior accessories, while global design director Hugo Macdonald and head of interiors Olly Mason reveal what makes a winner
By Hugo Macdonald Published
-
Wallpaper* 2025 Design Awards issue is on sale now – and full of star turns
Welcome to the Wallpaper* 2025 Design Awards issue; get your copy to discover the best in design, fashion, technology, architecture, interiors, travel and art
By Bill Prince Published
-
Bauhaus shapes and bold materials: best scene setters in the Wallpaper* Design Awards 2024
These bold and beautiful interior shapes are the best scene setters in the Wallpaper* Design Awards 2024
By Tianna Williams Published