Molteni&C’s 10 years of contemporary photography floats on water in Italy
All eyes to Giussano, a town in northern Italy's Lombardy region, where the feted furniture company Molteni&C is holding an exhibition celebrating ten years of photography from its in-house magazine, M&C.
'10 Years 10 Artists 10 Works' – curated by Cristiana Colli at the Molteni compound's Quadreria Contemporanea picture gallery, with a display concept by Ron Gilad dubbed the 'Floating Cube' – is as proscriptive as its title suggests. M&C was inaugurated in 2006, conceived as a platform for exploring 'creative freedom and inspiration made of places, showcases, hands at work, objects of communication and crafts', explains the company. Originally a newsletter, M&C became a full blown periodical in 2013, covering architecture, design and contemporary culture with an overarching – but not exclusive – focus on Molteni design.
This show specifically focuses on the pull-out photographic inserts supplied with each edition of the publication – a collection of images, the company suggests, that is 'shared, accessible, diffused'; comprising 'a community of artists, glances, thoughts, intentions that make themselves available for contemplation'. What that means in practice is a plethora of abstracted and artistically conceived images a world away from your regular, studio-shot and staid design photography. Take the tree-bound red chair in Paola De Pietri's 2007 work – a faintly menacing assemblage reflective of 'an infinite and primordial' nature. Or Antonio Biasiucci's intimate, chiaroscuro-heavy shots of hands from 2008 – refined compositions that are as tactile as they are painterly.
More bizarre is the 2011 work by Alessandra Spranzi, a chair precariously perched on a collection of teacups, on top of a table, repurposing Molteni's wares in newly abstracted contexts (and slightly recalling the work of artists like Sarah Lucas and Daniel Spoerri; though admittedly in form rather than philosophy). Elsewhere, we're presented with more conventional shots – but for the skeletal cube placed in the fore of each image – of the ornate Bagatti Valsecchi house museum in Milan, by Davide Pizzigoni (2013); and Mario Carrieri's heavily stylised images of Gio Ponti's totemic 'D.552.2' coffee table, with plenty more asides.
The setting of Gilad's Glass Cube brings an extra frisson to the show. It's a space within a space, a gallery within a gallery: 'a white cube at the heart of a glass one, floating above running water,' explains the designer. 'A room without entrance or exit, an unexpected space for hanging art,' affording a further lay of intrigue to a show already filled with it. More than enough reason for a sojourn to Giussano.
INFORMATION
'10 Years 10 Artists 10 Works' is on view until 31 May 2018. For more information, visit the Molteni&C website
ADDRESS
Molteni Compound
Via Rossini 50
Giussano
20833
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Tom Howells is a London-based food journalist and editor. He’s written for Vogue, Waitrose Food, the Financial Times, The Fence, World of Interiors, Time Out and The Guardian, among others. His new book, An Opinionated Guide to London Wine, will be published by Hoxton Mini Press later this year.
-
‘Concrete Dreams’: rethinking Newcastle’s brutalist past
A new project and exhibition at the Farrell Centre in Newcastle revisits the radical urban ideas that changed Tyneside in the 1960s and 1970s
By Smilian Cibic Published
-
Mexican designers show their metal at Gallery Collectional, Dubai
‘Unearthing’ at Dubai’s Gallery Collectional sees Ewe Studio designers Manu Bañó and Héctor Esrawe celebrate Mexican craftsmanship with contemporary forms
By Rebecca Anne Proctor Published
-
At The Manner, New York has a highly fashionable new living room
The Manner, a new hopsitality experience by Standard International in the heart of SoHo, triples up as a hotel, private residence, and members’ club
By Hannah Walhout Published
-
‘I just don't like eggs!’: Andrea Fraser unpacks the art market
Artist Andrea Fraser’s retrospective ‘I just don't like eggs!’ at Fondazione Antonio dalle Nogare, Italy, explores what really makes the art market tick
By Sofia Hallström Published
-
Triennale Milano exhibition spotlights contemporary Italian art
The latest Triennale Milano exhibition, ‘Italian Painting Today’, is a showcase of artworks from the last three years
By Tianna Williams Published
-
Walls, Windows and Blood: Catherine Opie in Naples
Catherine Opie's new exhibition ‘Walls, Windows and Blood’ is now on view at Thomas Dane Gallery, Naples
By Amah-Rose Abrams Published
-
Raffaele Salvoldi stacks hundreds of marble blocks for dazzling Milan installation
For a Milan Design Week 2023 installation, Italian artist Raffaele Salvoldi teams up with marble brand Salvatori to create architectural sculptures comprising hundreds of marble blocks
By Harriet Lloyd-Smith Published
-
Venice Biennale 2022 closing review: who, how and what on earth?
As the sun sets on the 59th Venice Art Biennale (until 27 November), we look back on an edition filled with resilience, female power and unsurprisingly, lots of surprises
By Harriet Lloyd-Smith Published
-
Bruce Nauman’s Venice mega-show is a full body experience
Focusing on the American artist's performative 'Contrapposto Studies', Bruce Nauman's show at Punta della Dogana, Venice, gives new meaning to body language – on view until 27 November 2022
By Laura May Todd Published
-
Biennale Arcipelago Mediterraneo: reflections on Sicily’s history and futures
Opening against the backdrop of Italy’s snap general election, the third edition of the Biennale Arcipelago Mediterraneo in Palermo ruminates on past and present global conflicts, interwoven with stories from the Mediterranean
By Hili Perlson Last updated
-
Mitico: art, luxury hospitality and home cooking collide in Italy
Spearheaded by the Belmond hotel group and Galleria Continua, new initiative Mitico introduces the work of four major artists on the grounds of four iconic Italian hotels
By Amy Serafin Last updated