Moving pictures: MAD’s film series Midcentury Masters kicks off this month

Summertime in New York City often sees the return of many outdoor film series. From lawns and piers to rooftops with a view, it’s almost possible to catch a cinematic favourite on most nights during the week.
This year, the Museum of Arts and Design has gone in on the game with its own run entitled Midcentury Masters, with films focusing on the work and lives of Charles and Ray Eames, Buckminster Fuller, Lina Bo Bardi and Harry Bertoia, whose work is currently installed in two exhibitions at the institution.
Starting this week and continuing to the end of the month, the films include Charles and Ray Eames: The Architect and the Painter – a documentary narrated by James Franco that traces the careers and wide-ranging output of the Eames, The World of Buckminster Fuller, which offers a rare view into the thinking and creative force of Fuller and his geodesic domes, The New World of Lina Bo Bardi – a four-minute short film by architect Ouida Angelica Biddle that features hand-drawn images based on Bo Bardi’s own sketches and buildings, and Precise Poetry – an expansive set of interviews shot on the eve of Bo Bardi’s 100th birthday and chronicles her life through the eyes of friends and colleagues. There’s also Harry Bertoia: Sculpture, which is an abstract study of Bertoia’s work that’s set to a soundtrack by Bertoia himself.
'We wanted to contextualise Bertoia's interdisciplinary practice among a broader group of historical peers working through similar concerns in the mid-20th century,’ says Katerina Llanes, the museum's public programs manager, who curated the film programme. ‘Hopefully, the films will provide audiences with new ways of understanding Bertoia's work and capture the zeitgeist of that particular generation.'
'We wanted to contextualise Bertoia's interdisciplinary practice (pictured right) among a broader group of historical peers working through similar concerns in the mid-20th century,’ says Katerina Llanes, who curated the programme. Pictured left: A scene from Charles and Ray Eames: The Architect and the Painter. Image courtesy of FirstRun Features
A still from The World of Buckminster Fuller, which offers a rare view into the thinking and creative force of Fuller and his geodesic domes. Image courtesy of the estate of R. Buckminster Fuller
The New World of Lina Bo Bardi is a four-minute short film by architect Ouida Angelica Biddle. Image courtesy of Ouida Angelica Biddle and Nicolau Vergueiro
It features hand-drawn and CGI-generated images that are based on Bo Bardi’s own sketches and buildings. Image courtesy of Ouida Angelica Biddle and Nicolau Vergueiro
The film, Precise Poetry, is comprised of an expansive set of interviews shot on the eve of Bo Bardi’s 100th birthday. Image courtesy of Belinda Rukschcio
The work artistically chronicles Bo Bardi's life through the eyes of friends and colleagues. Image courtesy of Belinda Rukschcio
INFORMATION
Midcentury Masters begins on Thursday 16 June. For more details, please visit the museum's website.
ADDRESS
Museum of Arts and Design
2 Columbus Circle
New York, New York
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Pei-Ru Keh is a former US Editor at Wallpaper*. Born and raised in Singapore, she has been a New Yorker since 2013. Pei-Ru held various titles at Wallpaper* between 2007 and 2023. She reports on design, tech, art, architecture, fashion, beauty and lifestyle happenings in the United States, both in print and digitally. Pei-Ru took a key role in championing diversity and representation within Wallpaper's content pillars, actively seeking out stories that reflect a wide range of perspectives. She lives in Brooklyn with her husband and two children, and is currently learning how to drive.
-
Fendi celebrates 100 years with all-out runway show at its new Milan HQ
In the wake of Kim Jones’ departure, Silvia Venturini Fendi took the reins for a special co-ed A/W 2025 collection marking the house’s centenary, unveiling it as the first act of celebrations within Fendi’s expansive new headquarters in Milan
By Jack Moss Published
-
‘Leigh Bowery!’ at Tate Modern: 1980s alt-glamour, club culture and rebellion
The new Leigh Bowery exhibition in London is a dazzling, sequin-drenched look back at the 1980s, through the life of one of its brightest stars
By Amah-Rose Abrams Published
-
Inside the unexpected collaboration between Marni’s Francesco Risso and artists Slawn and Soldier
New exhibition ‘The Pink Sun’ will take place at Francesco Risso’s palazzo in Milan in collaboration with Saatchi Yates, opening after the Marni show today, 26 February
By Hannah Silver Published
-
Wim Wenders’ photographs of moody Americana capture the themes in the director’s iconic films
'Driving without a destination is my greatest passion,' says Wenders. whose new exhibition has opened in New York’s Howard Greenberg Gallery
By Osman Can Yerebakan Published
-
20 years on, ‘The Gates’ makes a digital return to Central Park
The 2005 installation ‘The Gates’ by Christo and Jeanne-Claude marks its 20th anniversary with a digital comeback, relived through the lens of your phone
By Tianna Williams Published
-
In ‘The Last Showgirl’, nostalgia is a drug like any other
Gia Coppola takes us to Las Vegas after the party has ended in new film starring Pamela Anderson, The Last Showgirl
By Billie Walker Published
-
‘Life is strange and life is funny’: a new film goes inside the world of Martin Parr
‘I Am Martin Parr’, directed by Lee Shulman, makes the much-loved photographer the subject
By Hannah Silver Published
-
‘American Photography’: centuries-spanning show reveals timely truths
At the Rijksmuseum in Amsterdam, Europe’s first major survey of American photography reveals the contradictions and complexities that have long defined this world superpower
By Daisy Woodward Published
-
The Chemical Brothers’ Tom Rowlands on creating an electronic score for historical drama, Mussolini
Tom Rowlands has composed ‘The Way Violence Should Be’ for Sky’s eight-part, Italian-language Mussolini: Son of the Century
By Craig McLean Published
-
Miami’s new Museum of Sex is a beacon of open discourse
The Miami outpost of the cult New York destination opened last year, and continues its legacy of presenting and celebrating human sexuality
By Anna Solomon Published
-
Meet Daniel Blumberg, the British indie rock veteran who created The Brutalist’s score
Oscar-nominated and BAFTA-winning Blumberg has created an epic score for Brady Corbet’s film The Brutalist.
By Craig McLean Published