Those familiar with Max Lamb’s designs—created as functional furniture that double as sculptural pieces of art— will know that they are as much about the process as the finished product. Such is the case with the designer’s latest body of work Man, Rock, Drill, which makes its debut at the Johnson Trading Gallery in New York City this week. The 26-piece marble collection started with the conceptual idea of a man in a van with a drill, looking for stone.
'For this collection, I wanted to work in a more independent way. I still have to collaborate; I still have to find the materials, so I have to find the quarry, but I wanted to do all the work myself,' says Lamb, who completed the collection—made with marble from one single quarry in Danby, Vermont—in less than a month.
Lamb’s process – which included recently purchasing a core drill to make this exercise independent possible – began a month earlier when he landed in NYC, loaded his equipment into a van and drove to Vermont. He then spent the next three weeks making friends with the quarry workers and choosing the stones that would ultimately become the collection. 'This process was so enlightening as to what I could physically manage myself… and it was just me, a drill, and some wooden rollers,' explains Lamb.
Using marble was a departure for the designer, who usually works with more common materials like sandstone, limestone and granite. 'I had sort of stayed away from marble. But if I could bring back an honesty to the object and a lack of refinement in a way, then I could make marble not seem super luxurious—that’s not what I want,' says Lamb. The range of pieces, which Lamb designed and created based on each stone’s characteristics, are sanded but left unpolished, playing to that lack of refinement that Lamb was seeking. 'These will be around forever, and they’ve already been around for 3 million years. It’s just now they look a little bit different,' says Lamb.
The 26-piece marble collection articulates the simple idea of a man (Lamb) in a van with a drill looking for stone
Lamb sourced marble from a one single quarry in Danby, Vermont and completed the collection in less than a month
'This process was so enlightening as to what I could physically manage myself… and it was just me, a drill, and some wooden rollers,' explains Lamb
Using marble was a departure for the designer, who usually works with more common materials like sandstone, limestone and granite
'I had sort of stayed away from marble. But if I could bring back an honesty to the object and a lack of refinement in a way, then I could make marble not seem super luxurious—that’s just not what I want,' says Lamb
Lamb designed and created each design based on each stone’s characteristics
The sculptural furniture pieces are sanded but left unpolished to preserve that lack of refinement which Lamb was seeking
INFORMATION
Man, Rock, Drill is on view till 15 December. For more details, visit Johnson Trading Gallery’s website
ADDRESS
Johnson Trading Gallery
72 Franklin St
New York
-
Bringing BRAT to life: we meet the designers behind Charli XCX's victory-lap tourAn exclusive interview with Cour Design's Jonny Kingsbury, the stage and lighting designer behind Charli XCX's new BRAT tour
-
Apple’s new Mac mini is a pocket-sized powerhouse thanks to the M4 processorWith the new Mac mini, Apple has squeezed its M4 and M4 Pro processors into the smallest conceivable footprint, physically and environmentally. Apple insiders tell us how
-
One to Watch: EJM Studio’s stool is inspired by the humble church pewEJM Studio’s ‘Pew’ stool reimagines the traditional British church seating with a modern, eco-conscious twist
-
Inside Luna Luna: the amusement park designed by artists lands in New York‘Luna Luna: Forgotten Fantasy’ – featuring rides by Basquiat, Lichtenstein, Hockney, Haring, and Dalí – has opened at The Shed
-
Henni Alftan’s paintings frame everyday moments in cinematic renditionsConcurrent exhibitions in New York and Shanghai celebrate the mesmerising mystery in Henni Alftan’s paintings
-
Brutalism in film: the beautiful house that forms the backdrop to The Room Next DoorThe Room Next Door's production designer discusses mood-boarding and scene-setting for a moving film about friendship, fragility and the final curtain
-
'There’s an anxiety under all of it': Violet Dennison in New YorkViolet Dennison debuts abstract paintings with new show 'Damaged Self' at Tara Downs Gallery
-
‘Gas Tank City’, a new monograph by Andrew Holmes, is a photorealist eye on the American West‘Gas Tank City’ chronicles the artist’s journey across truck-stop America, creating meticulous drawings of fleeting moments
-
Mark Armijo McKnight’s bodily landscapes capture the tactile serenity of the American WestThe artist’s new exhibition at the Whitney Museum, which is organised by the museum curator Drew Sawyer, offers a succinct window into his contemplative suggestion of queering a landscape
-
Dark, glamorous and hedonistic: a photography book captures New York in the 1990sNew York: High Life, Low Life, by Dafydd Jones, goes behind the scenes of New York society
-
Derrick Alexis Coard’s portraits are a sensitive, positive testimony to Black menThe late artist Derrick Alexis Coard’s retrospective ‘I Am That I Am’, at New York’s Salon 94, honours his ‘symbolic expression for possible change for the African-American male community’
