Children of the 1970s, the Bouroullec brothers have been on the design radar barely 12 years. They hardly seem ripe for a retrospective. But when you consider their award-winning work is being collected by the Centre Pompidou, MoMA, Design Museum and Musée des Arts Décoratifs - most of the world's top art and design institutions - it seems a wonder a proper tribute has taken so long.
For their first major retrospective, Ronan and Erwan will occupy 1,500sq m of the Centre Pompidou-Metz with their designs for Vitra, Alessi, Established & Sons, Cappellini... the list goes on. Their high-profile homewares will be there, including pieces like this year's Piani tray/lamp for Flos and the beloved Steelwood collection for Magis. But the exhibit will also focus on research projects and installations - like the 2008 Clouds project for the fabric manufacturer Kvadrat, a series of fabric tiles that can be joined by rubber bands, which the brothers used in a mural for the company's head office in Copenhagen.
Didier Krzentowski, co-owner of Galerie Kreo, the Paris gallery behind the brothers, says the exhibit will give visitors an unusually up-close-and-personal experience with the timeline of the designs. 'In most museums or galleries, design is quite difficult to see,' he says. 'What is great about Metz is that you will be able to sit on the couches, for example. It's a huge space, but there is no distance between you and the objects, so you can see how good they are.'
Of the brothers' prolific output for Kvadrat, which takes up a section of its own, Krzentowski says: 'A lot of their work is architectural. Each piece is like a small house.'
He adds that visitors will be hard pressed to spot an evolution in the brothers' style or talent. 'There is no difference between designs of ten years ago and the designs of now - they were very fresh from the start and continue to be.'
For their first major retrospective, the Breton brothers have taken over 1,500sq m of the Centre Pompidou-Metz with their designs for the likes of Vitra, Alessi, Established & Sons and Cappellini
In the foreground is the ’Clouds’ project originally conceived for fabric manufacturer Kvadrat in 2008, consisting of a series of fabric tiles joined by rubber bands
’What is great about Metz,’ explains Didier Krzentowski of Galerie Kreo, which works closely with the brothers, ’is that you will be able to sit on the couches, for example. It’s a huge space, but there is no distance between you and the objects, so you can see how good they are’
Krzentowski adds that visitors will be hard pressed to spot an evolution in the brothers’ style or talent. ’There is no difference between designs of ten years ago and the designs
Hanging from the ceiling are the leather-clad ’Liane’ lights the Bouroullec brothers designed for Galerie Kreo in 2010
Behind the Kvadrat fabric ’Clouds’ is the ’Lit clos’ they designed for Galerie Kreo in 2000
’North Tiles’ by Ronan & Erwan Bouroullec for Kvadrat, 2006
’Nuages’ by Ronan & Erwan Bouroullec for Cappellini, 2002
’Losanges’ by Ronan & Erwan Bouroullec for Nanimarquina, 2011
’Ovale Collection’ by Ronan & Erwan Bouroullec for Museo Alessi, 2010
ADDRESS
Centre Pompidou-Metz
1, parvis des Droits de L'Homme
CS 90490
57020 Metz Cedex 1
-
The 24 best photographs of 2024, shot for the pages of Wallpaper*Photography editor, Sophie Gladstone, completes her year in review, with some personal highlights from Wallpaper* photographers in 2024
-
Time, beauty, history – all are written into trees in Karimoku Research Center's debut Tokyo exhibitionThe layered world of forests – and their evolving relationship with humans – is excavated and reimagined in 'The Age of Wood', a Tokyo exhibition at Karimoku Research Center
-
Tour Xi'an's remarkable new 'human-centred' shopping district with designer Thomas HeatherwickXi'an district by Heatherwick Studio, a 115,000 sq m retail development in the Chinese city, opens this winter. Thomas Heatherwick talks us through its making and ambition
