Rossana Orlandi

In just ten years, Rossana Orlandi has turned her two-storey gallery space in an old factory into a lively creative hive whose influence extends far beyond its Milanese neighbourhood. Anchored by a leafy open-aired courtyard, its collection of contemporary and vintage furniture is outdone only but its heavy reputation as a launching pad for young designers from around the world.
For this year's edition of the Salone del Mobile, she has cast a stellar roll call of designers.
Headlining the works are Jasper Morrison,
Naoto Fukasawa and Jaime Hayón. Commissioned collaborations are the order of the day. And so, Omer Arbel explores new ground with sand casting metal coffee tables for Bocci, Morrison is working with PUNKT, Hayon with a Japanese producer of vases, and
BCXSY's collection of carpets has been woven by communities of women in Israel.
Elsewhere, there are thoughtful meditations on space, not least of which is Daniel Rybakken's 'Daylight', in which the young Norwegian designer continues with his eerie penchant for recreating daylight in dark areas. Here, a basement room is tricked out to feel as if the exterior is flooded with sunlight in a very effective study of its subconscious effects. Also making best of show, in our books, is Studio Formafantasma's 'Botanica', a set of furniture made of vegetables, stone and sand that's presented in a room styled like a retro natural science museum room.
More from 'Oak inside' by Christian Meindertsma for Thomas Eyck
Also from Thomas Eyck is was 'Schwarm', an installation of 63 glazed porcelain vase beetles by RaR.
A laid-out selection of new products by Plus Minus Zero...
... The collection consists mainly of kitchen-related items including cutlery, plates, bowls and chopsticks.
Aluminium Sauce Pan and Aluminium Soup Pan by Plus Minus Zero
’Clay - The Plain Collection’ by Maarten Baas
Also from Maarten Baas - a clay 'Console With Drawer'
Rugs by Scholten & Baijings for HAY
A view of the 'Elisabetta' series designed by Christophe de la Fontaine for Formagenda
'Elisabetta' suspension light for Formagenda
'Elisabetta' table for Formagenda
A selection of pieces from 'Loaded', a presentation of new objects designed by 15 students of the School of the Art Institute of Chicago (SAIC).
'Division' cast iron serving dishes by student Charlie McArthur
'More Than It's Worth' by Nathan D. Paoletta, where consumer goods and coins amounting to the total sum of $20 have been re-worked through a drip-casting process.
Zhe Zhang's 'Visible Sweetness', a selection of objects designed to contain sugar.
'Self Discipline' - the new collection from Nika Zupanc
Mia Larsson's 'Functional Glass' jewellery collection
Imaginative Table by Supawan Sihapoompichit and Emilia Öster
Sara Lundkvist's 'Infested Glass' collection
A-B-C 010 pendant lamps by Simon Klenell and Kristoffer Sundin
Hills by Jakob Solgren
Making best of show, in our books, is Studio Formafantasma's 'Botanica'...
... a set of furniture made of vegetables, stone and sand that's presented in a room styled like a retro natural science museum room.
Daniel Rybakken's 'Daylight' installation, in homage to the 50th anniversary of the Salone del Mobile.
Light Tray by Daniel Rybakken and Andreas Engesvik
BCXSY's 'Part I : Join' is a series of three Japanese Cypress Hinoki wood screen space-dividers...
.. In each piece two frames are merged to create a silhouette that deviates from the traditional Japanese Tategu aesthetic, and introduces angles and shapes that are not commonly found in the craft.
'Origin part II: Balance' is BCXSY's collection of carpets, which has been woven by communities of women in Israel.
View of the collection of carpets by BCXSY
The new collection from Limoges-based porcelain speciliasts Bernardaud.
James Plumb's exhibition was set out in the courtyard space of the gallery
The result of a two month residency at Spazio Rossana Orlandi, the James Plumb collection was made using Orlandi's own archive of furniture and materials as a starting point.
View of the Spazio Rossana Orlandi courtyard in full Salone swing.
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Daven Wu is the Singapore Editor at Wallpaper*. A former corporate lawyer, he has been covering Singapore and the neighbouring South-East Asian region since 1999, writing extensively about architecture, design, and travel for both the magazine and website. He is also the City Editor for the Phaidon Wallpaper* City Guide to Singapore.
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