Side project: the making of Handmade 2015’s ‘The Eater’ credenza, by Roman and Williams

We knew they would be busy putting the finishing touches to their interiors for the Chicago Athletic Association Hotel (see W*196), but we had to ask: would Roman and Williams, the creative duo behind the wave of industrial-edged interiors that have taken over the world and the holders of a prestigious 2014 Cooper-Hewitt Museum Design Award, be so kind as to contribute to our Handmade project? They said they would.
Stephen Alesch and Robin Standefer, who set up Roman and Williams (the studio is named after their grandfathers) in 2002, found inspiration for their contribution, a credenza, in the design principles of the American Arts and Crafts movement. We paired them with Olollo, a young Brooklyn-based studio with another intriguing name, this time based on its birthdate, 01/01/10. Founded by Regan Chen, it collaborates with creative visionaries to refine the aesthetics and fabrication techniques of their works. ‘This hefty and challenging credenza demanded that we employ traditional craftsmanship while being mindful of the interaction between all the different elements,’ says Chen.
The sideboard is made from sapele, a subtly grained African wood similar to mahogany, and features an open storage and display area, two side doors and removable shelves to accommodate a special curation of porcelain by Bavarian brand Nymphenburg. The credenza is completed with custom brass hardware, brass pulls from Roman and Williams’ RW Atlas collection, and black leather-lined drawers that perfectly complement the delicate Nymphenburg tableware.
Say Alesch and Standefer, ‘When the drawings are complete, the focus is on manifesting the original vision and making it come to life, while staying true to that original impulse. So everything is very specific, from the understated grain of the sapele to the custom brass fixtures that exude an intimate, familiar warmth.’
As originally featured in the August 2015 edition of Wallpaper* (W*197)
We paired them with Olollo, and together they built a credenza. The sideboard is made from sapele, and features an open storage and display area, two side doors and removable shelves to accommodate a special curation of porcelain by Bavarian brand Nymphenburg. It is completed with brass hardware and pulls from Roman and Williams’ RW Atlas collection
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Pei-Ru Keh is a former US Editor at Wallpaper*. Born and raised in Singapore, she has been a New Yorker since 2013. Pei-Ru held various titles at Wallpaper* between 2007 and 2023. She reports on design, tech, art, architecture, fashion, beauty and lifestyle happenings in the United States, both in print and digitally. Pei-Ru took a key role in championing diversity and representation within Wallpaper's content pillars, actively seeking out stories that reflect a wide range of perspectives. She lives in Brooklyn with her husband and two children, and is currently learning how to drive.
-
Fendi celebrates 100 years with all-out runway show at its new Milan HQ
In the wake of Kim Jones’ departure, Silvia Venturini Fendi took the reins for a special co-ed A/W 2025 collection marking the house’s centenary, unveiling it as the first act of celebrations within Fendi’s expansive new headquarters in Milan
By Jack Moss Published
-
‘Leigh Bowery!’ at Tate Modern: 1980s alt-glamour, club culture and rebellion
The new Leigh Bowery exhibition in London is a dazzling, sequin-drenched look back at the 1980s, through the life of one of its brightest stars
By Amah-Rose Abrams Published
-
Inside the unexpected collaboration between Marni’s Francesco Risso and artists Slawn and Soldier
New exhibition ‘The Pink Sun’ will take place at Francesco Risso’s palazzo in Milan in collaboration with Saatchi Yates, opening after the Marni show today, 26 February
By Hannah Silver Published
-
We’re at the sharp end of sophisticated postprandial entertaining with our tool kit
By Pei-Ru Keh Last updated
-
New York creatives recommend where to eat and drink during design week
By Melina Keays Last updated
-
Holy order: a Dutch collective brings a spiritual slant to gin
By Ali Morris Last updated
-
Spirited away: the making of Scholten & Baijings' and Nonino's grappa flasks for Handmade
By Rosa Bertoli Last updated
-
A cut above: the making of Handmade 2015’s prosciutto carving set, by Piero Lissoni and Knindustrie
By Oliver Adamson Last updated
-
Raising the bar: the making of Handmade 2015’s ‘Neolithic’ bar, by Studio Mackereth, Jack Badger and Royal Salute
By Jonathan Bell Last updated
-
Mixing desk: the making of Handmade 2015’s home bar, by Mark Albrecht Studio
By Pei-Ru Keh Last updated
-
Double act: the making of Handmade 2015's picnic whisky set, by Peter Ivy
By Jens H Jensen Last updated