Clean lines: the making of Pelle and ER Butler & Co's ‘Rock Garden’ soap set and tray
When it came to giving the humble hotel bath soap a makeover, we looked to Brooklyn-based design studio Pelle. Soon after forming in 2011, the firm, run by husband-and-wife team Oliver and Jean Pelle, made waves with a range of faceted, gem-like soaps. Handmade at Pelle’s Red Hook premises, the glycerine Soap Stones, as the line is called, quickly became a mainstay of museum shops and design boutiques alike.
‘I’ve [always] played with bars of soap. My father was a sculptor and so my brother and I would play around, sculpting things around the house – vegetables, apples. It was a parlour trick,’ says Jean. ‘When Oliver and I started Pelle, there was an open call for New York-based designers to submit product for the MoMA Design Store, so we took the idea of faceted soaps and [made them] with original formulations. We came up with seven colours and scent combinations in three sizes, and that was the Soap Stone line.’
Pelle has since produced a second collection, called Folly: seven soap sculptures inspired by architectural follies and made using textural, natural ingredients, such as sea sponge, pumice and activated charcoal. Ranging from domes and blocks to discs and columns, the pure forms are teamed with moody tones and quixotic finishes, and articulate the same refined, hand-produced ethos of Pelle’s lighting and furniture designs.
For Wallpaper* Handmade, Pelle was inspired by Japanese rock gardens and the work of Isamu Noguchi. The duo created a quartet of geometric soaps that appear embedded in a topographic brass tray, with fins that rise up and cradle each piece. The tray is both elegant and functional, enabling the soap to dry quickly after use.
‘In Japanese rock gardens, there’s an idea of placing each rock in a particular way to show off its best face, and then an equally specific way of treating the ground around it that creates a place for that stone. That’s where this idea came from,’ says Oliver.
Jean adds, ‘We try to pull back from just the function of what we’re designing, and incorporate other things that may inform the design process better, so in the end it’s a more meaningful, layered product.’
The brick-red cylinder is scented with energising bergamot and amyris essential oils and lends itself to body cleansing. The grey dome (a sandalwood and vetiver-infused pumice soap) and black mini dome (scented with patchouli and musk) are better suited to exfoliating and washing the face or hands respectively. The marbled cube, which is made from natural sea sponge and activated charcoal and smells of geranium and basil, can be used sink-side or in the shower.
Each piece is made from pure, vegetable-based glycerine and hand cut and carved at Pelle’s soap-making studio. The brass tray was machined by custom hardware company ER Butler & Co. Using water-jet technology, 62 unique brass profiles were cut and then assembled to create the landscape-like setting.
The chance to collaborate with founder Rhett Butler – who has nurtured many rising careers in the New York design scene – was a highlight for the Pelles. ‘We’ve known of Rhett for years, but knew he had a reputation of being hard to reach,’ says Oliver. So they were delighted when Butler readily accepted their Wallpaper* Handmade proposal. ‘It was perfect. Now we have a great relationship with him and are talking about future collaborations. To have somebody like him available, who has a real appreciation of design, is a great outcome.'
As originally featured in the August 2016 issue of Wallpaper* (W*209)
See more from Handmade here and check in to Hotel Wallpaper*…
INFORMATION
For more information, visit Pelle’s website and ER Butler & Co’s website
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Pei-Ru Keh is a former US Editor at Wallpaper*. Born and raised in Singapore, she has been a New Yorker since 2013. Pei-Ru held various titles at Wallpaper* between 2007 and 2023. She reports on design, tech, art, architecture, fashion, beauty and lifestyle happenings in the United States, both in print and digitally. Pei-Ru took a key role in championing diversity and representation within Wallpaper's content pillars, actively seeking out stories that reflect a wide range of perspectives. She lives in Brooklyn with her husband and two children, and is currently learning how to drive.
-
Six brilliant bars for your 2025 celebrations, hot off the Wallpaper* travel desk
Wallpaper’s most-read bar reviews of the year can't be wrong: here’s inspiration for your festive and new year plans, from a swanky Las Vegas lounge to a minimalist London drinking den
By Sofia de la Cruz Published
-
Misfires and Monstrosities: three vehicular design disasters that show taste is in retreat
From a multi-million dollar piece merchandise to a wretched Rolls-Royce, these are the low points of the year in transportation design
By Jonathan Bell Published
-
Thirty years after Dog Man Star, Brett Anderson looks back on Suede's album covers
Brett Anderson talks cover art, photography and iconic imagery
By Amah-Rose Abrams Published
-
Runway project: the making of Alfredo Häberli and Cerruti 1881's jumpsuit
By Rosa Bertoli Last updated
-
Hole in one: the making of Studio JinSik Kim, Cuellar, Bolon and Anun's ‘One Point’ minigolf
By Ali Morris Last updated
-
Servant class: the making of David Chipperfield Architects, E15 and AHEC’s ‘Butler’ stand
By Jonathan Bell Last updated
-
Lock stock: the making of Karl Zahn and The Nanz Company’s Hotel Wallpaper* keys
By Pei-Ru Keh Last updated
-
Curve appeal: the making of Wonmin Park and Testi’s Hotel Wallpaper* reception desk
By Paul McCann Last updated
-
Frame work: the making of KBH and Dedar’s sofa
By Ellie Stathaki Last updated
-
Gear shift: the making of Victoria Wilmotte and Maison Vervloet’s ’Edgar’ bell
By Paul McCann Last updated
-
Strike force: the making of Will Yates-Johnson and NasonMoretti’s matches vessels
By Paul McCann Last updated