'The way we live now': Sergio Mannino and a lifetime of design
With over 250 stores under his belt – including retail environments for Prada, Lexus and Vince Camuto – the Italian-born, Brooklyn-based designer and practice principle Sergio Mannino knows what makes for successful design. Having trained under Alessi designer Remo Buti and Memphis maven Ettore Sottsass, Mannino's aesthetic fuses an Italian sensibility with a contemporary flair. Wallpaper* spoke to Mannino – who recently designed a limited edition series of lamps influenced by artist John McCracken – about his childhood in Italy, his design philosophy and his approach to interiors.
Wallpaper*: You're Italian, so you were exposed to design at an early age. What were some of the first things you noticed about it?
Sergio Mannino: Design in Italy is something you grow up with because you're always surrounded by an amazing piece of [it]: Achille Castiglioni, all the designers from after the war – those pieces are in every house. You can watch shows on a Zanuso television as a kid, and my bed was designed by Marcel Breuer. We were surrounded by objects of amazing quality and beauty, but they were the norm.
What is your design philosophy?
I would say my design is always Mediterranean. It's playful, it's fun. It has to do with the way we live now. Whatever I design, I always think about the way people live and interact in today's world – I'm not interested in replicating the past. Every time we design we try as much as we can to do something that never has been done before. We try always to push an envelope.
What is your approach to interiors?
In the office, the main job is retail environments. That's very analytical in a way – we look at clients, we look at their brands, we're very focused on making sure the product works. Their interiors have to be extremely successful, so we have to make sure that we improve their brand. There are projects that I do, like the McCracken project, that I do almost exclusively for my own self, there is not directly a client. I do it because there are things I want to say. We always push this idea of function – especially in the USA, people are obsessed with function at all costs. Function is only one part. Beauty is another function as well; an object that is not beautiful, is not functional in my book.
What are your favorite places to source items?
[They're] mostly European. One of my favorites, Cappellini, has an amazing collection of pieces like [Shiro] Kuramata. An American company that we specify a lot is Blu Dot; it's inexpensive, but it has an amazing design quality to it. Moooi, Flos... the lamps are developed to absolute perfection. There's nothing wrong with any detail.
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Ann Binlot is a Brooklyn-based freelance writer who covers art, fashion, design, architecture, food, and travel for publications like Wallpaper*, the Wall Street Journal, and Monocle. She is also editor-at-large at Document Journal and Family Style magazines.
-
Year in review: top 10 design stories of 2024
Wallpaper* magazine's 10 most-read design stories of 2024 whisk us from fun Ikea pieces to the man who designed the Paris Olympics, and 50 years of the Rubik's Cube
By Tianna Williams Published
-
Sharon Smith's Polaroids capture 1980s New York nightlife
IDEA Books has launched a new monograph of Smith’s photographs, titled Camera Girl and edited by former editor-in-chief of LIFE magazine, Bill Shapiro
By Zoe Whitfield Published
-
A multifaceted Beverly Hills house puts the beauty of potentiality in the frame
A Beverly Hills house in Trousdale, designed by Robin Donaldson, brings big ideas to the residential scale
By Ian Volner Published
-
At home with designer Sebastian Herkner
Sebastian Herkner finds inspiration in his extensive travels around the globe and the spirit of optimism of his adopted hometown of Offenbach
By Rosa Bertoli Published
-
At home with Kelly Wearstler
American designer Kelly Wearstler talks about her approach to interiors, her California homes, favourite LA spots, creative inspiration and more
By Rosa Bertoli Last updated
-
Ritesh Gupta’s Useful School: ‘Creative education needs to centre on people of colour’
Creative industry veteran Ritesh Gupta on launching Useful School, a new virtual learning platform that puts people of colour front and centre
By Pei-Ru Keh Last updated
-
Ilse Crawford judges Wallpaper* Design Awards 2022
London Design Medal laureate Ilse Crawford – part of the six-strong jury for the Judges’ Awards, the Wallpaper* Design Awards’ highest honours – on design for a better reality, and our worthy winners
By Rosa Bertoli Last updated
-
Luca Guadagnino judges Wallpaper* Design Awards 2022
Italian film director Luca Guadagnino, who recently expanded his work into design and interiors, talks about his projects and judging the Wallpaper* Design Awards 2022
By Laura Rysman Last updated
-
Nendo’s Oki Sato on challenges, new talent, and ‘taking the difficult way’
Oki Sato, founder of prolific Japanese studio Nendo, reflects on past and present challenges – including designing Tokyo’s Olympic cauldron – and, for Wallpaper’s 25th Anniversary Issue ‘5x5’ project, selects five young talents ready to pick up the torch
By Danielle Demetriou Published
-
Formafantasma on their GEO-Design master’s programme, and designers thinking big
The Italian design duo – and Designer of the Year in the 2021 Wallpaper* Design Awards – are among our featured visionaries in ‘5x5’, Wallpaper's 25th anniversary project. They discuss their first year heading the GEO-Design master’s programme at Design Academy Eindhoven, educating students for a changing world, and their pick of five creative leaders of the future who are expanding the practice of design
By TF Chan Last updated
-
New vision for Franco Maria Ricci’s art publishing legacy
Italian art collector and publisher Franco Maria Ricci passed away in September 2020. His nephew Edoardo Pepino was entrusted with his artistic legacy, including the world’s biggest bamboo maze and Ricci’s eponymous publishing house, which is set for a relaunch in late 2021
By Maria Cristina Didero Last updated