This Los Angeles exhibition celebrates the life of fallen trees
LA gallery Tiwa Select presents Vince Skelly’s ‘After the Storm’ (2 – 12 July 2022), a collection of furniture created using local trees

In January 2022, when a severe wind storm wound its way through Southern California, devastating 83mph winds blew over 300 trees in sculptor Vince Skelly’s hometown of Claremont. A small university town located just outside of Los Angeles, Claremont is locally known as The City of Trees – 91 of those fallen were found in the city’s parks alone.
In a bid to assist the city’s clean-up effort, and inspired to honour the legacy of the felled trees, Skelly began driving all over the town, earmarking timber that was suitable for use, which he gathered and brought to his studio.
‘After the Storm’ by Vince Skelly at Tiwa Select
Vince Skelly in action.
The results of that effort are now being showcased in Skelly’s first solo exhibition with Tiwa Select in Los Angeles. Appropriately named ‘After the Storm’ (on view 2 – 12 July 2022), the show features an enticing array of pieces sculpted from six different wood types – deodar cedar, pine, redwood, live oak, eucalyptus and magnolia; varieties that were all new to Skelly. Ranging from the functional, like chairs, tables and benches, to the purely decorative, the collection provided Skelly with a unique opportunity to finesse his practice while still expressing the poignancy of the regrettable circumstances that the materials arose from in the first place.
‘I have a connection with all the trees that fell in the storm,’ he says. ‘As a kid, I climbed on them and used their shade to escape the summer heat. They provided oxygen and wildlife for our community. Lots of people in my hometown of Claremont share the same experiences. After the storm, it was an obvious choice to save the trees and create something special from them.’
Vince Skelly's workshop.
‘It’s special to carve and repurpose a piece of wood that has a sad story behind it, especially if I can in turn create a story of salvation from it. You get the opportunity to honour the tree's life and give it a new presence that'll last for centuries. It’s a gift,’ he continues. ‘Throughout the carving process, I think about the life of the tree I’m working with: what the world was like when the tree was planted, what has happened during its lifespan. When I’m working, I’m constantly thinking of the past while giving the wood a new function for the future.’
Each of Skelly’s objects venerably honour the origins of the tree that lived before it. The woods’ natural patina is retained in a poetic articulation of the past, present and future. Primitive and stoic in form, yet paired with intentional aesthetic gestures, each piece almost serves as a prompt to consider the passage of time.
Samples in Vince Skelly's workshop.
‘The first time Vince and I met, we immediately plunged into conversation about the spiritual meaning of wood and trees,’ says Tiwa Select’s Alex Tieghi-Walker. ‘We connected over our love of primitive and early craft forms in stone and wood. Vince is heavily inspired by Celtic traditions in carving, specifically megalithic and neolithic dolmen structures. I'm also very much drawn to Vince's process in “saving” pieces of wood that might otherwise be discarded, which he uses in turn to create his works.’
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
He adds, ‘Vince's practice summarises the type of craft I am excited about sharing – traditional manufacturing practices, a reference to creating objects that once upon a time didn't have the same type of commercial value that craft objects have today, and his emphasis on repurpose and “slow design” as a manifesto that should be part of our everyday lives once again. I love the playfulness of Vince’s work. The same object can take different forms if it's rotated, placed on its side, used as a table, a chair, or a footrest. The works are interactive and they are animated.’
Clearing fallen lumber in Claremont.
Accompanied by a printed journal featuring photography by Justin Chung, who accompanied Skelly after the storm on his wood-salvaging mission, the exhibition is at heart a statement about the ravages of climate change. A percentage of sales will go back to the city of Claremont to support replanting.
INFORMATION
‘Vince Skelly: After the Storm’ is on view from 2 to 12 July 2022
tiwa-select.com
ADDRESS
322 South Broadway (2nd Floor)
Los Angeles 90013
VIEW GOOGLE MAPS
Pei-Ru Keh is a former US Editor at Wallpaper*. Born and raised in Singapore, she has been a New Yorker since 2013. Pei-Ru held various titles at Wallpaper* between 2007 and 2023. She reports on design, tech, art, architecture, fashion, beauty and lifestyle happenings in the United States, both in print and digitally. Pei-Ru took a key role in championing diversity and representation within Wallpaper's content pillars, actively seeking out stories that reflect a wide range of perspectives. She lives in Brooklyn with her husband and two children, and is currently learning how to drive.
-
Fendi celebrates 100 years with all-out runway show at its new Milan HQ
In the wake of Kim Jones’ departure, Silvia Venturini Fendi took the reins for a special co-ed A/W 2025 collection marking the house’s centenary, unveiling it as the first act of celebrations within Fendi’s expansive new headquarters in Milan
By Jack Moss Published
-
‘Leigh Bowery!’ at Tate Modern: 1980s alt-glamour, club culture and rebellion
The new Leigh Bowery exhibition in London is a dazzling, sequin-drenched look back at the 1980s, through the life of one of its brightest stars
By Amah-Rose Abrams Published
-
Inside the unexpected collaboration between Marni’s Francesco Risso and artists Slawn and Soldier
New exhibition ‘The Pink Sun’ will take place at Francesco Risso’s palazzo in Milan in collaboration with Saatchi Yates, opening after the Marni show today, 26 February
By Hannah Silver Published