Chanel drafts Peter Saville to design record sleeve for its blockbuster Manchester show
Chanel’s Métiers d’art show invitation came encased in a record sleeve by Peter Saville, heralding a blockbuster show that paid ode to his home city of Manchester’s cultural might
Seminal British graphic designer Peter Saville returned to the medium with which he is perhaps most synonymous, the record sleeve, creating the invitation for Chanel’s blockbuster Métiers d’art show held in Manchester yesterday evening (7 December 2023). Inside, a four-track record ‘curated’ by longtime Chanel collaborator Michel Gaubert, featured songs from the city’s native musicians, from New Order to The Fall.
‘I had never thought that one day I would curate a compilation about Manchester for Chanel, with Peter Saville creating the artwork for it,’ said the French sound engineer, who revealed the dotted cover sleeve – which reads ‘Chanel MCR’ – on Instagram just before the show’s start. ‘But here it is.’
A post shared by michelgaubert™ (@michelgaubert)
A photo posted by on
Chanel arrives in Manchester for Métiers d’art show
Indeed, Gaubert’s surprise echoed much of the conversation in the run-up to the show. Coronation Street, football, Brit pop: Manchester’s cultural exports initially seemed incongruous with the vaunted refinement of Chanel, whose previous Métiers d’art shows have taken place in an Austrian palace, the Ritz Hotel in Paris, and the Fellini-favoured Cinecittà Studios in Rome, among other dramatic backdrops. Even the last Métiers d’art show held in the UK back in 2012 took place at Scotland’s 15th-century Linlithgow Palace, the 15th-century seat of the Stuarts.
But Viard – who took over creative direction of the house in the wake of Karl Lagerfeld’s death in 2019 – has instilled the house a lighter, more youthful energy, which largely returns to the liberated spirit of house founder Gabrielle ‘Coco’ Chanel for inspiration. Here, she said that she was inspired not only by the house founder’s longtime links to the locale – nicknamed ‘Cottonopolis’, Manchester’s vast industrial factories were some of the foremost fabric producers, which Chanel used in her collections – but also the energy of the city’s music scene.
‘For me, Manchester is the city of music,’ said the designer. ‘It incites to creation.’
It made Saville a fitting choice. Born in Manchester in 1955 – and going on to study at the city’s polytechnic college – he would work closely with Factory Records, the Tony Wilson-led label that imprinted some of the era’s most influential bands, among them Joy Division, New Order, A Certain Ratio and the Happy Mondays. Originally centred around the now-demolished Russell Club in Manchester’s industrial Hulme district – it would become better known as ‘The Factory’ – Saville would create the flyers for its club nights, and later the record sleeves for its most famous releases.
Perhaps most memorably, he worked on the cover art for Joy Division’s 1979 record Unknown Pleasures, which featured a 1919 image of the first pulsar waves, taken from the Cambridge Encyclopedia of Astronomy. Describing its design to The Guardian newspaper in 2011, he said it was at once ‘technical and sensual’, which is an apt descriptor for Saville’s own output, defined by a sparse but nonetheless evocative style. ‘It was the post-punk moment and we were against overblown stardom. The band didn’t want to be pop stars.’
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Viard seemed to echo this sensibility in the collection, which she described as one of ‘utmost simplicity and precision’, nonetheless infused with a ‘vibrant, pop spirit’. The latter she said came from Coco Chanel’s use of colour in her famed tweed suits, here recreated in numerous iterations, which seemed to recall the 1960s in their nipped and abbreviated silhouettes. These looks were completed with baker boy hats (also in tweed), camellia-flower rosettes, and stitched or ruffled trims.
’Tweed is central to this collection,’ said Viard. ‘I thought a lot about Gabrielle Chanel but I didn’t want to recreate Coco’s look, when she was wearing the Duke of Westminster’s jackets. I took my cue from the Coco who brought colour to her tweeds.’
Elsewhere, there were girlish shift dresses, caped knitwear (cut for the freedom of movement Viard said she desired in the pieces), and bermuda shorts. Expressions of craft – the purpose of the yearly Métiers d’art show is to celebrate the artisanal technique of the house‘s various métiers – appeared throughout, from feather work to intricate pearl adornment.
The show – which shut down Manchester’s buzzing Northern Quarter – comes at something of a renaissance for the city, which recently saw the opening of a vast new cultural venue Aviva Studios – Factory International. Designed by OMA, the space – which Wallpaper* architecture editor Ellie Stathaki described as a ‘moveable feast’ for its modular design – will host theatre events, art exhibitions, and an array of other performances.
‘The most important thing for me is that this is a building for the next generation, a building that gives people a place to try new things, not to conform to what you should do – a testing ground, an incubator,’ said Ellen van Loon, the OMA partner in charge of the project, earlier this year, a hopeful mood which Chanel echoed.
‘Too many things happen in London and we wanted to be in the UK out of London,’ said Bruno Pavlovsky, Chanel’s president. ‘We decided to come to Manchester because it was the most inspiring for Virginie. She was inspired by the music and art that she sees here in Manchester, and we've had a warm welcome.’
Saville was also recruited to take part in the Factory International project, working alongside design studio North on the space’s visual identity. Taking inspiration from the original Factory Records logo, the design is meant to have ‘a machine-like functionality’, says North.
‘I see Factory International, and its new home, as a two-way portal between Manchester and the world, through the broadest medium of the arts,’ said Saville at the time. ’The world comes in through it and Manchester goes out through it. It is itself a signifier of intent and ambition, so it’s inspiring.’
Jack Moss is the Fashion Features Editor at Wallpaper*, joining the team in 2022. Having previously been the digital features editor at AnOther and digital editor at 10 and 10 Men magazines, he has also contributed to titles including i-D, Dazed, 10 Magazine, Mr Porter’s The Journal and more, while also featuring in Dazed: 32 Years Confused: The Covers, published by Rizzoli. He is particularly interested in the moments when fashion intersects with other creative disciplines – notably art and design – as well as championing a new generation of international talent and reporting from international fashion weeks. Across his career, he has interviewed the fashion industry’s leading figures, including Rick Owens, Pieter Mulier, Jonathan Anderson, Grace Wales Bonner, Christian Lacroix, Kate Moss and Manolo Blahnik.
-
Taking off? XPeng Aero HT promises world’s first all-electric ‘Land Aircraft Carrier’
Six wheels, six rotors, four seats and an aesthetic that bests even the boldest futurologist – Chinese manufacturer XPeng looks to the skies with this truck and its onboard flying machine
By Jonathan Bell Published
-
Wallpaper* Design Awards 2025: best watch reinterpretations
Watch brands including Casio, G-Shock and Audemars Piguet are going full circle – and we’re here for it
By Hannah Silver Published
-
At CES, a self-watering pot that listens to your plant's needs
Hopeless with houseplants? This AI-assisted invention gives your little green friends a voice
By Jordan Bassett Published
-
Margot Robbie, Marina Abramović and a 15-step Korean scalp treatment: the most-read Wallpaper* beauty stories of 2024
The news of Margot Robbie becoming the face of Chanel No.5 and an illustrated guide to a 15-step Korean scalp treatment are just two of the most-read Wallpaper* beauty stories from the year gone by
By Hannah Tindle Published
-
Unboxing beauty products from 2024, as seen on the pages of Wallpaper*
Wallpaper's 2024 beauty picks included Chanel lipstick, Bottega Veneta perfume and solid soap from the likes of Aesop, Celine, Diptyque, Hermès and Sisley
By Hannah Tindle Published
-
How 2024 brought beauty and fashion closer than ever before
2024 was a year when beauty and fashion got closer than ever before, with runway moments, collaborations and key launches setting the scene for 2025 and beyond
By Mahoro Seward Published
-
The wait is over: Matthieu Blazy is Chanel’s new creative director
Matthieu Blazy has been appointed as the new artistic director at Chanel, after a critically lauded and commercially successful tenure as creative director of Bottega Veneta
By Jack Moss Published
-
Chanel heads to Hangzhou, China for a poetic Métiers d’Art 2025 show
This evening in China (3 December 2024), Chanel travelled to Hangzhou’s much-mythologised West Lake, a Unesco World Heritage site, for a show that highlighted the extraordinary craft of the house’s artisans
By Jack Moss Published
-
Margot Robbie and Jacob Elordi almost become lovers in Luca Guadagnino’s Chanel No.5 campaign: watch the film
Margot Robbie and Jacob Elordi front the new Chanel No.5 campaign in a film directed by Luca Guadagnino and soundtracked by Daft Punk
By Hannah Tindle Published
-
The breathtaking runway sets of S/S 2025, from beanbag animals to a twisted living room
Wallpaper* picks the best runway sets and show spaces of fashion month, which featured Bottega Veneta’s beanbag menagerie, opulence at Saint Laurent, and artist collaborations at Acne Studios and Burberry
By Jack Moss Published
-
Why solid soap is the most pleasurable object to bathe with
Solid soap provides a tactile bathing experience like no other. Hannah Tindle explores why in the September 2024 Style Issue of Wallpaper*, with soaps by Chanel, Celine, Diptyque, and more, photographed by Sophie Gladstone
By Hannah Tindle Published