Givenchy Beauty’s latest eye products take cues from skincare and haute couture
Givenchy Beauty’s creative director Thom Walker catches up with Mary Cleary on the brand’s latest offerings
Givenchy Beauty’s creative director Thom Walker has parlayed his experience as a celebrated make-up artist into a new vision for the brand’s make-up line, since taking on the role in 2022. It is a vision that reflects the iconic aesthetic of the storied fashion house, all while meeting the needs of the modern beauty consumer. ‘It’s such an iconic brand to be a part of, with such a strong DNA from Hubert de Givenchy,’ Walker tells me over a call from the Givenchy offices in Paris. And, while it can be intimidating to work in the shadow of one of the 20th century’s great designers, Walker also concedes that it ‘kind of makes my job a lot easier’.
‘It's not like we’re a new brand where we haven't told a story yet,’ he says. ‘[With Givenchy] the story has already been told, so it’s about how you modernise that story and how you move that story forward. Mixing timeless elegance with the boldness Mr de Givenchy created is always at the front of my mind when we’re creating new products. And I always say it’s a little contradictory to have something elegant, but still really bold as well.’
Givenchy Beauty blends the old and the new
That blend of the old and new, the sophisticated and the flamboyant, is reflected in hero products such as the Prisme Libre Loose Powder, an iconic bestseller which blurs imperfections while also adding light and radiance to the skin. It’s also evident in Walker’s latest Le 9 eyeshadow palette, which contains shades of versatile browns that range from subdued nude shades to punchy metallic textures.
‘I think that contradiction is what makes something creative; for example, making something that is matte but brings light to the skin as well,’ he says. Or, as is the case the L’Interdit Couture Volume Mascara, released just this week (February 2024), it is a product that provides a dramatic, exaggerated false lash look, yet has a formula that improves the health of your real ones. With 90 per cent natural ingredients that include ceramides and D-panthenol, it also encourages lash growth over time to create, as Walker puts it, a ‘skincare mascara’.
Walker is working to create products that balance between subtle and impactful, expressing Hubert de Givenchy’s belief that ‘the shortest path to elegance is simplicity. You can’t rely on the trends of fashion to influence the products,’ he says. ‘It’s more about the storytelling, the heritage of the brand, and [leaning on] those codes... Bringing them into the products, understanding how they function.’
He does, however, keep one eye open when it comes to certain ‘trends’ in the beauty industry, allowing him to play with the tension of the past, present, and future. ‘[In 2024] I think we’ll see more of that naturally enhanced version of yourself with [a focus on] soft brown shades, a little bit 1990s,’ he says, which is very much in keeping with the aesthetic of his new Le 9 palette. ‘I’m finding the “mob wife” trend quite hilarious at the moment,’ he says with a laugh. ‘But when you break it down, that look is essentially a brown, smoky Kate Moss eye.’
Thom Walker working on the campaign for the Le Rouge L’interdît campaign with Givenchy Beauty
A photo posted by thom.walker on
Ultimately, for Walker, performance is key to every product he creates. ‘Before I got into fashion I worked in a store, on the counter for different make-up brands,’ he adds. ‘I think having the perspective of what the customer wants is always at the front of my mind... I don’t want to put make-up products on and feel like I can’t see anything, yet I [also] want subtle enhancement that makes me, and others, feel better.’
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
L’Interdit Couture Volume Mascara, £34, and Le 9 de Givenchy Eyeshadow Palette in shade No.12, £64, are available now.
Mary Cleary is a writer based in London and New York. Previously beauty & grooming editor at Wallpaper*, she is now a contributing editor, alongside writing for various publications on all aspects of culture.
-
‘Concrete Dreams’: rethinking Newcastle’s brutalist past
A new project and exhibition at the Farrell Centre in Newcastle revisits the radical urban ideas that changed Tyneside in the 1960s and 1970s
By Smilian Cibic Published
-
Mexican designers show their metal at Gallery Collectional, Dubai
‘Unearthing’ at Dubai’s Gallery Collectional sees Ewe Studio designers Manu Bañó and Héctor Esrawe celebrate Mexican craftsmanship with contemporary forms
By Rebecca Anne Proctor Published
-
At The Manner, New York has a highly fashionable new living room
The Manner, a new hopsitality experience by Standard International in the heart of SoHo, triples up as a hotel, private residence, and members’ club
By Hannah Walhout Published
-
Givenchy’s Antigona Cube handbag riffs on a house classic
A much-loved Givenchy bag comes in a refreshed silhouette, inspired by the art of origami
By Jack Moss Published
-
How to wear black in summer
Wallpaper* journeys to Morocco’s Aman resort to make a case for wearing black this summer with S/S 2024’s most darkly dramatic looks
By Jack Moss Published
-
Utilitarian men’s fashion that will elevate your everyday
From Prada to Margaret Howell, utilitarian and workwear-inspired men’s fashion gets an upgrade for S/S 2024
By Jack Moss Published
-
Documentary ‘High & Low’ charts the rise, fall and redemption of John Galliano
‘High & Low: John Galliano’ (released today) dissects the designer’s showstopping contributions to fashion against the backdrop of his turbulent life. Here, director Kevin Macdonald tells Wallpaper* more
By Joe Bobowicz Published
-
Paris Fashion Week Men’s A/W 2024: Loewe to Hermès
The best of Paris Fashion Week Men’s A/W 2024 in our ongoing report, from Jonathan Anderson’s church of masculinity at Loewe to a consideration of pleasure from Véronique Nichanian at Hermès
By Jack Moss Last updated
-
Best in shows: Wallpaper* picks S/S 2024’s standout looks
As part of Wallpaper’s Design Awards 2024 issue, we select the winning S/S 2024 runway collections – and their defining looks – at the start of a new season in style
By Jack Moss Published
-
Matthew M Williams is leaving Givenchy
American designer Matthew M Williams is set to exit his role as creative director of Givenchy after a three-year tenure
By Jack Moss Published
-
‘Givenchy Catwalk’: the new book cataloguing seven decades of pioneering Parisian style
Hubert de Givenchy to Alexander McQueen, Clare Waight Keller to Matthew M Williams, ‘Givenchy Catwalk’ catalogues every collection from the house and the designers who made them
By Orla Brennan Published