Kim Jones has stepped down from Dior Men after a transformative tenure
After a critically and commercially successful seven-year tenure at Dior Men, Jones is stepping away
After some months of speculation, it has been confirmed this morning that Kim Jones is to leave his role as the artistic director of Dior’s menswear line, seven years after his appointment.
’It was a true honour to have been able to create my collections within the house of Dior, a symbol of absolute excellence,’ said Jones in a statement. ‘I express my deep gratitude to my studio and the ateliers who have accompanied me on this wonderful journey. They have brought my creations to life.’
Kim Jones is leaving Dior Men
He also thanked ‘the artists and friends I have met through my collaborations’, a hallmark of his tenure. These spanned the artists Hajime Sorayama, KAWS and Hylton Nel, and figures like Shawn Stüssy, Lewis Hamilton and Yoon-Anh, among many others. ‘Lastly, I feel sincere gratitude towards Bernard and Delphine Arnault, who have given me their full support.’
Jones began his tenure at Dior in 2018, having previously been creative director of Louis Vuitton’s menswear line. His collections were an immediate commercial and critical success, seeing Jones translate Christian Dior’s haute couture – which was designed for women – into sleek and contemporary menswear. His first collection saw him introduce the Tailleur Oblique suit, based on a wrapped, single-breasted design first created by the house founder in the 1950s.
He has also riffed on the nipped-waist Bar Jacket, and revived the Saddle Bag of John Galliano’s tenure. Looking back into the Dior archive was ‘common sense’, he told Wallpaper* after revealing his first couture line for men in 2024, which was inspired by the ballet dancer Rudolf Nureyev. ‘I look at it because of the purity, and it’s also very much rooted in menswear.’
His final collection, shown earlier this month during Paris Fashion Week Men’s A/W 2025, saw him attempt to return to the ‘quintessence’ of Christian Dior, drawing inspiration from the ‘graphic and angular’ lines of the house’s Ligne H collection, presented in the mid-1950s. ‘While a lot refers to the history of fashion, this is not historical fashion,’ he said. ‘Ultimately, in this collection, we wanted to say something about now.’ Later that day, he would receive the French Legion of Honour, France’s highest civilian decoration.
‘I am extremely grateful for the remarkable work done by Kim Jones, his studio, and the ateliers,’ adds Delphine Arnault, chief executive officer of Christian Dior. ‘With all his talent and creativity, he has constantly reinterpreted the house’s heritage with genuine freedom of tone and surprising, highly desirable artistic collaborations.’ As yet, Jones’ replacement is yet to be announced.
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Jack Moss is the Fashion Features Editor at Wallpaper*, joining the team in 2022. Having previously been the digital features editor at AnOther and digital editor at 10 and 10 Men magazines, he has also contributed to titles including i-D, Dazed, 10 Magazine, Mr Porter’s The Journal and more, while also featuring in Dazed: 32 Years Confused: The Covers, published by Rizzoli. He is particularly interested in the moments when fashion intersects with other creative disciplines – notably art and design – as well as championing a new generation of international talent and reporting from international fashion weeks. Across his career, he has interviewed the fashion industry’s leading figures, including Rick Owens, Pieter Mulier, Jonathan Anderson, Grace Wales Bonner, Christian Lacroix, Kate Moss and Manolo Blahnik.
-
American artist and activist Gregg Bordowitz considers survival and experience in London
Gregg Bordowitz's new show, 'There: A Feeling' at Camden Art Centre, spans video, installation, performance, poetry, and prints
By Sam Moore Published
-
This midcentury modern ‘Severance’ set was built by a Frank Lloyd Wright protégé
‘Severance’ is back on screens and with it comes a glimpse at some lesser-known architectural gems
By Charlotte Gunn Published
-
‘The craftsman should be within bicycle distance’: the eccentric, hyperlocal world of German furniture brand Nils Holger Moormann
German furniture brand Nils Holger Moormann's product launches rarely come around, it chooses which pieces to produce by blind submission, and all designs are crafted locally
By Laura May Todd Published
-
The best of Haute Couture Week S/S 2025, from Chanel to Valentino
Representing the pinnacle of Parisian fashion and savoir-faire, Haute Couture Week S/S 2025 took place in the French capital this week. Here, Wallpaper* fashion features editor Jack Moss picks the highlights
By Jack Moss Last updated
-
Indian artist Rithika Merchant on her fantastical show set for Dior couture: ‘It’s about building a wonderland’
Rithika Merchant tells Wallpaper* the story behind her immersive work ‘The Flowers We Grew’, which backdropped Maria Grazia Chiuri’s Alice in Wonderland-inspired S/S 2025 couture show in Paris yesterday (27 January 2025)
By Jack Moss Published
-
A timeline of David Lynch’s dreamlike perfume commercials, from Calvin Klein to Gucci
David Lynch’s perfume commercials, created over a two-decade period, saw the visionary director focus his dreamlike lens on fragrance campaigns for Calvin Klein, Giorgio Armani, Jil Sander, Gucci and more
By Hannah Tindle Published
-
Nostalgia and eclecticism meet in Resort 2025’s best looks, which are fit for a silent disco
Free-spirited Resort 2025 looks for letting go on the dancefloor or pounding the city streets to your very own soundtrack
By Jack Moss Published