Saint Laurent celebrate Renato D’Agostin’s road trip photography in new exhibition
Hosted at Saint Laurent’s Rive Droite stores in Paris and LA, the exhibition collates Renato D’Agostin’s photographs of a 2015 road trip across America
Coinciding with Paris Photo – the international photographic fair which took place in the French city earlier this month – Saint Laurent has invited Italian image-maker Renato D’Agostin to exhibit a 2015 series in the house’s Paris and Los Angeles Rive Droite stores. The stores, based on Yves Saint Laurent’s original 1966 Rive Droite store on the Left Bank, primarily house the brand’s collaborative endeavours and limited-edition pieces, alongside furniture, art and vintage music ephemera. ‘My choices are all very instinctive,’ Vaccarello told Wallpaper* on their opening in 2019. ‘I don’t want to intellectualise it too much. Just keep it in the moment – Rive Droite is really about l’air du temps.’
The series, part of which was published in 2015 book 7439, documents a journey D’Agostin took across the United States, travelling 7,349 miles east to west on a vintage 1983 BMW R100 motorcycle. The ethereal photographs – each developed en route, with D’Agostin turning his various hotel rooms into temporary dark rooms – capture an ‘initiatory journey where the man becomes an artist in a series of luminous and contrasting images, full of grace, light and subtlety,’ as the notes describe. A composite of 34 images makes up the various pieces displayed in the exhibition, comprising three triptychs (the central point of the show), as well as a number of diptychs.
Renato D’Agostin at Saint Laurent Rive Droite, Paris
The exhibition offers a rare opportunity to purchase D’Agostin’s work (all pieces will be on sale), which features in numerous public collections, such as the Library of Congress and the Phillips Collection in Washington DC, the International Centre of Photography in New York and LACMA in Los Angeles, the Centre for Creative Photography in Arizona and the Maison Européenne de la Photographie in Paris.
An exclusive ‘Renato D'Agostin’ book will also be available to purchase in Saint Laurent Rive Droite stores and on the house’s website, alongside a series of T-shirts featuring D’Agostin’s prints made in collaboration with the Venice-born photographer.
Renato D’Agostin at Saint Laurent Rive Droite runs until November 30, 2022.
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Jack Moss is the Fashion Features Editor at Wallpaper*, joining the team in 2022. Having previously been the digital features editor at AnOther and digital editor at 10 and 10 Men magazines, he has also contributed to titles including i-D, Dazed, 10 Magazine, Mr Porter’s The Journal and more, while also featuring in Dazed: 32 Years Confused: The Covers, published by Rizzoli. He is particularly interested in the moments when fashion intersects with other creative disciplines – notably art and design – as well as championing a new generation of international talent and reporting from international fashion weeks. Across his career, he has interviewed the fashion industry’s leading figures, including Rick Owens, Pieter Mulier, Jonathan Anderson, Grace Wales Bonner, Christian Lacroix, Kate Moss and Manolo Blahnik.
-
Davos 2025: Genesis goes all-out on outdoor machismo with this extreme sport support vehicle concept
Presented to the World Economic Forum at Davos, the Mountain Intervention Vehicle Concept is a wild transformation of the Genesis GV60 into a tracked rescue vehicle
By Jonathan Bell Published
-
E-ink comes of age: the best new tablets for distraction-free reading and writing
We explore the world of E-ink tablets to find the best device for handwriting input, editing, sketching and light computing duties
By Jonathan Bell Published
-
We are the world: Pininfarina’s ‘Orbis’ taps Papal support for an eco-friendly agenda
The Orbis is a ‘symbolic object’, a gift to Pope Francis from the Italian design agency at a time of political upheaval and social fracture around all aspects of sustainability
By Jonathan Bell Published