A glitchy Peter Saville print marks Anna Blessmann’s utilitarian fashion debut

Anna Blessmann is not someone who finds seasonal trend pieces appealing. ‘In luxury today, fashion garments are so distinctive’ says the German artist. ‘You can immediately tell what label someone is wearing.’ It’s fortuitous then, that following a meeting between Blessmann, her partner in life and art Peter Saville, and Virgil Abloh, the Off-White founder (one ironically known for his love of branding) invited her to create a versatile clothing collection based on the concept of the everyday wardrobe.
Anna Blessmann in A_Plan_Application’s presentation space during Paris Fashion Week A/W 2018
When growing up in Berlin, Blessmann had a penchant for repurposing old military jackets which she picked up in surplus army stores. A_Plan_Application’s debut, which features men’s and women’s styles, has a similar utility-focused flair. Imagined in monochromatic gradations of blue, from azure to indigo, pieces include cotton drill sweatshirts, straight leg denim, and a kimono style wrap dress. ‘Something you can keep on if you need to quickly leave the house or studio,’ Blessmann explains of the pieces designed to carry you from work to private view.
Splitting her time between London, Berlin, and Milan, Blessmann was searching for something not just travel-friendly and timeless, but for garments that cater to women’s figures. She modelled the collection on herself using a series of illustrative self-portraits. A_Plan_Application women’s silhouettes include a pair of workman’s overalls ‘modelled on milkman’s uniforms’ with a nipped in waist. Elsewhere, a hooded sweatshirt has powerful boxy shoulders and gently skims the hips. The pieces are also wonderfully practical. A sock boot is imagined in a comfortable mid-heel, a fetishistic boxy leather tote can hold a laptop, and a duvet coat has internal zip pockets
A_Plan_Application’s collection lacks any pattern, save for one Peter Saville-designed scarf print titled ‘Blue Blue Glitch’, which is a graphic amalgamation of the blue tones in Blessmann’s debut. Every season a new print will be added to each collection, the designs acting as wearable artworks which wrap around the body in an otherwise monochromatic wardrobe, designed for ease, durability, and a dash from an exhibition install to an evening out.
A_Plan_Application A/W 2018.
‘Blue Blue Glitch’ features as the only print in the collection
A_Plan_Application A/W 2018.
A_Plan_Application A/W 2018. Images courtesy of Britt Lloyd for A_Plan_Application
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
-
At the Regent Street Sensorium, architectural jelly sculptures are designed to ignite the senses
Delve into the history of London’s Regent Street through a jellyscape, a fragrance cloud and more – plus, for the event’s final week, two new immersive workshops (ends 27 April)
By Tianna Williams
-
With scenography by OMA, Dior’s ‘Designer of Dreams’ exhibition in Seoul is ‘a piece of theatre’
OMA partner Shohei Shigematsu catches up with Wallpaper* about the dramatic show design for the latest iteration of ‘Christian Dior: Designer of Dreams’, which opened in Seoul this weekend
By Daven Wu
-
Mercedes-Benz previews its next-gen people mover with an ultra-luxury EV concept
The Mercedes-Benz Vision V Concept is an art deco picture palace on wheels, designed to immerse passengers in parallel worlds as they travel
By Jonathan Bell
-
In Japan, Weekend Max Mara’s ‘Pasticcino’ bag is transformed with local craft
The third leg of Weekend Max Mara’s ‘Pasticcino’ bag tour touches down in Kyoto, Japan, where the country’s craft heritage inspires a bounty of riches
By Jack Moss
-
Highlights from the jet-setting Cruise 2025 shows
Our pick of the globe-trotting Cruise 2025 shows, from Dior’s takeover of Drummond Castle, Scotland to Max Mara’s season finale in Venice
By Jack Moss
-
Milan Fashion Week A/W 2024: Giorgio Armani to Bottega Veneta
The very best of Milan Fashion Week A/W 2024, from Giorgio Armani’s celebration of renewal to the ’monumental everyday’ at Bottega Veneta
By Jack Moss
-
This season’s womenswear channels freedom and escape
These S/S 2024 womenswear looks promise an escape from the everyday, and are photographed amid the otherwordly landscapes of the Canary Islands for the March 2024 Style Issue of Wallpaper*
By Jack Moss
-
Inside Max Mara’s teddy-filled ‘fluffy residence‘ in London’s Covent Garden
A transporting escape amid the bustle of last-minute shopping, Max Mara’s immersive new London pop-up continues their Teddy Coat tenth-anniversary by creating an apartment entirely covered in fluffy teddy fabric
By Jack Moss
-
Modern classic: Max Mara toasts ten years of the Teddy Coat
Max Mara celebrates the tenth anniversary of Ian Griffiths’ Teddy Coat, a cocooning style which is now firmly part of the Italian house’s famed outerwear canon
By Jack Moss
-
Patricia Urquiola on her rule-breaking capsule collection for Weekend Max Mara
‘Sometimes you just have to change the rules,’ says Spanish architect and designer Patricia Urquiola on her colourful capsule for Weekend Max Mara, designed to reflect the needs and contradictions of everyday life
By Jack Moss
-
Women's jackets: how to stand out in style this spring
We present the women's jackets for making a style statement this season. Button up and buckle in
By Laura Hawkins