Sign of the times: Caes’ slow fashion is fit for our new lives
Effortless, easy, elegant: new Dutch brand Caes offers a fresh approach to dressing for today
Dutch designer Helen de Kluiver is, perhaps, a modern day soothsayer. In autumn 2019, she debuted her new line, Caes: elegant tailoring, cleverly made in soft jersey for comfort; slubby oversized sweaters in virgin wool; ballerina body suits in stretch cotton; machine-washable boyish button downs. Within six months the world would have turned on its head and the environment for launching a new brand, as she had just done, would have seemingly plummeted. But de Kluvier had pitched it just right: it was everything we wanted before we knew we needed it.
‘If anything, this time has reaffirmed that we needed to slow down, and for my focus to be on quality over quantity,’ she says, speaking from her studio in Amsterdam. ‘I think there has been an awakening as to what we actually need versus what we want. A person really doesn't need that many material things; instead, prioritising social interactions – when we can have them – and caring for each other seems so much more important nowadays. This is very much the idea behind my brand.’
Growing weary of the relentlessness of fashion’s calendar, jobbing designer De Kluiver’s desire to launch her brand was gaining momentum. ‘It didn’t match my own set of values,’ she says of the repetitive pattern of collections and shows. ‘I had a strong desire to focus on quality, a perfect fit, and working with fabrics that would not have a negative effect on the environment.’ In spring 2019, she began work on her line that would be based on smaller ‘editions’ rather than large seasonal collections, ‘with qualities and colours that would remain timeless and wearable year-round.’ The intention was to create a portfolio of designs that work harmoniously, year after year. ‘Over time, you will see existing styles, sometimes offered in a new colorway and styled with new pieces. I want to design a wardrobe of perfect staples that can be updated in a new fabric or colour.’
Recently, it has been a challenge not to be able to visit her suppliers and factories - many being family-run businesses in Portugal selected by de Kluvier for their high quality of work and proximity to the Netherlands. ‘They are all very dedicated and truly care about the people that work for them - to me, this is as important as the quality of their work.’ Designing and collaborating via Zoom and Skype has become second nature. Considering sustainable production central to her ethos, she works with a 3D pattern cutter to avoid waste and her pieces are shipped to customers in compostable bags.
The name Caes, which means to wear things close to your skin, like a case, is also an ode to her father, Kees, a scientist who passed away when she was a young girl. ‘This is my way of honoring him.’
INFORMATION
Caes will launch with Net-A-Porter in Spring 2021. caes-store.com
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Tilly is a British writer, editor and digital consultant based in New York, covering luxury fashion, jewellery, design, culture, art, travel, wellness and more. An alumna of Central Saint Martins, she is Contributing Editor for Wallpaper* and has interviewed a cross section of design legends including Sir David Adjaye, Samuel Ross, Pamela Shamshiri and Piet Oudolf for the magazine.
-
Jaguar reveals its new graphic identity ahead of a long-awaited total brand reboot
Jaguar’s new ethos is Exuberant Modernism, encapsulated by a new visual language that draws on fine art, fashion and architecture
By Jonathan Bell Published
-
Olfactory Art Keller: the New York gallery exhibiting the smell of vintage perfume, blossoming lilacs and last night’s shame
Olfactory Art Keller is a Manhattan-based gallery space dedicated to exhibiting scent as art. Founder Dr Andreas Keller speaks with Lara Johnson-Wheeler about the project, which doesn’t shy away from the ‘unpleasant’
By Lara Johnson-Wheeler Published
-
Explore a barn conversion with a difference on the Isle of Wight
Gianni Botsford Architects' barn conversion transforms two old farm buildings into an atmospheric residence and artistic retreat, The Old Byre
By Jonathan Bell Published
-
Cult 1960s boutique Granny Takes A Trip gets a sustainable reboot
Founded on King’s Road in 1966, ‘radically creative’ fashion store Granny Takes A Trip is being reimagined for a new generation. Dal Chodha takes a closer look
By Dal Chodha Published
-
BITE Studios: ‘We want to have a brand which makes an impact’
BITE Studios is marrying sustainable textiles – from seaweed fabric to pea silk – with designs by a team including alumni of Proenza Schouler and Acne Studios
By Tilly Macalister-Smith Published
-
Icicle, the cross-continental label championing sustainability for 25 years
On the arrival of a new collection, ‘Hemp Up’, womenswear artistic director Bénédicte Laloux tells Wallpaper* the story behind minimally minded fashion label Icicle
By Jack Moss Last updated
-
Louis Vuitton announces decade long project to rewild London's Chelsea
Central London’s first ‘Heritage Forest' on Pont Street in Chelsea, will be the result of a rewilding partnership between Louis Vuitton, Cadogan and SUGi
By Laura Hawkins Last updated
-
Textile innovator Byborre empowers creators to cut waste
‘We developed a new process that allows creators to innovate,’ says Borre Akkersdijk, co-founder of Dutch textile innovation studio and clothing label Byborre
By Yoko Choy Last updated
-
Water inspires Holzweiler’s Snøhetta-designed Oslo flagship
Holzweiler Platz, the new retail destination of fashion brand Holzweiler in Oslo, is designed by architects Snøhetta as a naturalistic space that unites fashion, art and food
By Laura Hawkins Last updated
-
Marni Market arrives at Matchesfashion in Mayfair
Matchesfashion is offering first access to its new Marni Market to Wallpaper* readers
By Laura Hawkins Last updated
-
Advene’s debut bag is forever
‘We want our debut bag to stand the test of wear, weather, and time’
By Laura Hawkins Last updated