Delvaux opens Brussels museum with a surreal touch
Picture Western Europe in the late 19th, early 20th century. Post-industrial revolution, a small transit country like Belgium was in a state of flux both literally and figuratively. As the country with the highest density of rail networks in the world by 1875, the way people travelled there changed drastically.
That’s around the time when Delvaux, the Brussels-based leather goods brand, made all the difference. Founded in 1829 – one year prior to the independence of the Kingdom of Belgium – Delvaux swiftly progressed from its luggage-making origins and became the first brand worldwide to file a patent for handbags in 1908.
The realisation that women would want to keep their most precious belongings close to hand in practical, small bags during their travels turned out to be a visionary move.
Surreally, the grand opener of the Musée Delvaux in Brussels – which was completed at the beginning of last year but opened just recently to coincide with Delvaux’s 190th anniversary and to celebrate a period of increasing international expansion – is a monumental black epoxy resin Brillant handbag, the house’s emblematic style, lacquered seven times over to bestow it with a true-to-life leather effect.
‘A disproportionately large bag in that space – I just think it’s fun,' smiles Bob Verhelst, the scenographer who was tapped by Delvaux to devise the Musée’s concept, and is the mind behind over ten of the Antwerp Fashion Museum MoMu's most recent exhibitions.
The story of Delvaux is very much one of collaboration, and the brand’s choice to work with Verhelst is a serendipitous one. ‘If you look at how Christina [Zeller, creative director of Delvaux] draws the collections, how she subtly edits the classic designs to turn them into contemporary pieces, I see a parallel,' he says. ‘I, too, am quite classical in my outlook, but there’s always a twist to my work. We have a similar frame of mind.'
As the oldest fine leather luxury goods house in the world, it could seem Delvaux has a dusty burden to bear. But even in the process of building a museum, the brand manages to keep things light and playful, even when the subject at hand is historical and reverential.
RELATED STORY
Creating a museum, Delvaux’s chairman and CEO Jean-Marc Loubier says, ‘is quite the challenge even if you have interesting elements to show. I saw it as a necessity, because Delvaux has a very long legacy, but, even more because the brand is an inventor.' He continues: ‘My approach for the Delvaux Museum was to consider it as a meeting and melting pot or moment. It tells three correlated stories: the story of Delvaux, the history of the handbag and the story of Belgitude. The Museum conveys our specific identity which is about being historical, open and Belgian.'
Housed in former military barracks occupied by Delvaux since 1994, the museum occupies the same building as the brand’s design studio and atelier. Before entering the exhibition space, original Delvaux designs in dust bags tagged with the year they were created line archival shelves – testimony to the heritage of a house nearly two centuries of age. The Musée, however, disdains chronology.
‘We combed the archives and formulated themes,' explains Verhelst. ‘There is a different story to tell compared to other leather goods brands. Delvaux made luggage only for a brief moment. Our focus lies with the history of the handbag, of which Delvaux holds the oldest patent.'
Older archive pieces were selected with on the basis of their design particularities, such as special locks or crocodile leathers. As Delvaux launches a new collection twice yearly, more recent styles will also be displayed in vitrines on rotation.
With such a wealth of designs to choose from, editing down the huge archive was not an easy task. ‘It was bit of a puzzle to include every aspect of the brand in an intelligible way,' Verhelst admits. ‘I wanted to avoid an overload of information and imagery.' In the end, the Musée radiates exactly what he aimed for: ‘The experience is pleasurable and calm; the same feeling you get when you step into a Delvaux store.'
INFORMATION
delvaux.com
ADDRESS
7, Boulevard Louis Schmidtlaan
1040 Brussels
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Siska Lyssens has contributed to Wallpaper* since 2014, covering design in all its forms – from interiors to architecture and fashion. Now living in the U.S. after spending almost a decade in London, the Belgian journalist puts her creative branding cap on for various clients when not contributing to Wallpaper* or T Magazine.
-
Audi launches AUDI, a China-only sub-brand, with a handsome new EV concept
The AUDI E previews a new range of China-specific electric vehicles from the German carmaker’s new local sub-brand
By Jonathan Bell Published
-
Inside Izza Marrakech: A new riad where art and bohemian luxury meet
Honouring the late Bill Willis’ hedonistic style, Izza Marrakech fuses traditional Moroccan craftsmanship with the best of contemporary art
By Ty Gaskins Published
-
Clocking on: the bedside analogue timepieces that won’t alarm your aesthetic
We track down the only tick-tocks that matter, nine traditional alarm clocks that tell the time with minimum fuss and maximum visual impact
By Jonathan Bell Published
-
Inside ‘M&OTHERS’, the experimental exhibition dissecting the relationship between fashion and motherhood
A new exhibition at Modemuseum Hasselt, Belgium explores the rarely examined link between fashion and motherhood, in all its forms
By Dal Chodha Published
-
‘Masquerade, Make-up & Ensor’ at MoMu celebrates the artistry of Pat McGrath, Cindy Sherman and more
‘Masquerade, Make-up & Ensor’ is a newly opened multimedia exhibition at MoMu – Fashion Museum Antwerp, celebrating the craft of make-up and hair; Zoe Whitfield reports
By Zoe Whitfield Published
-
Meryll Rogge is rethinking classic fashion from a remote Belgian barn
‘The brand is open to everything, everybody, and to interpretation,' says founder Meryll Rogge, of her democratic approach to design
By Laura Hawkins Last updated
-
Equal rights: a new tome celebrates AF Vandevorst’s 20 year partnership
By Ana Kinsella Last updated
-
Buzz words: Capara and Templa are making noise in Belgium and beyond
By Laura Hawkins Last updated
-
Solid foundations: the Yves Saint Laurent museum opens in Marrakech
By Ali Morris Published
-
Timeless and iconic: the Bowes Museum hosts UK’s first ever Yves Saint Laurent retrospective
By Christopher Stocks Last updated
-
’Women Fashion Power’ at London’s Design Museum explores the link between clothing and success
By Rosa Bertoli Last updated