Valentino A/W 2020 Paris Fashion Week Men's

Mood board: ‘The meaning of romanticism today is different,’ the notes to Pierpaolo Piccioli’s A/W 20 menswear show began. His deference for opulence and glamour, best seen in his beautiful womenswear couture shows, spilled into his menswear offering too. There has been a consistent reassessment of masculinity in the past few days of the new decade. Piccioli wanted to revive a certain romanticism through menswear cut. The look was fluid, suiting open at the sides, the line languid and quiet.
Finishing touches: The collection focused on tailoring as, the notes suggested, ‘masculine metaphors’. In Milan, designers seemed obsessed with scrubbing out the dictums of gendered fashion, several posing the question: ‘what makes a man today?’ At Zenga it was about an opening of discussion and emotion; at Ferragamo it was in the adaptability of the clothes – the autonomy of the wearer. At Valentino the question inspired a traditional and romantic respectability. The show started with black and moved into orange, grey, berry – colours derived from flora. A fluid purple blazer showed flashes of lime green shirting underneath. Flowers ran across the back of shoulders.
Team work: The floral motifs printed, appliquéd and knitted onto the clothes were taken from the archives of photographers Inez Van Lamsweerde and Vinoodh Matadin. The words of French artist Mélanie Matranga, inspired by her fabric haikus, were magnified all over: NEED NEED featured on a V-neck tabard, BAD LOVER on the front of a double-breasted jacket and collaged onto washed denim suiting. The British artist FKA Twigs sang live.
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
London based writer Dal Chodha is editor-in-chief of Archivist Addendum — a publishing project that explores the gap between fashion editorial and academe. He writes for various international titles and journals on fashion, art and culture and is a contributing editor at Wallpaper*. Chodha has been working in academic institutions for more than a decade and is Stage 1 Leader of the BA Fashion Communication and Promotion course at Central Saint Martins. In 2020 he published his first book SHOW NOTES, an original hybrid of journalism, poetry and provocation.
-
Must-visit cinemas with award-worthy design
Creativity leaps the screen at these design-led cinemas, from Busan Cinema Centre’s record-flying roof to The Gem Cinema Jaipur’s art deco allure
By Sofia de la Cruz Published
-
The modernist home of musician Imogen Holst gets Grade II listing
The daughter of the composer Gustav Holst lived here from 1964 until her death, during which time the home served a locus for her own composition work, which included assisting Benjamin Britten
By Anna Solomon Published
-
This fun and free-spirited photography exhibition offers a chromatic view on the world
‘Chromotherapia’ at Villa Medici in Rome, explores how we view colour as a way of therapy, and how it has shaped photography over the last century (until 9 June 2025)
By Tianna Williams Published