Some designers just make clothes for the sake of it and others are driven by otherworldly and primal urges. Rick Owens could be the ringleader of the latter, and his spring 'Faun' collection was one of the pinnacle moments of an intimate dialogue with his fellow earthlings told through clothes. In it he divulged the true story of a wayward model embraced into his family fold, and Owens' addition of the naive spirit drawings of that artistic soul as tapestries across the collection. One spoke of Les Ballets Russes and the other of the mischievous behaviour of a faun tangled in lust with a stolen nymph's scarf. It explained the long sashes that looped around Owens' shorts and trailed off a multitude of colour-blocked tunic tops in strips of flyaway nylon. And yes, I said the word 'colour', at Rick Owens. Sky blue, apricot, deep russet and bright white all factored into those sleeveless tops and a bevy of bombers harnessed with asymmetric cages, worn atop skorts and Owens' latest Adidas creation - a silvered leather moon boot bouncing on a blade-shaped sole.
Photography: Jason Lloyd-Evans
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London's coolest design-led coffee shops for your Fashion Week fixCoffee shops are the heart of London’s neighbourhoods, discover those fusing speciality beans and stylish interiors for the perfect brew
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Martine Rose’s first gallery show celebrates the radical queer energy of Bronski BeatTaking place at Sadie Coles over London Fashion Week, ‘Everything Must Change’ centres on a 2016 short film by menswear designer Martine Rose and image-maker Sharna Osborne starring Bronski Beat frontman Jimmy Somerville
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Out of office: what the Wallpaper* editors have been doing this weekA taste of the dolce vita in London, some permanent artwork and a new eyeshadow palette – it's our editors' picks of the week
