Marc Jacobs A/W 2014
'Happy days are here again,' professed a throaty voice, over and over and over again, during the Marc Jacobs show in New York - the designer's first outing since his recent departure from the French house of Louis Vuitton. Now that the stress of two big gigs are behind him, and more focus is being paid to his Marc by Marc Jacobs second line, the event could have potentially been billed as a sunny occasion. So why did the voice (which happened to belong to the actress Jessica Lange) sound so damned depressed, if not a little bit nutty? The doldrums were dampened further by heavy grey clouds (in an overhead installation) that literally hung over the show space like a bad mood. Ironically, though, the audience was perfectly cheery. Not only was each audience member treated to a front row seat on an individual comfy foam stool, but many of the clothes looked good enough to eat. Working in a palette-cleansing array of nudes (who knew there were this many shades of blush and beige?), Jacobs took streamlined silhouettes from the late 1960s and early 1970s and brushed them up with modern elan. Two-piece matched sets were key to the look: long column dresses or tunic tops in wool crepe were paired with matching tone-on-tone flared pants that were skinny enough to be tights. Though the shapes were pure and simplified, the surfaces were animated with engineered panels and collages of mixed colours, which were more convincing than the tiers of sheer ruffles that came later. The collage work grew in scope, adding on an ergonomic spin with elbow pads, stirrups, shoulder pads or yoking that was all drawn out in mixed materials on bomber jackets, cropped pants and even on the fabulous fur over the knee boots. In the barely there colours, this intricate work came off as cooly subtle, just like the model's faces that were awash in non-coloured makeup and blunt bobs that shimmered with otherworldly iridescence. When he came out for his bow, Jacobs did not appear to believe that Happy Days were in fact here again. But take it from us: the skies above will definitely clear again.
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
JJ Martin
-
Lighting designer Andi Watson on creating Mitski’s sculptural stage for 'The Land'In Mitski’s live show and new concert film, a single beam of light becomes her dance partner. Lighting designer Andi Watson discusses turning shadow, movement and restraint into the architecture of feeling
-
Making mirrors with A Vibe Called Tech, the collective democratising designLast week, Wallpaper* Paris Editor Amy Serafin spent a day with a group of creatives led by Julie Richoz, making mirrors: here's what went down (and how to make your own)
-
A postcard from We Design Beirut: 'We’re learning how to break barriers and create dialogue'The second edition of We Design Beirut celebrated design, architecture, heritage and creativity
-
The standout shows of New York Fashion Week S/S 2026 – as they happenedHeralding the start of fashion month, the latest edition of NYFW took place in the city this week. Here, in our rolling round-up, Wallpaper* picks the highlights
-
Everything you need to know about the Met Gala 2025 and ‘Superfine: Tailoring Black Style’ exhibitionEverything Wallpaper* knows about the Met Gala 2025 – from the dress code to the exhibition theme and A-list co-chairs
-
Sarah Moon brings painterly fashion and dark fantasy to Fotografiska New YorkOctogenarian French photographer and filmmaker Sarah Moon shows 30 years of work at Fotografiska New York – spanning fashion and fantasy, mystery and the macabre, it’s dark, painterly and compelling
-
‘In America: A Lexicon of American Fashion' is coming to The MetThe first of a two-part, year-long extravaganza, ‘In America: A Lexicon of American Fashion’ is organised into 12 sections that seek to define the emotional qualities in American style
-
Saint Laurent celebrates 40 years of Memphis GroupMemphis Group's milestone birthday is celebrated with a series of colourful furniture installations across the French maison's concept boutiques
-
‘A place for the eye to pause’: Ulla Johnson unveils New York HQThe Manhattan-born fashion designer opens a warmly-hued style sanctuary, created in collaboration with architect Rafael de Cárdenas
-
Es Devlin-designed time-travelling exhibition opens at The Met’s Costume Institute‘Our aim is to communicate the phenomenon of time as it is expressed through the female form,’ says Devlin of the exhibition she has designed alongside curator Andrew Bolton
-
Theory A/W 2020 New York Fashion Week Women’s